Lincoln Jones is the director of the American Contemporary Ballet Company in Los Angeles, which he co-founded in 2011. Lincoln took an unusual path to dance and has an approach to performance and stage production that is worth discussing in its own right. But he came across Meghan’s radar because of his unlikely involvement in the new free speech debates. In this conversation, Lincoln explains how that happened (spoiler alert: he didn’t want to perfunctorily post a black square on his company’s website in the summer of 2020) and talks about how even the ballet world has been affected by the censoriousness of the current moment. Most of all, though, he talks about dance. In a conversation unlike you’ve heard on The Unspeakable, Lincoln talks about what choreography means to him, especially the choreography and dance of Fred Astaire, and about how movement maps onto the human experience and translates to the stage.    In the bonus portion for paying subscribers at  https://meghandaum.substack.com Lincoln shares his feelings about his age–47 years old–and talks about how awareness of his mortality is fueling his work. He offers his opinion about TikTok dances, Michael Jackson, and discloses how he really feels about the film LaLa Land.   Guest Bio: Lincoln Jones is the director of the American Contemporary Ballet Company in Los Angeles. Learn more about the company at  https://www.acbdances.com.

Cancel Culture Comes For Ballet: Choreographer Lincoln Jones’s Problematic Journey

Author, essayist and journalist Meghan Daum has spent decades giving voice—and bringing nuance, humor and surprising perspectives—to things that lots of people are thinking but are afraid to say out loud. Now, she brings her observations to the realm of conversation. In candid, free-ranging interviews, Meghan talks with artists, entertainers, journalists, scientists, scholars, and anyone else who’s willing to do the “unspeakable” and question prevailing cultural and moral assumptions.

Society & Culture

Personal Journals

History

Philosophy

Places & Travel

This week, Meghan talks with legal scholar, former law professor, and legendary free speech advocate Nadine Strossen. Nadine was president of the American Civil Liberties Union from 1991 to 2008 and she’s the author of many books, including Defending Pornography, which has just been reissued nearly 30 years after its original publication. In this wide-ranging conversation, Nadine talks about pornography, campus speech codes, generational divides when it comes to ideas about words causing harm, and changes in institutions like the ACLU. This week, almost the entire conversation is available to everyone, but paying Substack subscribers get a fascinating and very funny tangent at the end about a subject (mostly) unrelated to free speech: the subject of choosing not to have children. Nadine always knew she never wanted kids and she talks candidly about what was behind that impulse and how she feels about it now that she’s in her 70s. GUEST BIO Nadine Strossen, New York Law School Professor Emerita and Senior Fellow at FIRE (the Foundation for Individual Rights and Expression), was national President of the American Civil Liberties Union from 1991 to 2008. An internationally acclaimed free speech scholar and advocate, who regularly addresses diverse audiences and provides media commentary around the world, Strossen also serves on the Advisory Boards of several organizations that promote free speech and academic freedom. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING ✈️ Unspeakeasy Retreats: See where we'll be in 2024! 

Defending Pornography, Hate Speech and the ACLU: Nadine Strossen on The Unspeakable

This week, author and journalist Lisa Selin Davis returns for her third visit to The Unspeakable. Lisa is best known to listeners for her thorough and rigorous reporting on the new gender movement and her probing insights into how ideas around gender nonconformity have shifted over time. But she has a new book out about something completely (or at least mostly) different: the concept of the housewife. In Housewife: Why Women Still Do It And What To Do Instead, Lisa traces the social history of the housewife, examines the evolutionary and economic roots of housewifery, and wrestles with why the iconic 50s housewife has such a strong hold on the public consciousness despite not lasting all that long. In this conversation, she discusses what she learned in the course of her reporting, shares her own conflicting feelings about being a wife and mother, and talks about the rise of the “trad wife influencer.” Can Instagramming everything from your home birth to your home school be interpreted through a feminist lens? Lisa says yes! In the second part of the conversation, for paying subscribers, Lisa returns to form and talks about gender, which is the subject of her next book. GUEST BIO Lisa Selin Davis’s new book is Housewife: Why Women Still Do It And What To Do Instead. She is also the author of Tomboy: The Surprising History & Future of Girls Who Dare to Be Different. She has written for The New York Times, The Wall Street Journal, The Washington Post, The Boston Globe, and elsewhere. She lives in Brooklyn, NY with her family. Follow her writing on her Substack, Broadview. You can pick up a copy of Housewife here. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING ✈️ Unspeakeasy Retreats: See where we’re going to be in 2024! 

