Larissa Pham is an artist and writer in Brooklyn. Born in Portland, Oregon, she studied painting and art history at Yale University. She has written essays and criticism for the Paris Review Daily, The Nation, Art in America, Guernica, and elsewhere. She was an inaugural Yi Dae Up fellowship recipient from the Jack Jones Literary Arts Retreat. She is also the author of Fantasian, a novella.

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Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go.

Pop Song is a book about love and about falling in love--with a place, or a painting, or a person--and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss--from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde--Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed.

Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness.