Waldy & Bendy discuss some shocking news from the art world and investigate the future of museums. Bendy talks to a big honcho who’s written a book on the subject, while Waldy remembers Louisville, Kentucky.

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Waldy & Bendy celebrate Mother's Day with a look at mothers in art, and pop into the big auction to see how much the Beeple will fetch. Also Waldy has a chat with Andy Goldsworthy about land art.

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Waldy & Bendy delve into hell in the art of Hieronymus Bosch, and almost come to blows over prices in the auction world. Meanwhile Bendor takes a walk in ancient Rome and Waldy goes to India.

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Waldy & Bendy celebrate the dodgy anniversary of Sir Joshua Reynolds, Bendy has a chat with Joanna Wood about accessibility in museums, and Waldy goes to Istanbul in his dreams.

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Waldy & Bendy celebrate the dodgy birth of El Greco, and Waldy has a chat with Britain’s greatest forger, Shaun Greenhalgh. Plus the spiritual abstraction of Georgiana Houghton.

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Waldy and Bendy have a Valentine's Day kiss-off, and conclude their search for the Worst Film About an Artist Ever Made with The Rebel starring Tony Hancock.

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Waldy & Bendy go head to head deciding if Lust For life is a worse van Gogh film than At Eternity’s Gate.  Plus the Raphael cartoons and a scary portrait of Andy Warhol.

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Waldy & Bendy run the rule over Albrecht Dürer and continue their search for the worst film about an artist ever made with ‘Pollock’, starring Ed Harris. Plus, a visit to an auction and Sophie the art baby.

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Waldy & Bendy discover a new kind of blue and poke about in the Oval Office, looking at the art. The bad film this week is The Agony and the Ecstasy, with Charlton Heston as Michelangelo and Rex Harrison as Julius II.

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Waldy & Bendy discuss sculpture after a chat with Antony Gormley, and then entertain themselves in the lockdown by watching a terrible film about Frida Kahlo. Then Waldy chooses a Fatimid ewer for his imaginary shelf.

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