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We consider the connection between the public house and the arts. Why do pubs make such great settings, provide so much inspiration and serve as great venues for the arts?
Musician Eliza Carthy remembers her first ever public performance in The Bay Hotel in Robin Hood’s Bay, where she was a regular at the folk club there, while crime novelist David Mark tells us how he finds inspiration from the host of intriguing characters he meets down his local, the Samson Inn in Gilsland, Cumbria.
But, as pubs continue to be in decline – 25% of pubs have closed since 2001 - we consider how some hostelries are reinventing themselves as cultural destinations. Dawn Badland runs The Inn Crowd, a project which supports rural pubs to host spoken word performances, and Adam Lacey is manager of The Old Joint Stock, a Birmingham pub with its own 100 seater theatre.
Presenter: John Wilson
By BBC Radio 44.4
118118 ratings
We consider the connection between the public house and the arts. Why do pubs make such great settings, provide so much inspiration and serve as great venues for the arts?
Musician Eliza Carthy remembers her first ever public performance in The Bay Hotel in Robin Hood’s Bay, where she was a regular at the folk club there, while crime novelist David Mark tells us how he finds inspiration from the host of intriguing characters he meets down his local, the Samson Inn in Gilsland, Cumbria.
But, as pubs continue to be in decline – 25% of pubs have closed since 2001 - we consider how some hostelries are reinventing themselves as cultural destinations. Dawn Badland runs The Inn Crowd, a project which supports rural pubs to host spoken word performances, and Adam Lacey is manager of The Old Joint Stock, a Birmingham pub with its own 100 seater theatre.
Presenter: John Wilson

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