My guest on the show today is novelist and TV writer Ben H. Winters. I first encountered Ben as the author of the wonder and wonderfully sad Last Policeman trilogy of science fiction novels, which are about a small town cop who keeps investigating and solving crimes even as a planet-destroying asteroid continues on its deadly trajectory toward Earth.

I hadn’t thought of him in about a decade, since I finished the books, when I came across his name again in a surprising place, as one of the co-creators of the CBS show Tracker, the first season of which I’d just binged. I don’t usually go deep into the cast and crew of shows like Tracker, which is a fun but fairly generic CBS action series, but I’d been surprised to see that the show had been the single most popular scripted drama of the year. I was curious whether there was something in the zeitgeist it was capturing that I simply hadn’t perceived.

So I started researching the creators, and there Ben was. The more I read about him, the more fascinated I became. In addition to The Last Policeman novels, he’s also the author of Sense and Sensibility and Sea Monsters, which was the second in the “Quirk Classics” series, after Pride and Prejudice and Zombies. He also wrote the third volume in that series, Android Karenina. Other science fiction and thriller titles include Underground Airlines, Golden State, The Quiet Boy, and this year’s Big Time. As a TV writer, in addition to Tracker, he’s also worked on Legion, the trippy Marvel series, and Manhunt, about the search for John Wilkes Booth after he assassinated Lincoln.

Ben and I end up talking a lot about how to make a career as a writer, the unpredictabilities of the entertainment industry, and the ways in which Tracker blends conservative and liberal sensibilities.

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