The late Ursula K. Le Guin wrote, “Our roots are in the dark; the earth is our country. Why did we look up for blessing – instead of around, and down? What hope we have lies there.” And it is down there, among roots and earth, that Black trans gaming designer, archivist and artist Danielle Brathwaite-Shirley is looking for our Black trans ancestors—those whose lives and stories have been lost to history and thus our collective memory. 

Danielle believes we are each responsible for someone in the earth, and through her work, calls us to interrogate the roles we play in the ongoing violence directed towards our trans siblings. Her approach to this interrogation brings together AI and game design, and places us in situations where we have to make choices—choices that can feel impossible. And that is the point. 

In our conversation today, we explore how she provides space and means for the expression of multiple Black trans essences; disrupting ideas about what an archive is, what we think it should do and who it should serve, by centring those whose lives and stories have been erased; how her residency at Serpentine, one of the UK’s most important contemporary art galleries, is helping shape her understanding of the potential of humanity; and her ongoing research into and fascination with creating a Black trans AI that speaks back to us and makes decisions for itself.

About Danielle Brathwaite-Shirley

Danielle Brathwaite-Shirley is an artist living and working in London. She creates work that seeks to archive Black trans experience, and uses technology to imagine Black trans lives in environments that centre their bodies – those living, those that have passed and those that have been forgotten.

About Serpentine

Danielle has long been part of Serpentine's network and last year contributed to their Future Art Ecosystems: Arts x Metaverse report, which analysed what the metaverse means for the future of art, artists and cultural institutions. In particular, how real change and collaboration is vital to support the ever-growing number of artists, like Danielle, who work with advanced technologies and use the virtual space as a site of social liberation and resistance.

About Busy Being Black

Busy Being Black is the podcast exploring how we live in the fullness of our queer Black lives. Thank you to our partners: UK Black Pride, BlackOut UK, The Tenth, Schools Out and to you the listeners. Remember this, your support doesn’t cost any money: retweets, ratings, reviews and shares all help so please keep the support coming. 

Thank you to our funding partner, myGwork – the LGBT+ business community.

Thank you to Lazarus Lynch – a queer Black musician and culinary extraordinaire based in New York City – for the triumphant and ancestral Busy Being Black theme music. The Busy Being Black theme music was mixed and mastered by Joshua Pleeter.

Busy Being Black’s artwork was photographed by queer Black photographer and filmmaker Dwayne Black.

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