Melvyn Bragg and guests Krista Cowman, June Purvis and Julia Bush discuss suffragism, a name for the various movements to get the vote for women in the 19th and early-20th century. On the 4th June 1913 the Epsom Derby was underway. King George V was there watching his horse Anmer, ridden by Herbert Jones. Also watching was a young woman called Emily Davison. As the horses thundered towards the finish line, Emily Davison stepped through the barrier and threw herself in front of the King's horse and died of her injuries four days later. Davison was a suffragette, a campaigner for the woman's right to vote and her death is perhaps the most powerful image of that entire movement. Emmeline Pankhurst and her Suffragettes are famous for their militant campaign of suicide, violence and direct action, but Suffragism was a broader movement involving letter writing, reasoned argument, journalism and parliamentary petition - all played out across biology, medicine, law, psychology, politics and the military amidst the rising tide of democratic ideas.

In the hot summer of 1900, Peking, the capital of China, was under heavy siege. But the surrounding forces were not foreign, they were Chinese. This was the Boxer Rebellion, the moment when the 'Society of Righteous and Harmonious Fists', known as the boxers, purged China of foreign merchants and missionaries. The Boxers had came out of the northern provinces, they claimed their fists were stronger than fire and they were invincible to bullets. But they were also desperate and starving and they blamed foreigners for their plight. In the end, the Boxer rebellion failed but it changed China and, more than a hundred years later, the spirit of the Boxer Rebellion lives on. They may have lost their battles but they may have won their war.

Melvyn Bragg and guests discuss the Library at Alexandria. Founded by King Ptolemy in the 3rd century BC the library was the first attempt to collect all the knowledge of the ancient world in one place. Scholars including Archimedes and Euclid came to study its grand array of papyri. the legacy of the library is with us today, not just in the ideas it stored and the ideas it seeded but also in the way it organised knowledge and the tools developed for dealing with it. It still influences the things we know and the way we know them to this day.With Simon Goldhill, Professor of Greek at the University of Cambridge; Matthew Nicholls, Lecturer in Classics at the University of Reading; Serafina Cuomo, Reader in Roman History at Birkbeck College, University of London.

Melvyn Bragg and guests discuss the Destruction of Carthage. The North African city of Carthage was rich and powerful, but in the second century BC it suffered a terrible fate. The Greek historian Appian wrote about it: “Then came new scenes of horror. As the fire spread and carried everything down, the soldiers did not wait to destroy the buildings little by little, but all in a heap. So the crashing grew louder, and many corpses fell with the stones into the midst. Others were seen still living, especially old men, women, and young children who had hidden in the inmost nooks of the houses, some of them wounded, some more or less burned, and uttering piteous cries.”When the Romans finally conquered their great enemy in 146 BC, they razed it to the ground, sold off its library and tried to destroy not merely the city but the civilisation based upon it. Carthage was removed from history with such effect that it’s hard to know the city save through Roman eyes.It was a pivotal moment in world history that left Rome as the supreme power in the Mediterranean but after it was gone the ghosts of Carthage haunted Rome and seemed to hint at Rome’s own fate. With Mary Beard, Professor of Classics at the University of Cambridge; Jo Quinn, Lecturer in Ancient History at the University of Oxford and Ellen O’Gorman, Senior Lecturer in Classics at the University of Bristol

Melvyn Bragg and guests discuss how the writing of history has changed over time, from ancient epics to medieval hagiographies and modern deconstructions. In the 6th century AD, the bishop of Tours began his history of the world with a simple observation that “A great many things keep happening, some of them good, some of them bad”. For a phrase that captures the whole of history it’s among the best, but in writing about the past we are rarely so economical. From ancient epics – Thucydides’ History of the Peloponnesian War - to medieval hagiographies and modern deconstructions, historians have endlessly chronicled, surveyed and analysed the great many things that keep happening, declaring some of them good and some of them bad. But the writing of history always illuminates two periods – the one history is written about and the one it is written in. And to look at how the writing of history has changed is to examine the way successive ages have understood their world. In short, there is a history to history.With Paul Cartledge, AG Leventis Professor of Greek Culture and Fellow of Clare College, Cambridge; John Burrow, Emeritus Fellow of Balliol College, Oxford and Miri Rubin, Professor of Medieval and Early Modern History at Queen Mary, University of London.

