The history of the world as told through objects. This week Neil MacGregor, the Director of the British Museum, is exploring power and intrigue in the great royal courts of the world around 800 AD. Today's object offers a story of authority, pain and belief from the world of the ancient Maya. It is a limestone carving showing a king and his wife engaged in an agonising scene of ritual bloodletting. Neil describes a great city in the jungle of modern day Mexico and the culture that produced it. Virginia Fields, the expert on Maya iconography, and the psychotherapist Susie Orbach help explain an object that has the power to unsettle the modern viewer.

Producer: Anthony Denselow

Throughout this week, Neil MacGregor has been exploring the world of the late 7th century, with objects from South America, Britain, Syria and Korea.

Today's object is from the 4000 mile tangle of routes that has become known as the Silk Road - that great conduit of ideas, technologies, goods and beliefs that effectively linked the Pacific with the Mediterranean. His chosen object which lets him travel the ancient Silk Route is a fragile painting telling a story of "industrial espionage". It comes from the Buddhist kingdom of Khotan, now in Western China, and tells a powerful story about how the secrets of silk manufacture were passed along the fabled route. The cellist and composer Yo Yo Ma, who has long been fascinated by the Silk Road and who thinks of it as "the internet of antiquity", and the writer Colin Thubron consider the impact of the Silk Road - in reality and on the imagination.

Producer: Anthony Denselow

Korea: source of modern-day electronic components. Neil MacGregor delves into the history of a an artefact from the region.

The history of the world as told through one hundred objects arrives in 7th Century Peru. Throughout this week Neil MacGregor is exploring along the Silk Road and beyond, ranging from Korea to East Anglia. But what was life and culture like in South America during the same period that Islam was transforming the Middle East?

In today's programme, Neil introduces us to a remarkable lost civilisation from present day Peru. He explores the story of the Moche people through a pot in the shape of a warrior, with help from expert Steve Bourget and the potter Grayson Perry.

Producer: Anthony Denselow

The history of the world as told through one hundred objects. This week Neil MacGregor, the director of the British Museum, is exploring the world in the 7th Century, at a time when the teachings of Islam were transforming the Middle East and goods and ideas were flowing both ways along the tangle of connections that have become known as the Silk Road.

But what was happening in Britain at this time? In today's programme, Neil travels to East Anglia to describe the sensational burial discovery that has been hailed as a "British Tutankhamen". He tells the story of the Sutton Hoo helmet, the world it inhabited and the imagination it has inspired. The poet Seamus Heaney reflects on the helmet in the context of the great Anglo-Saxon epic poem, Beowulf, and the archaeologist Angus Wainwright describes the discovery of the great grave ship where the helmet was found.

Producer: Rebecca Stratford

The history of the world as told through one hundred of the objects that time has left behind. The objects are from the British Museum and tell the story of humanity over the past 2 million years. They are chosen by the museum's director, Neil MacGregor.

This week he is exploring the world along and beyond the Silk Road in the 7th century AD at a time when the teachings of the prophet Muhammad were transforming the Middle East forever. Today he looks at how the Syrian capital Damascus was rapidly becoming the centre of a new Islamic empire. He tells the story through two gold coins that perfectly capture the moment - with contributions from the historian Hugh Kennedy and the anthropologist Madawi Al-Rasheed.

Producer: Rebecca Stratford

Throughout this week Neil MacGregor is looking at how the great faiths were creating new visual aids to promote devotion around the world of 1700 years ago. Having looked at emerging images from Hinduism, Zoroastrianism, Christianity and Buddhism he turns his attention to the religious climate of pre-Islamic Arabia. The story is told through a life sized bronze hand cut at the wrist and with writing on the back. It turns out to be not a part of a god but a gift to a god in a Yemeni hill village. Neil uses this mysterious object to explore the centrality of Arabia at this period, with its wealth of local gods and imported beliefs. The hand surgeon Jeremy Field considers whether this was the modelled from a real human hand while the religious historian Philip Jenkins reflects on what happens to the old pagan gods when a brand new religion sweeps into town.

Proudcer: Anthony Denselow

This week Neil MacGregor is exploring how many of the great religions, less than 2000 years ago, began creating sophisticated new images to aid prayer and focus devotion. Many of the artistic conventions created then are still with us. In today's programme Neil MacGregor introduces us to one of the earliest known images of the face of Christ. This life sized face is part of a much bigger mosaic. It was made somewhere around the year 350 and was found not in a church but on the floor of a Roman villa in Dorset. What does this astonishing survival say about the state of Christianity at this time and what sort of Christ was imagined in Roman Britain? The historians Dame Averil Cameron and Eamon Duffy help paint the picture.

Producer: Anthony Denselow

Throughout this week Neil MacGregor is describing how people across the globe around 1700 years ago found new images to express their religious beliefs. Today's object is a dramatic visualisation of power and faith in 4th Century Iran. It is a silver plate that shows King Shapur II out hunting deer. Neil describes how this apparently secular image reveals the beliefs of the day, when the king was seen as the agent of god and the upholder of the state religion - Zoroastrianism. How might we read this hunting scene as a religious image? And why did the belief system of such a powerful dynasty fail to become a dominant world religion? With contributions from the historian Tom Holland and the Iranian art historian Guitty Azarpay.

Producer: Anthony Denselow

This week Neil MacGregor is exploring how several of the great religions around the world, less than 2000 years ago, began creating sophisticated new images to represent their beliefs and their deities. Many of the images created then are still with us today and remain essential forms of veneration. These include the images of the gods and goddesses of Hinduism, whose recognisable modern form can be seen on coins from the Gupta empire which flourished in India from around 320 to 550 AD. The Gupta period is regarded by many Indians as a golden age, a time when Indian cultural life and religion came together to create temples and texts that are central to Hinduism today. The growing sophistication of the time is explored with the help of the historian Romila Thapar and the Hindu cleric Shaunaka Rishi Das

Producer: Anthony Denselow