From Betty Friedan to Ballerina Farms: Lisa Selin Davis on the conceptual housewife

This week, I’m talking with author Sloane Crosley. Best known for her humorous and existentially probing essays, Sloane’s latest book is a departure of sorts. Grief Is For People, a memoir, covers the year in her life following the death of Russell Perreault, a veteran of book publishing who’d been her boss before becoming her closest friend. A month before Russell’s death, Sloane’s apartment was burglarized by a jewel thief, turning her into an amateur detective as she attempted to retrieve family heirlooms while reckoning with loss across several dimensions. Sloane worked as a book publicist for many years before being an author herself, and in this conversation, she talks about how office culture has changed over the last decade, especially in the wake of #MeToo, and what it was like to work with famous authors like Joan Didion and Sandra Cisneros in the final glory days of publishing. Meghan and Sloane also explore the phenomenon of collective grief over animals that become symbols of something much larger: for instance, the response to the death a few months ago of Flaco, the Eurasian owl that got out of a zoo enclosure and flew around upper Manhattan for more than a year, captivating not just the New Yorkers who saw him in real life but people all over the world following his whereabouts on social media. GUEST BIO Sloane Crosley is the author of two novels and three essay collections, including the bestsellers I Was Told They’re Be Cake and How Did You Get This Number? Her new book is the memoir Grief Is For People. She lives in New York City. You can buy her new book here. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING ✈️ Unspeakeasy Retreats: See where we’re going to be in 2024! 

Grief Is The Thing With Feathers: Sloane Crosley on friendship, loss, mourning, and Flaco the owl.

This week, Meghan welcomes Arielle Isaac Norman, an Austin-based comedian who has opened for Louie C.K., Bobcat Goldthwait, Tim Dillon, Joe DeRosa, Eddie Pepitone and Maria Bamford, among others. Arielle, who describes herself as a “politically non-binary lesbian,” has a new YouTube special, Ellen DeGenderless, in which she discusses gender identity, sexuality, pronouns, social issues, and pop culture. This conversation covers all of those topics and more — including Arielle’s friendship with Louis CK and her thoughts about his sexual behaviors and resulting cancelation. GUEST BIO Arielle Isaac Norman is an Austin-based comedian. Her new special, Ellen Degenderless, is now streaming on YouTube. Find her on Instagram at @ellendegenderless and on YouTube or Spotify at Politically Non-binary. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING ✈️ Unspeakeasy Retreats: See where we’re going to be in 2024! 

How Did Comedy Lose Its Humor? Arielle Isaac Norman on taking back the jokes.

This week’s guest is journalist Abigail Shrier. In her new book, Bad Therapy: Why The Kids Aren’t Growing Up, she delves into why so many children, teens, and young adults have received mental health diagnoses over the last few decades. Is it because society is finally recognizing emotional suffering? Or is it because society has become irrationally fixated on the idea of suffering? Abigail says it’s the latter, and in this conversation, she talks about how mediocre clinicians, flawed research, overzealous prescribing of medications, and, above all, a cultural obsession with trauma and emotional injury are causing unnecessary misery. GUEST BIO Abigail Shrier’s new book is the best-selling Bad Therapy: Why The Kids Aren’t Growing Up. She is also the author of the best-selling 2020 book Irreversible Damage: The Transgender Craze Seducing Our Daughters, which was named a “Best Book” by the Economist and the Times of London and has been translated into ten languages. She holds an A.B. from Columbia College, where she received the Euretta J. Kellett Fellowship; a B.Phil. from the University of Oxford; and a J.D. from Yale Law School. You can pick up a copy of Bad Therapy here. Read Abigail’s Substack here. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING ✈️ Unspeakeasy Retreats: See where we’re going to be in 2024! 

Cancel Culture Comes For Ballet: Choreographer Lincoln Jones’s Problematic Journey

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