In Our Time

Melvyn Bragg and guests discuss the work, ideas and life of the Russian poet whose work was celebrated in C20th both for its quality and for what it represented, written under censorship in the Stalin years. Her best known poem, Requiem, was written after her son was imprisoned partly as a threat to her and, to avoid punishment for creating it, she passed it on to her supporters to be memorised, line by line, rather than written down. She was a problem for the authorities and became significant internationally, as her work came to symbolise resistance to political tyranny and the preservation of pre-Revolutionary liberal values in the Soviet era.

The image above is based on 'Portrait of Anna Akhmatova' by N.I. Altman, 1914, Moscow

With

Katharine Hodgson

Alexandra Harrington

And

Michael Basker

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the event of which Voltaire, two hundred years later, said 'nothing was more well known'. In 1565, Suleiman the Magnificent, the Ottoman leader, sent a great fleet west to lay siege to Malta and capture it for his empire. Victory would mean control of trade across the Mediterranean and a base for attacks on Spain, Sicily and southern Italy, even Rome. It would also mean elimination of Malta's defenders, the Knights Hospitaller, driven by the Ottomans from their base in Rhodes in 1522 and whose raids on his shipping had long been a thorn in his side. News of the Great Siege of Malta spread fear throughout Europe, though that turned to elation when, after four months of horrific fighting, the Ottomans withdrew, undermined by infighting between their leaders and the death of the highly-valued admiral, Dragut. The Knights Hospitaller had shown that Suleiman's forces could be contained, and their own order was reinvigorated.

The image above is the Death of Dragut at the Siege of Malta (1867), after a painting by Giuseppe Cali. Dragut (1485 – 1565) was an Ottoman Admiral and privateer, known as The Drawn Sword of Islam and as one of the finest generals of the time.

With

Helen Nicholson

Diarmaid MacCulloch

and

Kate Fleet

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss Shakespeare's best known, most quoted and longest play, written c1599 - 1602 and rewritten throughout his lifetime. It is the story of Hamlet, Prince of Denmark, encouraged by his father's ghost to take revenge on his uncle who murdered him, and is set at the court of Elsinore. In soliloquies, the Prince reveals his inner self to the audience while concealing his thoughts from all at the Danish court, who presume him insane. Shakespeare gives him lines such as 'to be or not to be,' 'alas, poor Yorick,' and 'frailty thy name is woman', which are known even to those who have never seen or read the play. And Hamlet has become the defining role for actors, men and women, who want to show their mastery of Shakespeare's work.

The image above is from the 1964 film adaptation, directed by Grigori Kozintsev, with Innokenty Smoktunovsky as Hamlet.

With

Sir Jonathan Bate

Carol Rutter

And

Sonia Massai

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss one of the great composers, who was born into a family of musicians in Bonn. His grandfather was an eminent musician and also called Ludwig van Beethoven. His father, who was not as talented as Beethoven's grandfather, drank heavily and died when Beethoven was still young. It was his move to Vienna that allowed him to flourish, with the support at first of aristocratic patrons, when that city was the hub of European music. He is credited with developing the symphony further than any who preceded him, with elevating instrumental above choral music and with transforming music to the highest form of art. He composed his celebrated works while, from his late twenties onwards, becoming increasingly deaf.

(Before the live broadcast, BBC Radio 3's Breakfast programme played selections from Beethoven, with Essential Classics playing more, immediately after, on the same network.)

With

Laura Tunbridge

John Deathridge

And

Erica Buurman

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the man who was Henry II's Chancellor and then Archbishop of Canterbury and who was murdered by knights in Canterbury Cathedral (depicted by Matthew Paris, above). Henry believed that Becket owed him loyalty as he had raised him to the highest offices, and that he should agree to Henry's courts having jurisdiction over 'criminous clerics'. They fell out when Becket agreed to this jurisdiction verbally but would not put his seal on the agreement, the Constitutions of Clarendon. The rift deepened when Henry's heir was crowned without Becket, who excommunicated the bishops who took part. Becket's tomb became one of the main destinations for pilgrims for the next 400 years, including those in Chaucer's Canterbury Tales where he was the 'blisful martir'.

