Writer and editor Thomas Beller joins me to discuss his new essay collection Degas at the Gas Station. The essays trace his experience of fatherhood through the landscapes of his own childhood, including the early death of his psychoanalyst father and Tom's later return—wife and children in tow—to the very Manhattan apartment where he was raised.

We talk about some of the fundamental conflicts of personal writing, including the ethics of writing about your children and even your ambivalence about parenthood. We also discuss why some writers feel trapped inside the genres that come most naturally to them, how the literary sensibility of The New Yorker shaped the styles of generations of writers, and how Tom is feeling about New York City these days. The episode was recorded on the morning of November 4, Election Day, and Tom talks about why he's voting for Zohran Mamdani—and why he thinks some of my early writing relates directly to Mamdani's platform.

Guest Bio:

Thomas Beller is a long time contributor to the New Yorker and the author of several books including Lost in the Game: A Book about Basketball, also published by Duke University Press; J.D. Salinger: The Escape Artist; and The Sleep-Over Artist. A 2024-25 Guggenheim fellow, he is a founding editor of Open City Magazine and Books and Mrbellersneighborhood.com, and Professor and Director of creative writing at Tulane University.