El Anatsui is a leading contemporary sculptor born in 1944 in Anyako, Ghana. Trained at the Kwame Nkrumah University of Science and Technology, Anatsui’s early education was heavily influenced by Western art traditions, which often neglected the rich artistic heritage of West Africa. After relocating to Nigeria in 1975 to teach at the University of Nigeria, Nsukka, he joined the Nsukka group, a collective dedicated to reviving traditional practices like Uli—an Igbo art form characterized by fluid linear drawings. This shift marked the beginning of his lifelong endeavor to blend traditional African motifs with contemporary sculptural techniques.

Anatsui is best known for his monumental "metal cloths," which he began creating in the late 1990s using discarded liquor bottle caps and copper wire. A prime example is the 2003 piece Old Man's Cloth, a massive work measuring approximately 16 feet by 17 feet. These installations are intentionally malleable, allowing curators to fold and drape them differently for every display to create a "non-fixed form". Beyond their visual resemblance to traditional Ghanaian Kente cloth, these materials carry profound historical weight; they reference the transatlantic "Triangle Trade," where alcohol was used as a primary currency by Europeans to exchange for enslaved people in Africa. By employing a communal studio process involving dozens of assistants, Anatsui transforms industrial waste into high art that comments on colonialism, globalization, and the enduring strength of African heritage.

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