Writing Excuses

The book that became a New York Times Bestseller because of a tweet. Well, it won LOTS of awards when it came out, but it was rediscovered by a Twitter account with a large following. So-- let's get into it!

On our first episode diving into Voice using the short novel "This Is How You Lose The Time War", we talk about why Voice is essential and some working definitions of how we want to talk about it. We also explain why we chose this book and highlight some of the things it's done well, and what you can learn from it!

Thing of the Week: Scavengers Reign

Homework: Take a sentence from a work you love that has a strong and clear voice. Write a scene based on that as a prompt, in the same tone and voice as the original.

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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You’ve probably seen us posting about our Close Reading Series, and in his episode, we finally officially introduce it! 

For most of the remainder of 2024, we’ll be diving into five core elements of writing by focusing on five different literary texts. We’ll spend five episodes on each one, and then we’re going to… drumroll please… interview the author(s)!

As you know, we’ve spent lots of time reading, writing, talking, and recording our thoughts about different elements of the craft. But this year, we wanted to ground our episodes in specific texts that you could read along– and analyze– with us!

Below is the schedule for each book or short story we’ll be diving into. The date on the right in parenthesis is the air date of the first episode in our series that will begin talking about that text. We highly recommend you read the book by that date, as we will be talking about the entirety of the text for all 5 episodes (including spoilers!) 

First up: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar

You can buy this (and all the other books!) through our bookshop link-- this is linked in our bio in addition to right here:

https://bookshop.org/lists/close-readings-season-19

Close Reading Series: Texts & Timeline

Voice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17) 

Worldbuilding: A Memory Called Empire by Arkady Martine (May 12) 

Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7) 

Tension: Ring Shout by P. Djèlí Clark (September 1) 

Structure: The Fifth Season by N.K. Jemisin (October 13) 

Thing of the Week: SHINOBIGAMI: Modern Ninja Battle RPG

Homework: Take a scene from a work that you love and five highlighters/crayons/colored pencils - use one color to underline/highlight places where the voice comes through, one for great worldbuilding, one for character moments, one for any moments of tension, and one for moments that move the plot forward. What colors do you end up with? Where do they overlap? What are the colors of the moments you love the most? What would the colors of one of your scenes be?

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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Hosts Erin and DongWon are joined by Fonda Lee and Mahtab Narsimhan for a special episode about creating traditions in your fictional writing. In this episode, we'll explore some of the following: 

-How do you build traditions and rituals in your fictional world (choosing what becomes a tradition or ritual and what doesn’t)? 

-How can you use rituals or traditions to advance a novel’s plot, give characters more depth, and create conflict? 

-What are the pitfalls to avoid (depiction of closed practices, over-ritualizing common traditions)?

Homework: 

Pick a ritual or tradition that you are very accustomed to and make it the center of a fictional scene. You can change its meaning or impact, but the content of the tradition should stay the same.

Thing of the Week: 

Shanghai Immortal by AY Chao (especially the audiobook version)

Liner Notes: 

This podcast episode idea was inspired by ReaderCon 2023, where Erin Roberts was a panelist.

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Credits: Your hosts for this episode were DongWon Song, Erin Roberts, Fonda Lee and Mahtab Narsimhan. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
* Check out Tin Can and use my code tincan.com/WX for a great deal: https://tincan.kids


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An agent, an editor, and a writer walk into a Zoom room and record a podcast... but really... that's (part of) what this episode is!

First off, a reminder that your agent, your editor, and you are all on the same team! They are all trying to make the same book (your book!) a better book. Whether you've published before or are just starting your first short story, we are so excited for you to dive into this episode.

For our final episode in our three-part series on revising your NaNoWriMo manuscript—or any other large writing project—we are diving into how to work with an editor! We wanted to show you a peek behind the curtain that is publishing and editing-- what does this relationship look like? How do you handle differences, conflicts, and priorities? What IS an edit letter?

Our guest for this series has been the inimitable editor Ali Fisher, who works at Tor. Thank you, Ali, for your advice, stories, and time!

Homework:

Take a work written by someone else (anyone else!) and come up with three questions you have for the author that would help them clarify their intention in the text.

This could be a movie you've seen, a project you're beta-reading for a friend, or a short story you've stumbled upon.

Then, apply these questions to your own work in progress!

Thing of the Week from Ali: 

Ali has two podcast recommendations for you!

Rude Tales of Magic

Oh These, Those Stars of Space!

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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For our second episode in this three-part series on revising your NaNoWriMo novel—or any other larger project you have—we are diving into intentions with Tor editor Ali Fisher. We asked her how she helps writers figure out what their books are about, and how she helps set intentions for revisions.

