In Our Time

Melvyn Bragg and guests discuss the notorious events off Jamaica in 1781 and their background. The British slave ship Zong, having sailed across the Atlantic towards Jamaica, threw 132 enslaved Africans from its human cargo into the sea to drown. Even for a slave ship, the Zong was overcrowded; those murdered were worth more to the ship dead than alive. The crew said there was not enough drinking water to go round and they had no choice, which meant they could claim for the deaths on insurance. The main reason we know of this atrocity now is that the owners took their claim to court in London, and the insurers were at first told to pay up as if the dead slaves were any other lost goods, not people. Abolitionists in Britain were scandalised: if courts treated mass murder in the slave trade as just another business transaction and not a moral wrong, the souls of the nation would be damned. But nobody was ever prosecuted.

The image above is of sailors throwing slaves overboard, from Torrey's 'American Slave Trade', 1822

With

Vincent Brown

Bronwen Everill

And

Jake Subryan Richards

Studio production: Hannah Sander

Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change.

With

Susan Foister

Giulia Bartrum

And

Ulinka Rublack

Studio production: John Goudie

The philosopher Mary Astell (1666 – 1731) has been described as “the first English feminist”. Born in Newcastle in relatively poor circumstances in the aftermath of the upheaval of the English Civil War and the restoration of the monarchy, she moved to London as a young woman and became part of an extraordinary circle of intellectual and aristocratic women. In her pioneering publications, she argued that women’s education should be expanded, that men and women’s minds were the same and that no woman should be forced to marry against her will. Perhaps her most famous quotation is: “If all Men are born Free, why are all Women born Slaves?” Today, she is one of just a handful of female philosophers to be featured in the multi-volume Cambridge History of Political Thought.

The image above is from Astell's "Reflections upon Marriage", 3rd edition, 1706, held by the British Library (Shelfmark 8415.bb.27)

With:

Hannah Dawson

Mark Goldie

Teresa Bejan

Producer: Simon Tillotson

Melvyn Bragg and guests discuss William Langland's poem, written around 1370, about a man called Will who fell asleep on the Malvern Hills and dreamed of Piers the Plowman. This was a time between the Black Death and The Peasants’ Revolt, when Christians wanted to save their souls but doubted how best to do it - and had to live with that uncertainty. Some call this the greatest medieval poem in English, one offering questions not answers, and it can be as unsettling now as it was then.

With

Laura Ashe

Lawrence Warner

And

Alastair Bennett

Producer: Simon Tillotson

Melvyn Bragg and guests discuss Maria Theresa (1717-1780) who inherited the Austrian throne in 1740 at the age of 23. Her neighbours circled like wolves and, within two months, Frederick the Great had seized one of her most prized lands, Silesia, exploiting her vulnerability. Yet over the next forty years through political reforms, alliances and marriages, she built Austria up into a formidable power, and she would do whatever it took to save the souls of her Catholic subjects, with a rigidity and intolerance that Joseph II, her son and heir, could not wait to challenge.

With

Catriona Seth

Martyn Rady

And

Thomas Biskup

Producer: Simon Tillotson

Melvyn Bragg and guests discuss Alan Turing (1912-1954) whose 1936 paper On Computable Numbers effectively founded computer science. Immediately recognised by his peers, his wider reputation has grown as our reliance on computers has grown. He was a leading figure at Bletchley Park in the Second World War, using his ideas for cracking enemy codes, work said to have shortened the war by two years and saved millions of lives. That vital work was still secret when Turing was convicted in 1952 for having a sexual relationship with another man for which he was given oestrogen for a year, or chemically castrated. Turing was to kill himself two years later. The immensity of his contribution to computing was recognised in the 1960s by the creation of the Turing Award, known as the Nobel of computer science, and he is to be the new face on the £50 note.

With

Leslie Ann Goldberg

Simon Schaffer

And

Andrew Hodges

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the idea that God created the universe and then left it for humans to understand by reason not revelation. Edward Herbert, 1583-1648 (pictured above) held that there were five religious truths: belief in a Supreme Being, the need to worship him, the pursuit of a virtuous life as the best form of worship, repentance, and reward or punishment after death. Others developed these ideas in different ways, yet their opponents in England's established Church collected them under the label of Deists, called Herbert the Father of Deism and attacked them as a movement, and Deist books were burned. Over time, reason and revelation found a new balance in the Church in England, while Voltaire and Thomas Paine explored the ideas further, leading to their re-emergence in the French and American Revolutions.

With

Richard Serjeantson

Katie East

And

Thomas Ahnert

Producer: Simon Tillotson

Melvyn Bragg and guests discuss one of Shakespeare’s greatest tragedies. When three witches prophesy that Macbeth will be king one day, he is not prepared to wait and almost the next day he murders King Duncan as he sleeps, a guest at Macbeth’s castle. From there we explore their brutal world where few boundaries are distinct – between safe and unsafe, friend and foe, real and unreal, man and beast – until Macbeth too is slaughtered.

The image above shows Nicol Williamson as Macbeth in a 1983 BBC TV adaptation.

With:

Emma Smith

Kiernan Ryan

And

David Schalkwyk,

Producer: Simon Tillotson

Melvyn Bragg and guests discuss ideas about the Stone Age people who created the extraordinary images found in caves around the world, from hand outlines to abstract symbols to the multicoloured paintings of prey animals at Chauvet and, as shown above, at Lascaux. In the 19th Century, it was assumed that only humans could have made these, as Neanderthals would have lacked the skills or imagination, but new tests suggest otherwise. How were the images created, were they meant to be for private viewing or public spaces, and what might their purposes have been? And, if Neanderthals were capable of creative work, in what ways were they different from humans? What might it have been like to experience the paintings, so far from natural light?

With

Alistair Pike

Chantal Conneller

And

Paul Pettitt

Producer: Simon Tillotson

Melvyn Bragg and guests discuss Pericles (495-429BC), the statesman who dominated the politics of Athens for thirty years, the so-called Age of Pericles, when the city’s cultural life flowered, its democracy strengthened as its empire grew, and the Acropolis was adorned with the Parthenon. In 431 BC he gave a funeral oration for those Athenians who had already died in the new war with Sparta which has been celebrated as one of the greatest speeches of all time, yet within two years he was dead from a plague made worse by Athenians crowding into their city to avoid attacks. Thucydides, the historian, knew him and was in awe of him, yet few shared that view until the nineteenth century, when they found much in Pericles to praise, an example for the Victorian age.

With

Edith Hall

Paul Cartledge

And

Peter Liddel

Producer: Simon Tillotson