
Sign up to save your podcasts
Or
In Alafair Burke’s new thriller, “The Note,” three friends are vacationing together in the Hamptons when they have an unpleasant run-in with a couple of strangers and decide to exact drunken, petty revenge. But the prank they pull — a note reading “He’s cheating on you” — snowballs, eventually embroiling them in a missing-persons investigation and forcing each woman to wonder what dark secrets her friends are hiding.
Burke joins host Gilbert Cruz and talks about how she came up with the idea for “The Note,” and how she goes about writing her books in general.
“I always have a few ideas, just, like the setup in my head,” she says. “And then I also have characters in my head. They’re not aligned together initially. I might just be thinking about a character who’s interesting to me for various reasons. It might be the back story that’s interesting, or it might be a personality trait that’s interesting. And then I’ll have a setup, like, three women go on vacation and stir up some nonsense that gets them in trouble. And for me, when I can start writing is when — it’s almost like matchmaking: Oh, OK, if I take that character that I’ve been thinking about with that back story and that set of anxieties and I put her in this scenario, that’s going to get interesting.”
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
4.1
35513,551 ratings
In Alafair Burke’s new thriller, “The Note,” three friends are vacationing together in the Hamptons when they have an unpleasant run-in with a couple of strangers and decide to exact drunken, petty revenge. But the prank they pull — a note reading “He’s cheating on you” — snowballs, eventually embroiling them in a missing-persons investigation and forcing each woman to wonder what dark secrets her friends are hiding.
Burke joins host Gilbert Cruz and talks about how she came up with the idea for “The Note,” and how she goes about writing her books in general.
“I always have a few ideas, just, like the setup in my head,” she says. “And then I also have characters in my head. They’re not aligned together initially. I might just be thinking about a character who’s interesting to me for various reasons. It might be the back story that’s interesting, or it might be a personality trait that’s interesting. And then I’ll have a setup, like, three women go on vacation and stir up some nonsense that gets them in trouble. And for me, when I can start writing is when — it’s almost like matchmaking: Oh, OK, if I take that character that I’ve been thinking about with that back story and that set of anxieties and I put her in this scenario, that’s going to get interesting.”
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
1,441 Listeners
37,881 Listeners
3,316 Listeners
3,834 Listeners
385 Listeners
6,657 Listeners
8,753 Listeners
131 Listeners
2,064 Listeners
2,063 Listeners
112,599 Listeners
781 Listeners
1,468 Listeners
12,631 Listeners
299 Listeners
384 Listeners
7,578 Listeners
31,620 Listeners
469 Listeners
52 Listeners
2,277 Listeners
380 Listeners
6,631 Listeners
14,670 Listeners
1,492 Listeners
283 Listeners
570 Listeners
1,396 Listeners
7 Listeners
16 Listeners
548 Listeners
305 Listeners