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Film critic and writer Andrew Plimpton returns to the pod to talk about one of the greatest American films of all time—Chinatown—which also happens to be a canonical film about the politics of energy. We dive into the film’s themes, noir as a genre, Jack Nicholson as a writer, and much more.
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By Emmet Penney4.8
2323 ratings
Film critic and writer Andrew Plimpton returns to the pod to talk about one of the greatest American films of all time—Chinatown—which also happens to be a canonical film about the politics of energy. We dive into the film’s themes, noir as a genre, Jack Nicholson as a writer, and much more.
Nuclear Barbarians is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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