Sometimes it’s not what we hear, but what emerges in the space just before—where meaning hasn’t formed yet—but something is already calling your attention. It’s that quiet edge of awareness where both healing and mystery tend to show up.In this conversation with Christoph Wiesendanger, a jazz pianist with an abiding interest in Chinese medicine, we explore how rhythm, resonance, and reflective awareness shape both music and healing. Christoph’s journey from childhood exposure to Daoist classics, to martial arts training, the sonic influence of Milford Graves, and years of study with Z’ev Rosenberg, offers a surprising look at the interweavings of music and medicine. Listen into this discussion as we explore how the pulse relates to rhythm, the difference between keeping time and making it, the idea of cultivating yourself through sound, and how silence and intention shape both clinical and musical presence.

Sometimes it’s not what we hear, but what emerges in the space just before—where meaning hasn’t formed yet—but something is already calling your attention. It’s that quiet edge of awareness where both healing and mystery tend to show up. In this conversation with Christoph Wiesendanger, a jazz pianist with an abiding interest in Chinese medicine, we explore how rhythm, resonance, and reflective awareness shape both music and healing. Christoph’s journey from childhood exposure to Daoist classics, to martial arts training, the sonic influence of Milford Graves, and years of study with Z’ev Rosenberg, offers a surprising look at the interweavings of music and medicine. Listen into this discussion as we explore how the pulse relates to rhythm, the difference between keeping time and making it, the idea of cultivating yourself through sound, and how silence and intention shape both clinical and musical presence.

412 Music and Medicine • Christoph Wiesendanger

Acupuncture and East Asian medicine was not developed in a laboratory. It does not advance through double-blind controlled studies, nor does it respond well to petri dish experimentation. Our medicine did not come from the statistical regression of randomized cohorts, but from the observation and treatment of individuals in their particular environment. It grows out of an embodied sense of understanding how life moves, unfolds, develops and declines.

Medicine comes from continuous, thoughtful practice of what we do in clinic, and how we approach that work. The practice of medicine is more — much more — than simply treating illness. It is more than acquiring skills and techniques. And it is more than memorizing the experiences of others. It takes a certain kind of eye, an inquiring mind and relentlessly inquisitive heart.

Qiological is an opportunity to deepen our practice with conversations that go deep into acupuncture, herbal medicine, cultivation practices, and the practice of having a practice. It’s an opportunity to sit in the company of others with similar interests, but perhaps very different minds. Through these dialogues perhaps we can better understand our craft.

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Acupuncture and East Asian medicine was not developed in a laboratory. It does not advance through double-blind controlled studies, nor does it respond well to petri dish experimentation. Our medicine did not come from the statistical regression of randomized cohorts, but from the observation and treatment of individuals in their particular environment. It grows out of an embodied sense of understanding how life moves, unfolds, develops and declines. Medicine comes from continuous, thoughtful practice of what we do in clinic, and how we approach that work. The practice of medicine is more — much more — than simply treating illness. It is more than acquiring skills and techniques. And it is more than memorizing the experiences of others. It takes a certain kind of eye, an inquiring mind and relentlessly inquisitive heart. Qiological is an opportunity to deepen our practice with conversations that go deep into acupuncture, herbal medicine, cultivation practices, and the practice of having a practice. It’s an opportunity to sit in the company of others with similar interests, but perhaps very different minds. Through these dialogues perhaps we can better understand our craft.

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412 Music and Medicine • Christoph Wiesendanger

412 Music and Medicine • Christoph Wiesendanger

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