Desert Island Discs: Archive 2000-2005

Robin Cook was born in Larnarkshire, east of Glasgow; an only child whose father was a science teacher. In his teens the family moved to Edinburgh so that his father could take up a headmaster job and Robin attended the same school. At school his favourite pursuits were the debating society and drama and he had an early interest in politics. Whilst his school friends were poring over the New Musical Express, Robin was reading the New Statesman. Friends recall he always wore two badges on his blazer - an anti-apartheid one, and a CND one.

In 1964 he went to Edinburgh University to read English as he loved reading and literature and his ambition was to be a minister - he planned to go on to study Divinity. But doubts about his beliefs set in, and he turned his passion and determination into the Labour Party and socialism. His first job was as a teacher but he soon went to work at the Workers Educational Association and became involved in the political scene, becoming an MP for Edinburgh Central in February 1974. He was elected MP for Livingston in 1983. He was Shadow Secretary of State for Health and Social Security from 1987-92; Foreign and Commonwealth Affairs from 1994-97; Chair of the Labour party 1996-98 and a Privy Councillor since 1996. He was appointed Secretary of State for Foreign and Commonwealth Affairs when Labour were returned to government in 1997 and first came up with the idea of Labour's ethical foreign policy. He moved from the Foreign Office to become Leader of the House Commons last year and is responsible for parliamentary reform.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Siegfried Idyll by Richard Wagner

P D James was born in Oxford, later moving to Ludlow on the Welsh Borders where she experienced a childhood which she says had more in common with a Victorian childhood than anything today. She was a well-behaved, quiet child who entertained herself and her siblings by telling and writing stories. Phyllis attended an old-fashioned grammar school where she enjoyed English lessons. She says "I knew I was going to write books".

Because of financial pressures at home, she had to leave school at sixteen, first following her father into the tax office, then in a theatre where she met her husband, who was training to be a doctor. World War Two intervened and, because her husband returned from work in the Medical Corps with a severe mental illness, Phyllis had to be the main breadwinner, working as principal hospital administrator at the North West Regional Hospital Board, London in charge of five psychiatric hospitals. It wasn't until she was thirty-nine years old, whilst working in the hospital, that Phyllis began her first novel, Cover Her Face. "I knew it was something I was going to do, and it was just that life was so busy I didn't get round to it". She chose the name P D James because it looked good on a book jacket, and crime genre because she didn't want to draw on autobiographical details.

The book was immediately accepted by a publisher, and in 1979 she gave up her other jobs to become a full-time writer, focusing on Detective Adam Dalgleish of Scotland Yard as her main character. P D James was awarded the OBE in 1982, she has chaired the Booker Prize panel of judges, has been on the BBC Board of Governors, was made an Associate fellow, Downing College, Cambridge in 1986 and made a Life Peer in 1992. Her books have made her a household name and she is now working on her 17th novel.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: The Opening Chorus of the St Matthew Passion by Johann Sebastian Bach

Carl Djerassi was born in Vienna to an Austrian mother and Bulgarian father. Both parents were involved in the medical profession and, growing up surrounded by medical paraphernalia, he assumed that he would become a doctor. For the first four years of his schooling in Austria, he attended a girls' school as the boys school was full. He says "women are much more important than men in my life. I mean, I enjoyed it, I'm not complaining at all!" He didn't start studying science until his mid-teens and the outbreak of war meant a move to America, where he attended a pre-medical course at college. He soon became interested in organic chemistry and focussed on this subject for his PhD.

Whilst working at a pharmaceutical company he was involved in two important discoveries. The synthesis of cortisone from plant material was, at that time, the most competitive and difficult project amongst chemists. Cortisone was considered a wonder drug in the treatment of rheumatoid arthritis, inflammation and eczema. The other discovery was the creation of a progesterone that could be orally active - aimed at treating menstrual disorders and infertility. It was realised that it could be used as a contraceptive but, as Carl says: "in the 1950s contraception was not high on the priority list. Pharmaceutical companies, with one exception, were not interested in that field. The population explosion and these concepts did not come about until 10 years later". It wasn't until 1960 that it was approved by the FDA as a contraceptive and became the Pill.

Carl spent the next few years working in research and universities. He has also published five novels, three plays, a book of short stories, an autobiography and a memoir and is still writing. He describes a lot of his work as science in fiction - not science fiction - which explores aspects of scientific behaviour and of scientific facts. As he says, "Disguising them in the cloak of fiction, it is possible to illustrate ethical dilemmas that frequently are not raised for reasons of discretion, embarrassment, or fear of retribution".

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Songs on the Death of Children by Gustav Mahler

Paul Gambaccini was born in New York City in 1949 and revelled growing up to the sounds of the 1960s. He loved listening to the radio and chose to go to Dartmouth College in preference to Harvard or Yale because it had a student-run commercial college radio station. He soon became a news reporter, DJ and eventually manager. Paul came to England to study PPE at Oxford University and, although he was despondent when the local radio station wouldn't give him a job, his luck changed following his graduation when he was offered an American Music slot on the recently launched BBC Radio 1. At 24 years of age, he was their youngest broadcaster and stayed with the network for 18 years.

