The director of Once (2007) and Sing Street (2016) joins Toolkit today to discuss his latest film about creativity, music, and finding connection in Dublin. Listen to hear how classic musicals influence how Carney sees his stories, and even what he thinks of Taylor Swift.

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The creator & showrunner of this darkly funny look at 80s culture and gender roles joined Toolkit to discuss the series' three season arc, the moving final episode, and that cruel inner voice so many of us seem to have.

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Jon Bois talks the many facets of creating the epic nine-hour documentary "The History of The Minnesota Vikings" from the boss chart that anchors the series to unexpected music cues to novel uses for Google Earth.

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Emma Seligman discusses creating the riotous action comedy "Bottoms" from casting and stunt work to music and production design, and the project of bringing queer characters into timeless high school tropes.

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John Wilson discusses his approach to both documentary and comedy, how he keeps track of all his b-roll, and what things he wanted to make sure How To With John Wilson taught audiences before he wrapped the series.

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The epic political thriller "JFK" was featured last weekend at the American Cinematheque, and we had the privilege to interview writer & director Oliver Stone live on stage. Stone talks about the impact of this controversial film, and reflects on its legacy today. You'll also hear some of the filmmaker's thoughts on the state of the industry today, and why he's an even angrier, more passionate filmmaker than ever.

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After seven years of scoring HBO’s “Succession,” Nicholas Britell reflects on completing his first TV series. What did he learn about working in TV? How did the series and his process evolve over the course of four seasons? Would he ever sign on to do another serialized series? Was it helpful for the “Succession” editors to use his previously recorded music to temp new episodes? Did his experience working on Wall Street, before becoming a film & TV composer, inform his understanding of the Roys? Plus, Britell explains why he wrote the last two pieces of “Succession” music (including the choir music used over the final end credits) well before seeing the series finale.

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Director Peter Hoar joins us to talk about the episode of The Last of Us that had us all in tears. Peter discusses the power of telling gay stories, using both natural light and "On The Nature of Daylight," and how the crew of "The Last of Us" fell just as hard for Bill (Nick Offerman) and Frank (Murray Bartlett) as the characters did for each other.

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As part of 80s week over on the IndieWire site, we are featuring a special conversation with a filmmaker who forever changed the ways movies look and feel. His early work created the iconic look of movies like Rocky and The Shining, and today we are all living in the world Steadicam built. Garrett tells the story of why he needed to invent a new tool for cinematic motion, and reflects on how its legacy has shaped cinema in the decades since.

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Have you ever wondered what it would be like to be in The Truman Show, with every aspect of your reality crafted by a team of filmmakers? Showrunner and executive producer Cody Heller was tasked with creating just such a world for the star of Jury Duty; an entirely fake, month-long court case built from scratch and performed live for the unaware protagonist. Heller shares the wildly creative tricks her team used to keep up with the chaos of real life, and discusses how did Jury Duty managed to be a fascinating social experiment and a goofy hysterical comedy all at the same time.

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