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Carrie Coon got an unconventionally late start in film and TV at 33, after having long since established herself on the stage. But she's more than made up for lost time with unconventional roles. Her performances as Nora Durst in The Leftovers, Vera Walker in The Sinner, and as Elizabeth in The Keeping Hours have solidified Coon as Hollywood's bona-fide spooky mother.
In this episode of Creative Conversation, Coon explains how she's reframing the archetype of mom characters, why being a good student can be bad for creativity, and what the physical side of creativity taught her (and what it can teach you).
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts.
By Fast Company4.8
6060 ratings
Carrie Coon got an unconventionally late start in film and TV at 33, after having long since established herself on the stage. But she's more than made up for lost time with unconventional roles. Her performances as Nora Durst in The Leftovers, Vera Walker in The Sinner, and as Elizabeth in The Keeping Hours have solidified Coon as Hollywood's bona-fide spooky mother.
In this episode of Creative Conversation, Coon explains how she's reframing the archetype of mom characters, why being a good student can be bad for creativity, and what the physical side of creativity taught her (and what it can teach you).
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts.

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