
Sign up to save your podcasts
Or


In their new film, The Good Liar, Ian McKellen plays Roy Courtnay, a con artist who when he meets Betty McLeish, a well-to-widow played by Helen Mirren, can't believe his luck. Sir Ian talks to John Wilson about this role, which involves playing someone who is himself acting.
Guilt, a new 4-part BBC Two drama set in Edinburgh, stars Mark Bonnar and Jamie Sives as two very different brothers who find themselves having to join forces when they run over and kill a man. As they cover their tracks they begin to discover they can trust no-one, including each other. Critic Hannah McGill reviews the contemporary black comedy drama.
The Observer’s theatre critic Susannah Clapp said of Sarah Frankcom, artistic director of the Royal Exchange Theatre in Manchester, that she was 'creating England’s first mainstream feminist theatre'. Now Frankcom is directing her final production there, Light Falls by Simon Stephens. She talks about this drama of a northern family, her collaborations with Stephens, who has written several plays for the Exchange and, especially, Maxine Peake, whom she cast as Hamlet. Frankcom's next job will be running the drama school LAMDA and she tells John Wilson of her concern about the training of actors because of the expense and the decline of drama teaching in schools.
Presenter: John Wilson
By BBC Radio 44.4
118118 ratings
In their new film, The Good Liar, Ian McKellen plays Roy Courtnay, a con artist who when he meets Betty McLeish, a well-to-widow played by Helen Mirren, can't believe his luck. Sir Ian talks to John Wilson about this role, which involves playing someone who is himself acting.
Guilt, a new 4-part BBC Two drama set in Edinburgh, stars Mark Bonnar and Jamie Sives as two very different brothers who find themselves having to join forces when they run over and kill a man. As they cover their tracks they begin to discover they can trust no-one, including each other. Critic Hannah McGill reviews the contemporary black comedy drama.
The Observer’s theatre critic Susannah Clapp said of Sarah Frankcom, artistic director of the Royal Exchange Theatre in Manchester, that she was 'creating England’s first mainstream feminist theatre'. Now Frankcom is directing her final production there, Light Falls by Simon Stephens. She talks about this drama of a northern family, her collaborations with Stephens, who has written several plays for the Exchange and, especially, Maxine Peake, whom she cast as Hamlet. Frankcom's next job will be running the drama school LAMDA and she tells John Wilson of her concern about the training of actors because of the expense and the decline of drama teaching in schools.
Presenter: John Wilson

7,649 Listeners

146 Listeners

1,046 Listeners

5,511 Listeners

1,876 Listeners

871 Listeners

604 Listeners

721 Listeners

297 Listeners

1,756 Listeners

1,049 Listeners

368 Listeners

1,979 Listeners

489 Listeners

46 Listeners

583 Listeners

164 Listeners

244 Listeners

52 Listeners

182 Listeners

43 Listeners

3,169 Listeners

119 Listeners

7 Listeners

43 Listeners