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The writer Fatima Bhutto celebrates the new global popular culture emerging from the East. She tells Andrew Marr that the West’s soft power dominance is on the wane as K-Pop, Dizi and Bollywood take the world by storm.
The Korean artist Nam June Paik was among the first to foresee the importance of mass media and new technologies, coining the phrase ‘electronic superhighway’. Sook-Kyung Lee is co-curating a global tour of his work, starting at Tate Modern.
A new play, Museum in Baghdad, brings together the stories of its British founder Gertrude Bell in 1926 with Ghalia Hussein’s attempts to reopen it in 2006 after looting during the war. The RSC director Erica Whyman says the play questions the role of culture in helping to create a nation.
And the writer John Burnside turns to the poets of the 20th century to give voice to an alternative cultural history of the time. He draws on the work of poets, both renowned and unjustly obscure, to give shape and meaning to the world.
Producer: Katy Hickman
Picture credit: Tate
4.7
152152 ratings
The writer Fatima Bhutto celebrates the new global popular culture emerging from the East. She tells Andrew Marr that the West’s soft power dominance is on the wane as K-Pop, Dizi and Bollywood take the world by storm.
The Korean artist Nam June Paik was among the first to foresee the importance of mass media and new technologies, coining the phrase ‘electronic superhighway’. Sook-Kyung Lee is co-curating a global tour of his work, starting at Tate Modern.
A new play, Museum in Baghdad, brings together the stories of its British founder Gertrude Bell in 1926 with Ghalia Hussein’s attempts to reopen it in 2006 after looting during the war. The RSC director Erica Whyman says the play questions the role of culture in helping to create a nation.
And the writer John Burnside turns to the poets of the 20th century to give voice to an alternative cultural history of the time. He draws on the work of poets, both renowned and unjustly obscure, to give shape and meaning to the world.
Producer: Katy Hickman
Picture credit: Tate
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