https://astralcodexten.substack.com/p/your-book-review-the-wizard-and-the

 

[This is the seventh of many finalists in the book review contest. It’s not by me - it’s by an ACX reader who will remain anonymous until after voting is done, to prevent their identity from influencing your decisions. I’ll be posting about two of these a week for several months. When you’ve read all of them, I’ll ask you to vote for your favorite, so remember which ones you liked. If you like reading these reviews, check out point 3 here for a way you can help move the contest forward by reading lots more of them - SA]

Some books really stick with me. Like, literally, stick with me: I’m one of those people with pretentious literary tattoos. So far, just two books have been meaningful enough for me to permanently etch their totem on my skin: the glyph of the underground postal service from The Crying of Lot 49, and the line "Everything Is Permitted," Jean-Paul Sartre’s misquoting of Dostoevsky’s take on atheism from The Brothers Karamazov. (I wasn’t kidding about pretentious!) People have all sorts of reasons for getting tattoos – mine are there for some of the standard superficial ones (looking cool and tough, obviously), but also to act as little daily mantras for how I want to live and think about the world. To this very short list of inked paragons, I’m thinking of adding a new one: a few stylized stalks of wheat in honor of Charles Mann’s The Wizard and the Prophet.

According to the instructions on the tin, The Wizard and the Prophet is meant to outline the origin of two opposing attitudes toward the relationship between humans and nature through their genesis in the work and thought of two men: William Vogt, the "Prophet" polemicist who founded modern-day environmentalism, and Norman Borlaug, the "Wizard" agronomist who spearheaded the Green Revolution. Roughly speaking, Wizards want continual growth in human numbers and quality of life, and to use