In Our Time

Melvyn Bragg and his guests discuss Daoism. An ancient Chinese tradition of philosophy and religious belief, Daoism first appeared more than two thousand years ago. For centuries it was the most popular religion in China; in the West its religious aspects are not as well known as its practices, which include meditation and Feng Shui, and for its most celebrated text, the Daodejing.The central aim in Daoism is to follow the 'Dao', a word which roughly translates as 'The Way'. Daoists believe in following life in its natural flow, what they refer to as an 'effortless action'. This transcendence can be linked to Buddhism, the Indian religion that came to China in the 2nd century BC and influenced Daoism - an exchange which went both ways. Daoism is closely related to, but has also at times conflicted with, the religion of the Chinese Imperial court, Confucianism. The spirit world is of great significance in Daoism, and its hierarchy and power often take precedence over events and people in real life. But how did this ancient and complex religion come to be so influential?With:Tim Barrett Professor of East Asian History at the School of Oriental and African Studies, University of LondonMartin PalmerDirector of the International Consultancy on Religion, Education and CultureHilde De WeerdtFellow and Tutor in Chinese History at Pembroke College, University of Oxford Producer: Natalia Fernandez.

Melvyn Bragg and his guests discuss the innovations and influence of Thomas Edison, one of the architects of the modern age.Edison is popularly remembered as the man who made cheap electric light possible. Born in 1847, he began his career working in the new industry of telegraphy, and while still in his early twenties made major improvements to the technology of the telegraph. Not long afterwards he invented a new type of microphone which was used in telephones for almost a century. In the space of three productive years, Edison developed the phonograph and the first commercially viable light bulb and power distribution system. Many more inventions were to follow: he also played a part in the birth of cinema in the 1890s. When he died in 1931 he had patented no fewer than 1093 devices - the most prolific inventor in history. As the creator of the world's first industrial research laboratory he forever changed the way in which innovation took place.With:Simon SchafferProfessor of the History of Science, University of CambridgeKathleen BurkProfessor of History, University College LondonIwan MorusReader in History, University of AberystwythProducer: Thomas Morris.

Melvyn Bragg and his guests discuss Cleopatra. The last pharaoh to rule Egypt, Cleopatra was a woman of intelligence and charisma, later celebrated as a great beauty. During an eventful life she was ousted from her throne and later restored to it with the help of her lover Julius Caesar. A later relationship with another Roman statesman, Mark Antony - and Cleopatra's subsequent death at her own hands - provided Shakespeare with the raw material for one of his greatest plays. Today Cleopatra is still an object of fascination, her story revealing as much about the Roman world as it does about the end of the age of the Pharaohs.With:Catharine EdwardsProfessor of Classics and Ancient History at Birkbeck, University of LondonMaria WykeProfessor of Latin at University College LondonSusan WalkerKeeper of Antiquities at the Ashmolean Museum at the University of OxfordProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the history of metaphor. In Shakespeare's As You Like It, the melancholy Jaques declares: "All the world's a stage/And all the men and women merely players." This is a celebrated use of metaphor, a figure of speech in which one thing is used to describe another. Metaphor is a technique apparently as old as language itself; it is present in the earliest surviving work of literature, the Epic of Gilgamesh. Homer developed it into an art form, and his invention of the epic simile was picked up by later writers including Milton. In the Middle Ages the device of allegory underpinned much of French and English writing, while the Metaphysical poets employed increasingly elaborate metaphorical conceits in the sixteenth century. In the age of the novel the metaphor once again evolved, while the Modernist writers used it to subvert their readers' expectations. But how does metaphor work, and what does this device tell us about the way our minds function?With:Steven ConnorProfessor of Modern Literature and Theory at Birkbeck, University of LondonTom HealyProfessor of Renaissance Studies at the University of SussexJulie SandersProfessor of English Literature and Drama at the University of NottinghamProducer: Thomas Morris.

