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Kevin O’Connor is a multidisciplinary artist working as a choreographer, dancer, improviser, circus artist, and installation artist from Ontario, Canada and now based in the Bay area. He is involved in a decade-long artistic collective exploring participatory de-colonizing performances within polluted watersheds in Ontario. Over the last few years, he has worked with NAKA dance in Oakland, Shakiri, and Skywatchers in the Bay Area, Oncogrrrls feminist art collective in Spain, and collaborated with Inuit hunter and designer Paulette Metuq on a project in Nunavut in the Canadian Arctic. He has been learning with the Axis Syllabus community for over a decade and is a biodynamic CranioSacral practitioner. He completed an MFA in choreography and is currently finishing a Ph.D. in performance studies at UC Davis. He is working at the intersection of arts, sciences, practice-as-research, and improvisation theory and practice. His research examines anatomies, body performance capacities, interventions, and imaginations in relation to science studies, including the material-bio-cultural tissue called fascia.
To learn more about Kathryn and Carly's 300-hour training click here.
By Kathryn Bruni-Young4.9
189189 ratings
Kevin O’Connor is a multidisciplinary artist working as a choreographer, dancer, improviser, circus artist, and installation artist from Ontario, Canada and now based in the Bay area. He is involved in a decade-long artistic collective exploring participatory de-colonizing performances within polluted watersheds in Ontario. Over the last few years, he has worked with NAKA dance in Oakland, Shakiri, and Skywatchers in the Bay Area, Oncogrrrls feminist art collective in Spain, and collaborated with Inuit hunter and designer Paulette Metuq on a project in Nunavut in the Canadian Arctic. He has been learning with the Axis Syllabus community for over a decade and is a biodynamic CranioSacral practitioner. He completed an MFA in choreography and is currently finishing a Ph.D. in performance studies at UC Davis. He is working at the intersection of arts, sciences, practice-as-research, and improvisation theory and practice. His research examines anatomies, body performance capacities, interventions, and imaginations in relation to science studies, including the material-bio-cultural tissue called fascia.
To learn more about Kathryn and Carly's 300-hour training click here.

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