With

Laura Ashe

Michael Staunton

And

Danica Summerlin

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss Herman Melville's (1819-1891) epic novel, published in London in 1851, the story of Captain Ahab's pursuit of a great white sperm whale that had bitten off his leg. He risks his own life and that of his crew on the Pequod, single-mindedly seeking his revenge, his story narrated by Ishmael who was taking part in a whaling expedition for the first time. This is one of the c1000 ideas which listeners sent in this autumn for our fourth Listener Week, following Kafka's The Trial in 2014, Captain Cook in 2015 and Garibaldi and the Risorgimento in 2016.

With

Bridget Bennett

Katie McGettigan

And

Graham Thompson

Producer: Simon Tillotson.

In a programme first broadcast in 2017, Melvyn Bragg and guests discuss Gauss (1777-1855), widely viewed as one of the greatest mathematicians of all time. He was a child prodigy, correcting his father's accounts before he was 3, dumbfounding his teachers with the speed of his mental arithmetic, and gaining a wealthy patron who supported his education. He wrote on number theory when he was 21, with his Disquisitiones Arithmeticae, which has influenced developments since. Among his achievements, he was the first to work out how to make a 17-sided polygon, he predicted the orbit of the minor planet Ceres, rediscovering it, he found a way of sending signals along a wire, using electromagnetism, the first electromagnetic telegraph, and he advanced the understanding of parallel lines on curved surfaces.

With

Marcus du Sautoy

Colva Roney-Dougal

And

Nick Evans

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the myths and history of the ancient Greek city of Thebes and its depiction in Athenian drama. In myths it was said to be home to Heracles, Dionysus, Oedipus and Cadmus among others and, in history, was infamous for supporting Xerxes in the Persian War. Its prominence led to a struggle with the rising force of Macedon in which the Thebans were defeated at Chaironea in 338 BC, one of the most important battles in ancient history. The position of Thebes in Greek culture was enormously powerful. The strength of its myths and its proximity to Athens made it a source of stories for the Athenian theatre, and is the setting for more of the surviving plays than any other location.

The image, above, is of Oedipus answering questions of the sphinx in Thebes (cup 5th century BC).

With

Edith Hall

Samuel Gartland

and

Paul Cartledge

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the life and impact of Germaine de Staël (1766-1817) who Byron praised as Europe's greatest living writer, and was at the heart of intellectual and literary life in the France of revolution and of Napoleon. As well as attracting and inspiring others in her salon, she wrote novels, plays. literary criticism, political essays, and poems and developed the ideas behind Romanticism. She achieved this while regularly exiled from the Paris in which she was born, having fallen out with Napoleon who she opposed, becoming a towering figure in the history of European ideas.

With

Catriona Seth, Marshal Foch Professor of French Literature at the University of Oxford

Alison Finch, Professor Emerita of French Literature at the University of Cambridge

and

Katherine Astbury, Associate Professor and Reader in French Studies at the University of Warwick.

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss The Picts and, to mark our twentieth season, that discussion takes place in front of a student audience at the University of Glasgow, many of them studying this topic. According to Bede writing c731AD, the Picts, with the English, Britons, Scots and Latins, formed one of the five nations of Britain, 'an island in the ocean formerly called Albion'. The Picts is now a label given to the people who lived in Scotland north of the Forth-Clyde line from about 300 AD to 900 AD, from the time of the Romans to the time of the Vikings. They left intricately carved stones, such as the one above with a bull motif, from Burghead, Moray, Scotland, but there are relatively few other traces. Who were they, and what happened to them? And what has been learned in the last twenty years, through archaeology?

With

Katherine Forsyth

Alex Woolf

and

Gordon Noble

Producer: Simon Tillotson.