He has worked on most radio and television networks, including a film review slot, which ran for 13 years, on breakfast television, and presenting the film edition of BBC Radio 4's Kaleidoscope programme. He has also written a number of books, including co-authoring The Guinness Book of British Hit Singles, which illustrates his remarkable memory for music facts and figures. He now presents America's Greatest Hits on BBC Radio 2 and Classic Countdown on Classic FM.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: The Finale of Rhapsody in Blue by George Gerhswin

Philip Pullman is the author of the celebrated His Dark Materials trilogy: Northern Lights, The Subtle Knife and The Amber Spyglass. He was born in Norwich and spent his early years travelling all over the world with his father, who was in the RAF, and his mother and brother. Whilst in Australia he devoured comic book stories, which made a big contrast to the traditional stories his clergyman grandfather would tell him on return trips to Norwich. Philip planned to be a writer from the age of six and, when the family moved to Wales when he was 11, he developed a real passion for stories, encouraged by a school teacher to read more and write them down. Philip went to study English at Oxford, although he says it was really after he finished his degree that he started to learn. He began his first novel the day he left and although he says "it was terrible" he didn't give up. He worked in a variety of jobs to enable him to write and eventually went into teaching. He developed his writing style further by writing school plays and dealing with the challenge of making them accessible to both the children and the parents: it was an ideal training ground.

Philip has since written many books for children: Clockwork, I was a Rat! (which was dramatised for BBC television), and The Firework-Maker's Daughter, which won the Smarties Gold Award in 1996 and the Sally Lockhart Award. The His Dark Materials trilogy has become a huge success with children and adults, and, on 22nd January 2002, Philip won the Whitbread Prize for the third book in the trilogy, The Amber Spyglass. This was the first time that a children's book had won either the Booker or the Whitbread.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Sonata Reminiscenza in A Minor by Nickolay Medtner

Dame Alicia Markova was born Lilian Alice Marks in December 1910, in a two-bedroom flat in Finsbury Park, London. She began ballet classes because she was flat footed and knock kneed. Her natural talent, when she was ten, was spotted by Diaghilev, the Russian artistic impresario who founded the Ballets Russes and brought the contemporary arts of Russia to Europe. Dame Alicia joined Diaghilev's company, which was based in Monte Carlo, in 1925, a month after her 14th birthday. Diaghilev changed her name to Alicia Markova and cast her in the title role of Nightingale in Le Rossignol, a ballet scored by Stravinsky, choreographed by Balanchine and with costumes designed by Matisse. It premiered in Paris in June 1925.

After Diaghilev's death in 1929 she returned to England and became a leading figure of the emerging English ballet scene, dancing with the Ballet Rambert and Vic Wells Ballet, as well as at Sadlers Wells. Dame Alicia danced the leading roles in Swan Lake, The Nutcracker and Giselle, which became her trademark, illustrating her unique style of fragility and strength. In 1950, together with her dancing partner Anton Dolin, Dame Alicia founded The London Festival Ballet which eventually became the English National Ballet. She was still dancing Giselle at the age of 48 and had her last dance on stage in the early 1960s. Subsequently she has worked as director, patron and teacher and was awarded the CBE for services to dance in 1958. Her memory for dance steps has proved invaluable for dance historians, pupils and teachers alike.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Softly Awakes my Heart from Samson and Delilah by Camille Saint-Saëns

Timothy Spall grew up in Battersea, South London. He found school pretty uninspiring and left with art as his only qualification. However, when he played the part of the Cowardly Lion in the school production of The Wizard of Oz, aged 16, he felt he had found his niche. He says "it had a good big audience and they just laughed, and when I came out to do my bow they gave me a big cheer. Something went off in my head then." He had a natural talent, and soon found a place at RADA. Within a year he was snapped up by the Royal Shakespeare Company, where he played key roles such as Andre in Chekhov's The Three Sisters, a role which he was amazed to take over from Ian McKellan. It was a huge learning period and the critics weren't going to cut him any slack just because he was straight out of drama school. He says, "you're up there playing with the big boys so you learn pretty quick!"

