Kevin and Casey finally tackle the children’s song that conquered the planet: Baby Shark. With a brutally honest nine-year-old guest in the studio, they investigate whether it’s a timeless kids’ classic, a New Order synth ripoff, or just a song designed to slowly melt parents’ brains. Between fart logic, daycare shoutouts, Hamilton debates, and an unexpected lyrical analysis of shark politics, the real question remains—does Baby Shark deserve a chance, or should it swim back into the abyss?

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Kevin and Casey check into the Paris Hilton pop era to ask the real question: is Stars Are Blind a secret bop or just reggae-lite room service? They unpack fame-for-being-famous, 2000s tabloid chaos, and lyrics that somehow jump from Greek gods to “we could get physical” in under three minutes. It’s part pop experiment, part cultural time capsule, and part “wait…this is actually kind of catchy?” — proving that even heiresses can stumble into a hook.

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Kevin and Casey stomp, clap, and cringe their way through Home, the millennial love anthem turned Gen Z punching bag by Edward Sharpe & the Magnetic Zeros. Kevin compares it to moldy peaches (the band and the fruit), Casey defends its wedding-core earnestness, and together they ask: is this song a barefoot bride in a $90K dress—or just the musical equivalent of a free people catalog?

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It’s a yeehaw fever dream. Casey and Kevin dive into the mulleted monster hit that made Billy Ray Cyrus a country-pop icon and, eventually, Miley’s dad. Is it Wham! with twang? Is it Elvis with white Reeboks? Yes. Also: George Michael, Hank Williams, Jar Jar Binks, and how this boot-scootin’ banger somehow walked so “Old Town Road” could gallop.

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Girl, you know it’s… complicated. This episode starts with preschool teachers named Miss Hiney and ends with a philosophical breakdown of what it means to be real. Kevin and Casey dive into the glittery chaos of Milli Vanilli: two men, zero vocals, infinite vibes. There’s a surprisingly passionate defense of karaoke, an unhinged metaphor involving spoon players and generational trauma, and a reminder that sometimes the greatest lip-sync of all is pretending you’re fine. Is it fraud? Is it performance art? Is it drag?? Is it… kinda genius???

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Kevin and Casey open Pandora’s glittery, face-tattooed box and unleash GOOBA by Tekashi 6ix9ine. Is it a song? A threat? A preschool fight set to a trap beat? Kevin wonders if rebellion peaked with yelling “Are you dumb, stupid, or dumb,” Casey gets hypnotized by a Dalmatian, and together they ask: is this punk, parody, or paint-splattered purgatory?

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Kevin and Casey unbutton their silk shirts and dive deep into Gerardo’s Rico Suave — a Spanglish fever dream that somehow influenced both Razor Ramon and a generation of horny middle schoolers. Kevin recalls its inescapable 1990 reign, Casey uncovers Gerardo’s post–suave pivot to pastor, and together they ask: is this song misogyny in a mesh tank top… or just deeply misunderstood meat-based poetry?

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Kevin and Casey enter the forest of We Tigers to figure out if Animal Collective is genius, nonsense, or a group of toddlers let loose with Ableton. Kevin feels nostalgic for North Brooklyn noise rock, Casey hears a haunted ice cream truck, and together they ask: are we hearing art… or just being chased by experimental zoo animals?

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Kevin and Casey do the unthinkable and actually listen to a track from U2’s infamous album that they thrust upon all iPhones in 2014. The boys will decide if this this promotional tactic was on The Edge of inappropriate or if they’re pro Bono.

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Kevin and Casey tackle the most successful prank in internet history: Never Gonna Give You Up. Is it just meme-core nonsense, or does Rick Astley actually kind of...slap? Kevin questions everything he thought he knew about white guys with deep voices, Casey wonders if they’ve been emotionally manipulated by a trench coat, and together they ask: is this song a joke, or are we the joke?

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