Melvyn Bragg and guests discuss the role of the great 'City of the Persians' founded by Darius I as the ceremonial capital of the Achaemenid Empire that stretched from the Indus Valley to Egypt and the coast of the Black Sea. It was known as the richest city under the sun and was a centre at which the Empire's subject peoples paid tribute to a succession of Achaemenid leaders, until the arrival of Alexander III of Macedon who destroyed it by fire supposedly in revenge for the burning of the Acropolis in Athens.

The image above is a detail from a relief at the Apadana, the huge audience hall, and shows a lion attacking a bull.

With

Lloyd Llewellyn-Jones

Vesta Sarkhosh Curtis

And

Lindsay Allen

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the great Norwegian playwright and poet, best known for his middle class tragedies such as The Wild Duck, Hedda Gabler, A Doll's House and An Enemy of the People. These are set in a world where the middle class is dominant and explore the qualities of that life, its weaknesses and boundaries and the ways in which it takes away freedoms. It is the women who fare the worst in this society, something Ibsen explored in A Doll's House among others, a play that created a sensation with audiences shocked to watch a woman break free of her bourgeois family life to find her destiny. He explored dark secrets such as incest and, in Ghosts, hereditary syphilis, which attracted the censors. He gave actresses parts they had rarely had before, and audiences plays that, after Shakespeare, became the most performed in the world.

With

Tore Rem

Kirsten Shepherd-Barr

And

Dinah Birch

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss one of the most remarkable queens of the Middle Ages who took control when her husband, Henry VI, was incapable. Margaret of Anjou (1430-1482) wanted Henry to stay in power for the sake of their son, the heir to the throne, and her refusal to back down was seen by her enemies as a cause of the great dynastic struggle of the Wars of the Roses.

The image above is from the Talbot Shrewsbury Book, showing John Talbot, 1st Earl of Shrewsbury, presenting Margaret with that book on her betrothal to Henry

With

Katherine Lewis

James Ross

And

Joanna Laynesmith

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the 1861 declaration by Tsar Alexander II that serfs were now legally free of their landlords. Until then, over a third of Russians were tied to the land on which they lived and worked and in practice there was little to distinguish their condition from slavery. Russia had lost the Crimean War in 1855 and there had been hundreds of uprisings, prompting the Tsar to tell the nobles, "The existing condition of owning souls cannot remain unchanged. It is better to begin to destroy serfdom from above than to wait until that time when it begins to destroy itself from below." Reform was constrained by the Tsar's wish to keep the nobles on side and, for the serfs, tied by debt and law to the little land they were then allotted, the benefits were hard to see.

With

Sarah Hudspith

Simon Dixon

And

Shane O'Rourke

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the eleven stories of Celtic mythology and Arthurian romance known as The Mabinogion, most of which were told and retold for generations before being written down in C14th. Among them are stories of Pwyll and Rhiannon and their son Pryderi, of Culhwch and Olwen, of the dream of the Emperor Macsen, of Lludd and Llefelys, of magic and giants and imagined history. With common themes but no single author, they project an image of the Island of Britain before the Anglo-Saxons and Normans and before Edward I's conquest of Wales. They came to new prominence, worldwide, from C19th with the translation into English by Lady Charlotte Guest aided by William Owen Pughe.

The image above is of Cynon ap Clydno approaching the Castle of Maidens from the tale of Owain, or the Lady of the Fountain

With

Sioned Davies

Helen Fulton

And

Juliette Wood

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the Berber people who grew to dominate the western Maghreb, founded Marrakesh and took control of Al-Andalus. They were desert people, wearing veils over their faces to keep out the sand, and they wanted a simpler form of Islam. They called themselves the Murabitun, the people who gathered together to fight the holy war, and they were tough fighters; the Spanish knight El Cid fought them and lost, and the legend that built around him said the Almoravids were terrible and had to be resisted. They kept back the Christians of northern Spain, so helping extend Muslim rule in the Iberian Peninsula, before they themselves were destroyed and replaced by their rivals, the Almohads, from the Atlas Mountains.

The image above shows the interior of the cupola, Almoravid Koubba, Marrakesh (C11th)

With

Amira K Bennison

Nicola Clarke

And

Hugh Kennedy

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the discovery and growing understanding of the Proton, formed from three quarks close to the Big Bang and found in the nuclei of all elements. The positive charges they emit means they attract the fundamental particles of negatively charged electrons, an attraction that leads to the creation of atoms which in turn leads to chemistry, biology and life itself. The Sun (in common with other stars) is a fusion engine that turn protons by a series of processes into helium, emitting energy in the process, with about half of the Sun's protons captured so far. Hydrogen atoms, stripped of electrons, are single protons which can be accelerated to smash other nuclei and have applications in proton therapy. Many questions remain, such as why are electrical charges for protons and electrons so perfectly balanced?

With

Frank Close

Helen Heath

And

Simon Jolly

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss what Virginia Woolf called 'one of the few English novels written for grown-up people'. It was written by George Eliot, the pen name of Mary Anne Evans (1819-80), published in 8 parts in 1871-72, and was originally two separate stories which became woven together. One, 'Middlemarch', focused on a doctor, Tertius Lydgate and the other, 'Miss Brooke', on Dorothea Brooke who became the central figure in the finished work. The events are set in a small town in the Midlands, surrounded by farmland, leading up to the Reform Act 1832, and the novel explores the potential to change in matters of religion, social status, marriage and politics, and is particularly concerned with the opportunities available to women to lead fulfilling lives.

The image above shows Rufus Sewell and Juliet Aubrey in the BBC adaptation, from 1994

With

Rosemary Ashton

Kathryn Hughes

And

John Bowen

Producer: Simon Tillotson.

In a programme first broadcast on April 12th 2018, Melvyn Bragg and guests discuss the contribution of George Stephenson (1781-1848) and his son Robert (1803-59) to the development of the railways in C19th. George became known as The Father of Railways and yet arguably Robert's contribution was even greater, with his engineering work going far beyond their collaboration.

Robert is credited with the main role in the design of their locomotives. George had worked on stationary colliery steam engines and, with Robert, developed the moving steam engine Locomotion No1 for the Stockton and Darlington Railway in 1825. They produced the Rocket for the Rainhill Trials on the Liverpool and Manchester Railway in 1829. From there, the success of their designs and engineering led to the expansion of railways across Britain and around the world.

with

Dr Michael Bailey

Julia Elton

and

Colin Divall

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the role of slavery in the Roman world, from its early conquests to the fall of the Western Empire.

The system became so entrenched that no-one appeared to question it, following Aristotle's view that slavery was a natural state. Whole populations could be marched into slavery after military conquests, and the freedom that Roman citizens prized for themselves, even in poverty, was partly defined by how it contrasted with enslavement. Slaves could be killed or tortured with impunity, yet they could be given great responsibility and, once freed, use their contacts to earn fortunes. The relationship between slave and master informed early Christian ideas of how the faithful related to God, informing debate for centuries.

With

Neville Morley

Ulrike Roth

And

Myles Lavan

Producer: Simon Tillotson.