In James Gray's new film "Armageddon Time," he returns to the kind of intimate, precise character study with which he made his name. Gray speaks about visual style, memory, and why he loves movies to begin with.

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Director Margaret Brown discusses the cinematic and narrative choices that helped shape the story of "Descendant" – from building the sounds of the South to collaborating with the film's subjects to resurfacing the filmmaking of Zora Neale Hurston.

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Charlotte Wells joins the Filmmaker Toolkit podcast to talk about the evolution of her first feature: creating anchor points for memory within the story of the film, the joys of working with DV camcoder footage and the liminal place it sits between objective and subjective points of view, refining perspective and the sense of memory in editing "Aftersun" together, finding immediacy within a specific time period through the look of the film, and even more.

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Series creator Armando Iannucci discusses the benefits of satire while working in genre, building a future out of our ridiculous present, and how the pandemic influenced the HBO comedy's second season.

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If you were an action fan in the 1970s, ’80s, or ’90s, one of the great pleasures of filmgoing was the experience, every year or two, of a new Walter Hill movie. No one else was really making movies like him, and no one had before; Hill created a body of work that spoke to American culture both past and present where the jokes are funny but the bullets are real. On this episode of the Filmmaker Toolkit podcast, Hill speaks about returning to his favorite genre, the Western with his new film "Dead for a Dollar."

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Director Nicholas Stoller, of "Neighbors" and "Forgetting Sarah Marshall" fame, joins Filmmaker Toolkit to discuss his process developed on some of the best comedy films of the last couple decades and how he applied it to his latest film, 'Bros.'

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Writer-director Andrew Dominik wrote his adaptation of Joyce Carol Oates' novel "Blonde" in about four weeks — and then waited 12 years for the opportunity to bring it to the screen. The "Killing Them Softly" director joins Filmmaker Toolkit to talk about his decade-plus-long journey to bring Joyce Carol Oates' fictionalized portrait of Marilyn Monroe to the screen, and the epic study of trauma and Hollywood's exploitation of it that he created.

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Ti West, director of "X" and "Pearl," stops by Toolkit to discuss how he landed on the golden age of Hollywood aesthetic he captured for his horror prequel, how he achieved the film's singular look, and how he tapped into a more formal style of filmmaking where blocking and framing can tell the entire story of a family and lead us to understand Pearl herself.

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On this episode of the Filmmaker Toolkit podcast, creator and star of 'Mo', Mo Amer discusses how he and his team built a series that juggles a tone that can fuse comedy and drama, how they built the show's hip and absurd sense of humor, and how they made filmmaking choices that spotlight the city (Houston) and the culture (the Palestinian diaspora) at the show's heart.

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Director George Miller joins this week’s episode of Toolkit to talk about the making of his latest film, “Three Thousand Years of Longing.” Miller discusses the film’s place in his career as a “palate cleanser” after the high-octane “Mad Max: Fury Road,” the philosophical underpinnings of the script, and why working with actors who are also filmmakers - in this case Tilda Swinton and Idris Elba - yields the best work.

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