His first TV part was as the Brummie builder, Barry, in Auf Weidersehen Pet in 1983 and he has had many TV roles since: Our Mutual Friend and Vacuuming Completely Nude in Paradise both earned him Best Actor nominations at the Baftas. His role in the Mike Leigh's Secrets and Lies won him critical acclaim, as well as two best actor nominations, at the Baftas and at the London Film Critic Circle. He has also been sought by Hollywood, recently appearing in the blockbuster Vanilla Sky. He won best actor at Prix d'Italia and Cinema Tout Ecran awards for the television drama Shooting the Past and was awarded the OBE in 2000.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Mary's Prayer by Danny Wilson

Brian May spent his childhood in Feltham near London and he learnt his first chords on his father's ukelele banjo. He soon progressed to the guitar, which he started learning when he was eight. He perfected his technique by buying records and copying the trickiest guitar parts. Although Brian's dream was to be a guitarist, it didn't seem like a reality so, encouraged by his parents, he went to London University's Imperial College to study physics. Whilst there he continued playing in bands with his drummer friend Roger Taylor. They were soon joined by art student Freddie Bulsara (who became Freddie Mercury) and John Deacon and formed Queen. Brian was researching infra red astronomy and part-time tutoring, but Queen soon hit the big time with their 1974 album Sheer Heart Attack, a success on both sides of the Atlantic. The band recorded 20 albums over a 22 year period and had frequent hits around the world with Killer Queen, Radio Ga Ga and Bohemian Rhapsody. Brian wrote huge Queen hits such as We will Rock You, Fat Bottomed Girls and Flash. They were known for their flamboyant live shows, where Brian provided technical brilliance and extended guitar solos inspired by Eric Clapton and Jimi Hendrix. When lead singer Freddie Mercury died of an AIDS-related illness in 1991, Brian and his fellow band members organised a huge tribute concert for AIDS research which was shown on television screens around the world.

Thirty-one years after Queen began, the band is still popular: Bohemian Rhapsody was voted most popular British song in a BBC Radio 2 poll this year, 24 years after its first release. Brian has also written and toured with his own band and in June this year he kicked off the Queen's Jubilee concert with an amazing guitar solo of The National Anthem from the roof of Buckingham Palace. This month he came fifth in a poll to find the World's Greatest Guitarists.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Saturn - the Bringer of Old Age by Gustav Holst

Alan Titchmarsh was drawn to gardening from an early age in Ilkley, Yorkshire, making his first polythene greenhouse at the age of twelve and deciding he was going to be a gardener when he grew up. He left school at fifteen and became an apprentice gardener in the Parks Department of Ilkley Urban District Council, going on to horticultural college at the age of 18. His interest in English literature and writing prompted him to apply for a job as assistant editor of gardening books at Hamlyn Publishing and he began to write gardening books of his own, publishing his first in 1976.

Alan experienced his first taste of television when there was a plague of greenfly on the south coast and he was approached to report on it in Margate for Nationwide. He says, "I suddenly tasted blood. It was wow!, I like this. I want to do more." He became a presenter of Daytime Live, a Birmingham-based chat show, interviewing stars like Placido Domingo, Barry Manilow and Julia Roberts. He also presented Songs of Praise but never forgot his gardening, and took to the screens as a gardener with the amazingly successful garden make-over programme, Ground Force, in 1997. As well as presenting the more 'serious' gardening programme, Gardener's World, Alan recently took viewers back to basics with the series How to be a Gardener and, having written a grand total of thirty-seven gardening books, he remains the UK's premier gardener.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Lark Ascending by Vaughan Williams

After Minette Walters' father died of injuries sustained in World War II she won a scholarship to Godolphin School, and eventually became Head Girl. From a young age she shunned girls' story books, preferring the more gripping Biggles and later, Agatha Christie. Her ambition was to be a writer. She says, "I just adored the whole thing of escapism into somebody else's world. When you're a writer and you are creating a world - you can only relate to one reader at a time, so it's: how do you persuade people? how can you draw the reader into that world so you can share it together? It's very exciting and any good writer, that is exactly what they do - they are tempting you into a world of their creation."

Minette Walters went to Durham University to read modern languages. When she left she took on barmaid and secretarial work that would allow her to continue her writing but all her many manuscripts, in particular plays to BBC Radio, were rejected. Her efforts in magazine publishing were more successful and, after a stint as an editor, she soon found herself writing 30,000 word hospital romances. She was inspired to attempt a novel and after having two children she turned her attention to crime fiction, a subject that had held her interest since childhood. But she says of The Dark Room: "there is virtually no comparison with Agatha Christie - it's much deeper and darker and more naturalistic, realistic, gritty. That's why I put 'fart' in the first paragraph, because I thought, whoever reads the first page of this book is not going to think they are reading an Agatha Christie!"

She has written eight books in ten years and received the Edgar Allan Poe Award for the best crime novel published in America for The Sculptress and won the Gold Dagger Award for best British Crime novel in 1994 for The Scold's Bridle. Her books have been translated into 36 languages and five of her books have been made into television films. Minette says she never knows who has done the crime until she finishes the book: "I set up a limited number - if I knew which one was guilty I would either underwrite them or overwrite them and if I don't know then I still explore them in depth. This joy, of going inside their heads, I'd be bored stiff if I knew what was going to happen."

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Free as a Bird from his Orlean's Function by Louis Armstrong