Working under the online name Trackless Wild, Janisse Ray is an American writer, naturalist, and environmental activist.
Just about everything she does speaks to me of the largest meaning and importance of what it means to be a capital G gardener in our world.
A moving storyteller, speaker, and teacher, her book titles include Ecology of A Cracker Childhood (1999), a memoir; Wild Spectacle, Seeking Wonders in A World Beyond Humans (2021), a collection of essays; Red Lanterns (2021), a collection of poems; The Woods of Fannin County (2023), a novel, and many more. Her most recent title is based on her many years teaching writing, particularly place-based creative non-fiction: Craft & Current, A Manual for Magical Writing.
Her acclaimed work has earned Janisse a Pushcart Prize, an American Book Award, the Green Prize for Sustainable Literature, a Nautilus Award, and the Arlene Eisenberg Award for Writing that Matters, among other well-deserved awards.
For me, the most striking aspect of her talents (expressed ardently across genres) is the precision with which she lovingly gives voice to her own place, specifically her home ground of rural South Georgia’s uplands and coastal plains – and from there, the greater U.S. Southeast generally. The climatic and seasonal fluctuations and moods of the flora and fauna across mountains, and meadows, roadside verges and meandering creeks, Janisse is always documenting the lives and ground out of which places grow people.
Her work Seed Underground, A Growing Revolution to Save Food (2012), was one of handful of books about the poetics and politics of seed and seed people in their places that inspired me in my writing of What We Sow, On the Personal, Ecological, and Cultural Significance of Seeds (2023) (along with the likes of Henry David Thoreau’s posthumously-published writings on seed dispersal, and Gary Nabhan’s Enduring Seed). While very much rooted in the Southeast, Janisse, like all great nature writers, gives voice to the importance of all places through her devotion to her singular place.
Janisse’s teaching (online and at various universities across her career) focuses on encouraging the practice of place-based, heartfelt observation and writing as a way to grow better people, and therefore as a way to durably tend to all places.
Janisse joins Cultivating Place this week to explore what it means to be devoted to place - in word, action, and spirit.
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