Melvyn Bragg and his guests discuss John Foxe and his book Actes and Monuments, better known today as Foxe's Book of Martyrs. Born in 1517, John Foxe was an early Protestant who was forced to flee the persecutions which ensued when the Catholic Mary came to the English throne in 1553. He was a horrified observer on the Continent as more than three hundred of his countrymen were burnt at the stake. In exile he began work on a substantial work of scholarship, bringing together eyewitness accounts of these horrifying deaths.First published in 1563, Foxe's Book of Martyrs was one of the most elaborate early books produced, and thanks to vivid woodcut illustrations reached an audience far beyond the literate elite. Its stories of Protestant martyrdom became powerful Church propaganda in the late sixteenth century and were used by those who wished to banish Catholicism from England permanently. But despite its use as an instrument of religious factionalism, Foxe's work remains one of the key and most read books of the early modern period. With:Diarmaid MacCullochProfessor of Church History at the University of OxfordJustin ChampionProfessor of the History of Early Modern Ideas at Royal Holloway, University of LondonElizabeth EvendenLecturer in Book History at Brunel UniversityProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the Volga Vikings. Between the 8th and the 10th centuries AD, fierce Scandinavian warriors raided and then settled large swathes of Europe, particularly Britain, Ireland and parts of northern France. These were the Vikings, and their story is well known today. Far fewer people realise that groups of Norsemen also travelled east.These Volga Vikings, also known as the Rus, crossed the Baltic into present-day Russia and the Ukraine and founded settlements there. They traded commodities including furs and slaves for Islamic silver, and penetrated so far east as to reach Baghdad. Their activities were documented by Arab scholars: one, Ahmad ibn Fadlan, recorded that the Volga Vikings he met were perfect physical specimens but also "the filthiest of God's creatures". Through trade and culture they brought West and East into regular contact; their story sheds light on both Scandinavian and early Islamic history.With:James MontgomeryProfessor of Classical Arabic at the University of CambridgeNeil PriceProfessor of Archaeology at the University of AberdeenElizabeth RoweLecturer in Scandinavian History of the Viking Age at Clare Hall, University of CambridgeProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the role played by women in Enlightenment science. During the eighteenth century the opportunities for women to gain a knowledge of science were minimal. Universities and other institutions devoted to research were the preserve of men. Yet many important contributions to the science of the Enlightenment were made by women. These ranged from major breakthroughs like those of the British astronomer Caroline Herschel, the first woman to discover a comet, to important translations of scientific literature such as Emilie du Chatelet's French version of Newton's Principia - and all social classes were involved, from the aristocratic amateur botanists to the women artisans who worked in London's workshops manufacturing scientific instruments.

With

Patricia Fara

Karen O'Brien

Judith Hawley

Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the unicorn. In the 5th century BC a Greek historian, Ctesias, described a strange one-horned beast which he believed to live in a remote area of India. Later classical scholars, including Aristotle and Pliny, added to his account of this animal which they called the monoceros, a vicious ass-like creature with a single horn in the middle of its forehead.For centuries the monoceros or unicorn was widely accepted to be a real - if rarely seen - beast. It appears in the Bible, and in the Middle Ages became a powerful Christian symbol. It continued to be represented in art and literature throughout the Renaissance, when 'unicorn horn' became one of the most valuable commodities on earth, thanks to its supposed properties as an antidote to poison. As late as the seventeenth century, scientists believed they had found conclusive proof of the existence of unicorns. It was some time before the animal was shown to be a myth; four hundred years on, the unicorn retains much of its fascination and symbolic power.With:Juliette WoodAssociate Lecturer in Folklore at Cardiff UniversityLauren KassellLecturer in the History and Philosophy of Science at the University of CambridgeDavid EkserdjianProfessor of the History of Art and Film at the University of Leicester.Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the history of logic. Logic, the study of reasoning and argument, first became a serious area of study in the 4th century BC through the work of Aristotle. He created a formal logical system, based on a type of argument called a syllogism, which remained in use for over two thousand years. In the nineteenth century the German philosopher and mathematician Gottlob Frege revolutionised logic, turning it into a discipline much like mathematics and capable of dealing with expressing and analysing nuanced arguments. His discoveries influenced the greatest mathematicians and philosophers of the twentieth century and considerably aided the development of the electronic computer. Today logic is a subtle system with applications in fields as diverse as mathematics, philosophy, linguistics and artificial intelligence.With:A.C. GraylingProfessor of Philosophy at Birkbeck, University of LondonPeter MillicanGilbert Ryle Fellow in Philosophy at Hertford College at the University of OxfordRosanna KeefeSenior Lecturer in Philosophy at the University of Sheffield.Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the artistic movement known as Sturm und Drang.In the 1770s a small group of German writers started to produce plays, poetry and novels which were radically different from what had gone before. These writers were all young men, and they rejected the values of the Enlightenment, which they felt had robbed art of its spontaneity and feeling. Their work was passionate, ignored existing conventions and privileged the individual's free will above the constraints of society.The most prominent member of the movement was Johann von Goethe, whose novel The Sorrows of Young Werther became its most notable success, translated into more then thirty languages. Despite this and other successes including Schiller's play The Robbers, the Sturm und Drang disappeared almost as quickly as it had emerged; by the mid-1780s it was already a thing of the past.With:Tim BlanningEmeritus Professor of Modern European History at Cambridge UniversitySusanne KordProfessor of German at University College, LondonMaike Oergel Associate Professor of German at the University of NottinghamProducer: Thomas Morris.