Evelyn Hamilton has annoyed her bosses in the male-dominated world of pharmacy - they find her quiet and independent nature mystifying and odd. After an unhappy stint at a druggist shop outside London, she's landed a new job and a fresh start in a faraway town. 

In February 1942, Evelyn sets out on her long journey – just as the Blackout Ripper is hunting for his first victim… 

Join hosts Hallie Rubenhold and Alice Fiennes as they traces Evelyn's life and struggles; and with the help of Lauren Ober (host of The Loudest Girl in the World podcast) examine why the quiet pharmacist's demeanour provoked such hostility.  

Sources:

Andrews, Maggie and Lomas, Janis. The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (Basingstoke: Palgrave Macmillan, 2014).

Diniejko, Dr. Andrzej. ‘A Chronology of Social Change and Social Reform in Great Britain in the Nineteenth and Early Twentieth Centuries’, The Victorian Web, 2014

Neale, Alexa. ‘Case Files For Murder Trials: The Case of Cyril Johnson’, “Domestic Murder” She Wrote, September 2016

Webb, Laura and Webb, Kevin. ‘Selina Cooper: The Story of a Working Class Suffragist’, March 2019, UK Vote 100

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London's West End - once a glittering Mecca of nightlife - is pitch black. The lights are off to hide the city from waves of Nazi bombers - but in the darkness a merciless killer is hunting down the women of this district. 

Join hosts Hallie Rubenhold and Alice Fiennes as they walk those bomb-damaged streets to tell the stories of the women targeted by this "Blackout Ripper" over the course of just one week in 1942. 

You'll glimpse inside the theaters, jazz joints and dive bars of Piccadilly and Soho; witness deadly air raids; and criss cross the blacked out streets where a serial killer lurks. You'll learn too of the hardships that blighted the lives of many women in wartime, and the extent of the violence they faced at the hands of men from their own side in the conflict. 

Sources: 

Bone, James. London Echoing (London: Jonathan Cape, 1948)

Caddick-Adams, Peter. Sand and Steel: A New History of D-Day (London: Penguin Random House, 2019).

Cederwell, William. Reading London in Wartime: Blitz, the People and Propaganda in 1940s Literature (New York: Routledge, 2018). 

Farson, N. Bomber’s Moon (London: Victor Gollancz Ltd, 1941).

 

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London is pitch black. It's wartime and the lights are out to confuse Nazi bombers. But in this darkness a killer as warped and as violent as Jack the Ripper is hunting for women night after night in the bomb-damaged streets. 

The women murdered by the so-called Blackout Ripper received little sympathy at the time and have been largely forgotten since. So historian Hallie Rubenhold and criminologist Alice Fiennes have gathered fresh evidence about the rich and complex lives of the women - and revealing what put them in the path of a killer. 

Bad Women: The Blackout Ripper starts with a double episode drop on Oct 11. 

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We'll be dropping a trailer for the new brand new season of Bad Women next week. But in the meantime, here’s a preview from Death of an Artist, a new podcast from Pushkin Industries.

For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: Was the famous sculptor Carl Andre involved in the death of his up-and-coming artist wife Ana Mendieta? Host Helen Molesworth revisits Mendieta’s death, taking a closer look at how she might have fallen out of the window of  Carl’s 34th floor New York apartment, and the following trial which has divided the art world since 1985.

Hear more from Death of an Artist at https://podcasts.pushkin.fm/artist?sid=women.

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We’ll be back on October 11th with a brand new season of Bad Women, but in the meantime, we wanted to give you a taste of another history podcast we think you'll like.  From History Daily, host Lindsay Graham takes listeners back in time to a certain day in history to explore a momentous event. On this episode, we'll go back to August 10, 1993 when Ruth Bader Ginsburg was sworn in as the U.S. Supreme Court’s 107th justice, becoming only the second woman in history to serve on the country’s highest court.

Find History Daily wherever you get podcasts. 

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Families of Ripper victims often suppressed the memories of their murdered loved ones - fearing the stigma of being related to supposed "prostitutes". And descendants of men accused of being the infamous killer have also had to endure seeing their ancestors' reputations sullied.

We hear from a living relatives of Annie Chapman... and of Jacob Levy, a Whitechapel butcher whose appalling struggle with mental illness has caused unsympathetic observers to conclude that he was Jack the Ripper.

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Children around the world are taught about Jack the Ripper and shown graphic images of his victims. Is that wise? Are we in danger of normalising his crimes and encouraging those who seek to venerate and even emulate him?

Hallie Rubenhold talks to students and teachers, and hears from crime novelist and Ripper investigator Patricia Cornwell about finding a way to discuss the Whitechapel murders without glamorizing the killer.

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Mary Jane Kelly was the final victim of Jack the Ripper. And the mutilation of her body was more horrendous than in any previous murder. But something also sets her apart from the other victims. Her youth, her reputed beauty and the nature of her death have resulted in a strange cult growing up around her. Even her corpse cannot rest in peace... with some demanding that her bones been exhumed for examination.

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Mary Jane Kelly's life ended brutally in a small room in Whitechapel - but what journey brought her to East London? She sold sex in her final years - but was she born to a rich family or was she the teenage bride of a coal miner? Had she been tricked into sex slavery abroad, escaped and gone on the run from her criminal traffickers? Was Mary Jane Kelly even her real name?

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In October 1888, Jack the Ripper went to ground. Although the murders seemed to ceased, public interest in the killings remained intense. Entrepreneurs exploited this prurience for profit - even opening blood-drenched waxworks exhibits in Whitechapel. This melding of fact and fiction, murder and mammon persists to this day.

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