Voxology

Decoding Revelation: Understanding Apocalyptic Genre (Revelation Series)


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Explore how recognizing the apocalyptic genre of Revelation transforms our interpretation of this enigmatic book, allowing us to reclaim its original message of hope and comfort. Mike Erre and Tim Stafford delve into the importance of genre in biblical texts, discussing how misreading Revelation has led to fear-based teachings rather than the intended encouragement. They also examine the "He Gets Us" Super Bowl ad campaign, offering thoughtful critique on modern evangelism methods and the portrayal of Jesus in mainstream media.

Key Takeaways:

  • The Importance of Genre in Biblical Interpretation – Understanding how identifying the apocalyptic genre of Revelation changes our approach to its symbols and messages.
  • Misuse of Revelation in Modern Teaching – How literal and fear-based readings have distorted the book's original intent and impacted Christian doctrine.
  • Critical Analysis of the "He Gets Us" Campaign – Discussing the effectiveness and implications of mainstream advertising in conveying Jesus's message.
  • Participatory Faith and Wisdom – Emphasizing the need for active engagement and wrestling with Scripture to fully live into the wisdom it offers.

Resources Mentioned:

  • He Gets Us Campaign – hegetsus.com
  • Shane Claiborne's Advocacy Against the Death Penalty – shaneclaiborne.com
  • Jared Byas's Book: "Love Matters More" – Buy on Amazon
  • Gregory Beale's Commentary on Revelation – Buy on Amazon

Join the conversation as we uncover the richness of apocalyptic literature and learn how to read Revelation through a new lens. Don't forget to subscribe, leave a review, and follow the Voxology Podcast on social media to stay connected.



As always, we encourage and would love discussion as we pursue. Feel free to email in questions to [email protected], and to engage the conversation on Facebook and Instagram.

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Music in this episode by Timothy John Stafford

Instagram & Twitter: @GoneTimothy

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VoxologyBy Mike Erre and Tim Stafford

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