Melvyn Bragg and guests discuss the notorious events off Jamaica in 1781 and their background. The British slave ship Zong, having sailed across the Atlantic towards Jamaica, threw 132 enslaved Africans from its human cargo into the sea to drown. Even for a slave ship, the Zong was overcrowded; those murdered were worth more to the ship dead than alive. The crew said there was not enough drinking water to go round and they had no choice, which meant they could claim for the deaths on insurance. The main reason we know of this atrocity now is that the owners took their claim to court in London, and the insurers were at first told to pay up as if the dead slaves were any other lost goods, not people. Abolitionists in Britain were scandalised: if courts treated mass murder in the slave trade as just another business transaction and not a moral wrong, the souls of the nation would be damned. But nobody was ever prosecuted.

The image above is of sailors throwing slaves overboard, from Torrey's 'American Slave Trade', 1822

With

Vincent Brown

Bronwen Everill

And

Jake Subryan Richards

Studio production: Hannah Sander

Melvyn Bragg and guests discuss Maria Theresa (1717-1780) who inherited the Austrian throne in 1740 at the age of 23. Her neighbours circled like wolves and, within two months, Frederick the Great had seized one of her most prized lands, Silesia, exploiting her vulnerability. Yet over the next forty years through political reforms, alliances and marriages, she built Austria up into a formidable power, and she would do whatever it took to save the souls of her Catholic subjects, with a rigidity and intolerance that Joseph II, her son and heir, could not wait to challenge.

With

Catriona Seth

Martyn Rady

And

Thomas Biskup

Producer: Simon Tillotson

Melvyn Bragg and guests discuss ideas about the Stone Age people who created the extraordinary images found in caves around the world, from hand outlines to abstract symbols to the multicoloured paintings of prey animals at Chauvet and, as shown above, at Lascaux. In the 19th Century, it was assumed that only humans could have made these, as Neanderthals would have lacked the skills or imagination, but new tests suggest otherwise. How were the images created, were they meant to be for private viewing or public spaces, and what might their purposes have been? And, if Neanderthals were capable of creative work, in what ways were they different from humans? What might it have been like to experience the paintings, so far from natural light?

With

Alistair Pike

Chantal Conneller

And

Paul Pettitt

Producer: Simon Tillotson

Melvyn Bragg and guests discuss Pericles (495-429BC), the statesman who dominated the politics of Athens for thirty years, the so-called Age of Pericles, when the city’s cultural life flowered, its democracy strengthened as its empire grew, and the Acropolis was adorned with the Parthenon. In 431 BC he gave a funeral oration for those Athenians who had already died in the new war with Sparta which has been celebrated as one of the greatest speeches of all time, yet within two years he was dead from a plague made worse by Athenians crowding into their city to avoid attacks. Thucydides, the historian, knew him and was in awe of him, yet few shared that view until the nineteenth century, when they found much in Pericles to praise, an example for the Victorian age.

With

Edith Hall

Paul Cartledge

And

Peter Liddel

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the bonds that Scottish Presbyterians made between themselves and their monarchs in the 16th and 17th Centuries, to maintain their form of worship. These covenants bound James VI of Scotland to support Presbyterians yet when he became James I he was also expected to support episcopacy. That tension came to a head under Charles I who found himself on the losing side of a war with the Covenanters, who later supported Parliament before backing the future Charles II after he had pledged to support them. Once in power, Charles II failed to deliver the religious settlement the Covenanters wanted, and set about repressing them violently. Those who refused to renounce the covenants were persecuted in what became known as The Killing Times, as reflected in the image above.

With

Roger Mason

Laura Stewart

And

Scott Spurlock

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the debate in Valladolid, Spain in 1550, over Spanish rights to enslave the native peoples in the newly conquered lands. Bartolomé de Las Casas (pictured above), the Bishop of Chiapas, Mexico, was trying to end the encomienda system in which those who now owned the land could also take the people in forced labour. Juan Gines Sepulveda, a philosopher, argued for the colonists' property rights over people, asserting that some native Americans were 'natural slaves' as defined by Aristotle. Valladolid became seen as the first open attempt by European colonists to discuss the ethics of slavery, and Las Casas became known as 'Saviour of the Indians' and an advocate for human rights, although for some time he argued that African slaves be imported to do the work in place of the native people, before repenting.

With

Caroline Dodds Pennock

John Edwards

And

Julia McClure

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the great Roman military disaster of 9 AD when Germanic tribes under Arminius ambushed and destroyed three legions under Varus. According to Suetonius, emperor Augustus hit his head against the wall when he heard the news, calling on Varus to give him back his legions. The defeat ended Roman expansion east of the Rhine. Victory changed the development of the Germanic peoples, both in the centuries that followed and in the nineteenth century when Arminius, by then known as Herman, became a rallying point for German nationalism.

With

Peter Heather

Ellen O'Gorman

And

Matthew Nicholls

Producer: Simon Tillotson

Melvyn Bragg and guests discuss Alcuin of York, c735-804AD, who promoted education as a goal in itself, and had a fundamental role in the renaissance at Charlemagne's court. He wrote poetry and many letters, hundreds of which survive and provide insight into his life and times. He was born in or near York and spent most of his life in Northumbria before accepting an invitation to Charlemagne's court in Aachen. To this he brought Anglo-Saxon humanism, encouraging a broad liberal education for itself and the better to understand Christian doctrine. He left to be abbot at Marmoutier, Tours, where the monks were developing the Carolingian script that influenced the Roman typeface.

The image above is Alcuin’s portrait, found in a copy of the Bible made at his monastery in Tours during the rule of his successor Abbot Adalhard (834–843). Painted in red on gold leaf, it shows Alcuin with a tonsure and a halo, signifying respect for his memory at the monastery where he had died in 804. His name and rank are spelled out alongside: Alcvinvs abba, ‘Alcuin the abbot’. It is held at the Staatsbibliothek Bamberg -Kaiser-Heinrich-Bibliothek - Msc.Bibl.1,fol.5v (photo by Gerald Raab).

With

Joanna Story

Andy Orchard

And

Mary Garrison

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the siege of Paris during the Franco-Prussian war and the social unrest that followed, as the French capital was cut off from the rest of the country and food was scarce. When the French government surrendered Paris to the Prussians, power gravitated to the National Guard in the city and to radical socialists, and a Commune established in March 1871 with the red flag replacing the trilcoleur. The French government sent in the army and, after bloody fighting, the Communards were defeated by the end of May 1871.

The image above is from an engraving of the fire in the Tuileries Palace, May 23, 1871

With

Karine Varley

Robert Gildea

And

Julia Nicholls

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the discovery in 1922 of Tutankhamun's 3000 year old tomb and its impact on the understanding of ancient Egypt, both academic and popular. The riches, such as the death mask above, were spectacular and made the reputation of Howard Carter who led the excavation. And if the astonishing contents of the tomb were not enough, the drama of the find and the control of how it was reported led to a craze for 'King Tut' that has rarely subsided and has enthused and sometimes confused people around the world, seeking to understand the reality of Tutankhamun's life and times.

With

Elizabeth Frood

Christina Riggs

And

John Taylor

Producer: Simon Tillotson