IndieWire's Filmmaker Toolkit

Director Michael Dinner returns to the podcast to talk with IndieWire’s Jim Hemphill about his work on Apple TV’s “Silo.” Dinner discusses the influence of 1970s conspiracy thriller’s on the show’s visual language, collaborating with showrunner Graham Yost and star Rebecca Ferguson, and much more.

Read more about the production design of "Silo" - https://www.indiewire.com/features/craft/silo-props-apple-tv-plus-1234879799/

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In a wide-ranging conversation, veteran director Ridley Scott returns to the podcast to talk with IndieWire features writer Jim Hemphill about his latest film, “The Dog Stars.” Scott also has stories about “Blade Runner” and “Black Hawk Down,” reveals his very English approach to love stories, and explains how he’s able to make epics on a budget.

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Director Matt Johnson is already a hot name this year following the cult success of “Nirvanna the Band the Show the Movie,” and now his next film “Tony” is attracting early awards buzz. Johnson explained how he took many liberties adapting the early chapters of Anthony Bourdain’s memoir while avoiding the typical pitfalls of a biopic. He also reveals why he changed his style for “Tony,” avoiding the documentary aesthetics that define his previous Toronto-made comedies.

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After his hit shows ‘Breaking Bad’ and ‘Better Call Saul,’ creator and showrunner Vince Gilligan is back with the sci-fi thriller ‘Pluribus.’ We sat down with Gilligan at a reflective moment as he and his team were hard at work breaking Season 2. Hear him break down what worked and didn’t in the first season, why directing crowd scenes was the hardest part of the premise to film, and what it was like finally shooting outside his beloved New Mexico (while not abandoning Albuquerque).

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For their third feature, Jane Shoenbrun brings us to the brink of ecstasy with their deeply felt and impeccably crafted exploration of the slasher genre. The director of "I Saw the TV Glow" and "We're All Going to the World's Fair" explains why their new film had to start with a geyser of fake blood, walks us through making horror scenes a metaphor for sex, and wonders where our fascinations with slasher tropes really come from.

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HBO's epic dragon war just wrapped its third season, and series co-creator and showrunner Ryan Condal sat down with IndieWire's Sarah Shachat to break down how they pull off multiple features' worth of world-building and action into a season of TV. Hear how they balanced character psychology with famous battles adapted from the source material, and why they added some of their own dragon action to the story.

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Director Gregg Araki joins IndieWire features writer Jim Hemphill to talk about his latest film, “I Want Your Sex.” Araki discusses casting Olivia Wilde and Cooper Hoffman, making sex fun again on screen, and making the most of the shortest schedule he ever had.

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Writer and producer Nick Antosca joins IndieWire features writer Jim Hemphill to discuss his Apple TV series "Cape Fear," an adaptation of Martin Scorsese's 1991 thriller and the 1962 Robert Mitchum classic that inspired it. Antosca talks about building on the previous versions to create a hallucinatory nightmare that retains the spirit of its sources but takes their themes in completely new directions.

Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298

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For the third season of the gothic horror series, "Interview with the Vampire" got a new name and a new focus on undead rock & roll. The creator and showrunner of all three seasons joins IndieWire craft editor Sarah Shachat to sink their teeth into how they made "The Vampire Lestat" so operatic and engaging.

Read our full review of the season - https://www.indiewire.com/criticism/shows/the-vampire-lestat-review-iwtv-season-3-sam-reid-remix-1235198082/?v3=true

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The co-creators of this sci-fi alternate history series join IndieWire's Sarah Shachat to dig into 'Star City's connections to 'For All Mankind,' adding spies to the mix, and the many unfortunate ways their story reflects the present day.

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