Ali talks with us about how its important to be kind to yourself -- and your writing-- during the revision process. She also gives us advice for how you, as a writer, can lean into what you do well.

Homework: 

From editor Ali Fisher: write down what you like best about your book. Find a spot in your book where you can incorporate that element where it isn't now.

Thing of the Week: 

I Will Not Die Alone by Dera White, illustrated by Joe Bennett

A Bathroom Book for People Not Pooping or Peeing but Using the Bathroom as an Escape by Joe Pera; illustrated by Joe Bennett

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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Ali Fisher, editor at Tor Books and member of the podcast Rude Tales of Magic, joins us for a three-part series on editing.

First up: length! How do you edit your work—whether it's a book or a short story or a novella? Maybe you wrote a draft during NaNoWriMo, maybe you didn't-- either way, we want to help you figure out how to make your writing the perfect length.

Homework: Find two scenes next to each other from your writing. Remove the scene break and write bridging text between the two of them instead. Then, find a different scene that has that bridging text, and cut it into two different scenes so that you are removing it and creating new signposts. See what this does to length and your perception of the pacing.

Thing of the Week (from Ali Fisher): Infinity Alchemist by Kacen Callender

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and guest Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Our Sponsors:
* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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Some writers love revisions and some would rather scrub the toilet than revise their writing. On this episode, we are joined by author Mahtab Narsimhan, who many will recognize as a host from past seasons! Mahtab talks with our hosts about how she thinks about revisions. How do you revise your writing? What is the difference between revising and rewriting? Mahtab describes her favorite techniques and provides tips to make it more manageable. 

Homework Assignment from Mahtab Narsimhan:

Take the first 3 chapters of your finished draft and distill it by 1) Chapter 2) Scenes 3) Key plot points per scene 4) POV 5) Setting 6) Time of day/timeline 7) How many pages per scene and/or chapter. 

Thing of the Week: 

Nevermoor: The Trials of Morrigan Crow by Jessica Townsend

Liner Notes: 

The Revision Template that Mahtab mentions is a free resource on our Patreon! You can find it at www.patreon.com/writingexcuses

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Our Sponsors:
* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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Pacing is one of the most subjective and difficult aspects of storytelling to get right. What is pacing? How do you know what the right pace is for a story, and what techniques can you use to speed up or slow down your narrative?

Homework Assignment from Fonda Lee: 

Take a page of a work-in-progress project and experiment with the pacing. Ideally, this should be a page with some dialogue or tension between characters. First, try to speed it up: cut description, be tight with dialogue, move the scene quickly. Then do the opposite: rewrite the scene but this time slow it down. Include more context, character interiority, exposition, and scene building. Compare the two versions. Which serves your story better?

Thing of the Week: 

The Book of Witches

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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A few months ago, we were on a cruise ship in Alaska recording podcast episodes for 2024!

This live recording features a Q&A with cruise attendees, who were given the opportunity to ask questions to Marshall Carr, our audio engineer, and Emma Reynolds, our producer. In this episode, we talked about the benefits of MFA programs, astrology, and how to continue learning without being overwhelmed. 

Homework from Emma Reynolds: 

What homework would you give yourself as a writer today? What homework would you have given yourself a year ago? Let us know your answers on instagram, tag us @Writing_Excuses and we'll repost you!

Thing of the Week from Marshall Carr: 

A Necessary Chaos by Brent Lambert

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
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We have a LIVE podcast recording from September 2023, when we were hosting one of our writing retreats on a cruise ship in Alaska! (To learn about our next WX Retreats, check out: https://writingexcuses.com/retreats/ 

Or apply for our scholarships by January 31 at https://writingexcuses.com/scholarships/

This episode features questions from our writers, and those who attended our 2023 WXR Cruise to Alaska! We answered questions about success, what happens after you’re a NYTimes bestseller, and how you can record your own audiobook. 

Homework: 

Go listen to the most recent episode of the podcast Just Keep Writing. 

Thing of the Week: 

Just Keep Writing is a podcast cohosted by Marshall, our incredible recording engineer. It’s a podcast for writers, by writers, to keep you writing. The podcast focuses on building community and lifting marginalized voices. Learn more at justkeepwriting.org, or listen wherever you get your podcasts!

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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Our Sponsors:
* Check out MasterClass and use my code masterclass.com/excuses for a great deal: https://MasterClass.com
* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.com
* Check out Tin Can and use my code tincan.com/WX for a great deal: https://tincan.kids


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