When the photographer Garry Winogrand died in 1984 he left behind hundreds of thousands of unpublished negatives and undeveloped rolls of film and a few out of print books that are still treasured by connoisseurs and photo book collectors today. It’s always bothered Leo Rubinfien that his friend Garry’s legacy is bound up with these hard to find books, for leo a much better way to appreciate the genius of Garry Winogrand is through his slideshows. Recently Leo Rubinfien got an opportunity to show the world the Garry Winogrand he knew and loved,  SFMOMA  invited him to guest curate a Winogrand show. The exhibit  took years to put together, and at the outset SFMOMA’s assistant curator of photography Erin O’toole was nervous, but she tells us why she is now in the cult of Winogrand too.  While your host was in Australia this summer he met up with one of his new favorite artists, the cartoonist Simon Hanselmann. Simon is one of the most compelling voices of his generation, but while his characters are all sex, drugs, and rock and roll Simon just works. Also we reminisce about the early days of the web with ToE regular Peter Choyce who believes he had one of the first ten blogs. Three reminders that being an artist will always be hard.

What happens when you curse your own country? In this version of the classic Americana tale your host is sentenced to live out the rest of his days in a hot air balloon.  Our story concludes(?) when your host attempts to turn bread into wine. Plus learn about the origins of the tale of the Man without a Country and the various versions that have been produced over the last hundred years.

What happens when you curse your own country? In this version of the classic Americana tale your host is sentenced to live out the rest of his days in a hot air balloon.  In part two of the story your host has his first human interaction in ten years. Plus radio host Glynn Washington tells us what it was like to grow up black in a white-supremacist Christian cult.

What happens when you curse your own country? In this version of the classic Americana tale your host is sentenced to live out the rest of his days in a hot air balloon.  In part one we hear the story of what happened when he fought the “three strikes you are out forever” law and lost. Plus Howard Zinn on the myth of American Exceptionalism.

We don’t have metrics to measure what happens when we read something that changes our life. So this episode is an attempt to deal with that.  We begin with writer Rob Walker who tells us about his “New Old Thing,”  a regular feature he produces for Yahoo Tech. Rob is one of the most thoughtful writers I know and if anyone can wean us from our addiction to the now it will be him. I also get to talk to one of my heros this week: Edwin Frank who is the editor in chief of the NYRB classics imprint. About 10 years ago I read a collection of Platonov stories, a book that definitely changed my life, and I became a life-long devotee of the series. I have always wanted to ask Edwin about his editorial sensibilities and what exactly binds all the books with the well designed multi-coloured spines together. Phyllis Rose is the author of The Shelf.  She “randomly” chose a shelf at the library near her house and read every book on it – then she wrote about the experience. It is a deep funny philosophical treatise on the act of reading itself. I will be gifting this book to my friends for years.

A few years ago your host took a pilgrimage to Copenhagen to walk the streets the great Dane Søren Kierkegaard once walked. He wanted to understand  the meaning of Kierkegaard’s religious stage so he decided to ask the experts at the Kierkegaard research center. Also Photographer Dina Litovksy tells us about the history and some of the secrets of the modern bachelorette party. And Michael Holmes tells us about life’s final stage – death.

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This week we examine the legacy of The Work of Art in the Age of Technological Reproducibility by Walter Benjamin.  Media Theorist and Benjamin scholar (and translator) Thomas Levin explains why this essay resonates today and what Benjamin has to tell us about the utopian power of new media. Also Russell Meyer tells us about the Wu-Tang clan’s plan to release a sole copy of their new album and why he has turned to Kickstarter so he can buy it and release it to the world. And your host shares an imaginary story about Hitler and Goebbels encountering Benjamin’s essay during their final days in the bunker.

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Andrew Rubin opens up his Archives of Authority to tell us the story of how George Orwell’s Animal Farm and 1984 became global phenomenons. Melissa Gira Grant tells us about her new book Playing the Whore and the complicated relationship between sex workers, Feminists, Journalists, and the Police. And your host turns to ToE correspondent Peter Choyce for advice on how to fight his bike ticket in traffic court. *********Click on the image for the whole story about this week’s installment**********

In 1984 your host was twelve years old and like George Orwell’s protagonist Winston Smith, he kept a diary, for the citizens of the future. For this special installment of Benjamen Walker’s Theory of Everything we travel back in time and give this diary a soundtrack. TV commercials, radio spots, movie clips – all sound from 1984 (the year, not the book). Find out what totalitarianism really sounds like.

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 Technology consultant Sarah Slocum loves social media and her Google Glass, she wears them everywhere. But when she walked into Molotov’s, a bar on Haight Street in San Francisco, she discovered that not everyone shares her love for wearable gadgets. Also, your host makes his annual pilgrimage to SXSWi and ends up designing wearables at a surreal Hack Day. We also hear from Shingy, AOL’s Digital Prophet. He says wearables will allow us to have it both ways: we can be both digital and human.  **This episode features elements that were recorded binaurally. If you listen with a pair of headphones or a LiveAudio enabled JAMBOX, you will experience three dimensional sound – it will be like you are there.**

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