Melvyn Bragg and guests discuss the 19th century American writer and philosopher, Henry David Thoreau. Anti-slavery activist and passionate environmentalist, Thoreau was above all a champion of self-reliance and individualism. He was also a champion of the simple life, a lover of nature and an enemy of the modern who lived alone in a log cabin in the woods away from society. In his seminal work, Walden, published in 1854, he wrote: “I went to the woods because I wished to live deliberately, to front only the essential facts of life and not, when I came to die, discover that I had not lived. I wanted to live deep and suck out all the marrow of life.” Thoreau has become emblematic of one version of American values and his work has been an inspiration to politicians and writers alike, from Martin Luther King to Gandhi, Yeats and Tolstoy. Yet in many ways Thoreau remains a mystery, a man of contradictions who advocated self-sufficiency but was happy to let his mother do his washing and cook his meals.With Kathleen Burk, Professor of American History at University College London; Tim Morris, Lecturer in American Literature at the University of Dundee; Stephen Fender, Honorary Professor in English Literature at University College London.

Melvyn Bragg and guests discuss the Great Reform Act of 1832. The Act redrew the map of British politics in the wake of the Industrial Revolution and is a landmark in British political history.“We must get the suffrage, we must get votes, that we may send the men to Parliament who will do our work for us; …and we must have the country divided so that the little kings of the counties can't do as they like, but must be shaken up in one bag with us.” So declares a working class reformist in George Eliot’s novel Felix Holt: the Radical. It is set in 1832, the year of the so-called “Great Reform Act” which extended the vote and gave industrial cities such as Manchester and Birmingham political representation for the first time. But to what extent was Britain’s political system transformed by the Great Reform Act? What were the causes of reform in the first place and was the Act designed to encourage democracy in Britain or to head it off?

Melvyn Bragg and guests discuss The Great Fire of London which destroyed up to a third of the city in 1666. Samuel Pepys described the scene in his diary:“all over the Thames, with one's face in the wind, you were almost burned with a shower of firedrops…and in corners and upon steeples, and between churches and houses, as far as we could see up the hill of the City, we saw the fire …It made me weep to see it.”The London that rose from the ashes was a visible manifestation of ideas; of the politics, religion, economics and science of the heady Restoration period. Christopher Wren, of course, but also Robert Hooke, The Royal Society, St Paul’s Cathedral, the Restoration court of Charles II and, inevitably, building regulations. With Lisa Jardine, Centenary Professor of Renaissance Studies at Queen Mary, University of London; Vanessa Harding, Reader in London History at Birkbeck, University of London and Jonathan Sawday, Professor of English Studies at the University of Strathclyde

Melvyn Bragg and guests discuss the life and times of Simon Bolivar, hero of the revolutionary wars that liberated Spanish America from Spain. In 1804 Bolivar stood on a small hill in Rome and made a grand declaration. He said, “I swear before you, I swear before the God of my fathers, I swear by my fathers, I swear by my honour, I swear by my country that I will not rest, body or soul, until I have broken the chains with which Spanish power oppresses us.” Unlike most teeenage declarations, Bolivar made good on his word. A wealthy young man, Bolivar was inspired by Enlightenment thinkers John Locke and Jean Jacques Rousseau and by the compelling personality of Napoleon. His story is one of ideas and adventure, of armies crossing the Andes, of the far flung influence of the Napoleonic Wars and an unexpectedly large role for Britain. But when he died he was anything but a hero, his reputation undergoing a transformation after his death to make him an icon of liberation and the national hero of Venezuela, Columbia, Equador, Peru and Bolivia – a country that bears his name. With Anthony McFarlane, Professor of Comparative American Studies at the University of Warwick; John Fisher, Professor of Latin American History at the University of Liverpool and Catherine Davies, Professor in the Department of Spanish, Portuguese and Latin American Studies at the University of Nottingham.

Melvyn Bragg and guests discuss the Roman historian Tacitus who chronicled some of Rome’s most notorious emperors, including Nero and Caligula, and whose portrayal of Roman decadence influences the way we see Rome today. “The story I now commence is rich in vicissitudes, grim with warfare, torn by civil strife, a tale of horror even during times of peace”. So reads page one of The Histories by the Roman historian Tacitus and it doesn’t disappoint. Convinced that Rome was going to the dogs, Tacitus depicts a Rome which is a hotbed of sex and violence, of excessive wealth and senatorial corruption. His work is a pungent study in tyranny and decline that has influenced depictions of Rome, from Gibbon’s Decline and Fall to Robert Graves’ I, Claudius. But is it a true picture of the age or does Tacitus’ work present the tyranny and decadence of Rome at the expense of its virtues? And to what extent, when we look at the Roman Empire today, do we still see it through Tacitus' eyes?With Catharine Edwards, Professor of Classics and Ancient History at Birkbeck, University of London; Ellen O’Gorman, Senior Lecturer in Classics at the University of Bristol and Maria Wyke, Professor of Latin at University College London