Go inside the Matrix with long-time Wachowski collaborators supervising sound editors Dane Davis and Stephanie Flack as we listen to examples from ‘Matrix Resurrections’ and hear how the franchise has sonically evolved.

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Mike Mills discusses the philosophy, iconic imagery, and blend of documentary and narrative that come together to give "C'mon C'mon" its richness and soul.

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Director Maggie Gyllenhaal and editor Affonso Gonçalves discuss their creative partnership and how they pushed both image and sound on "The Lost Daughter."

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A look at PTA's creative process, the unique way he approaches filmmaking, and his new film with long-time collaborators: 

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Go inside Lowery and Droz Palmero's collaboration on the year's Best Cinematography.

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Fukunaga and Sangren break down their realistic, but painterly approach to Daniel Craig's final installment as James Bond, with incredible insights to film's use of color, camera movement, and emotional storytelling.

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The legendary director ("The Piano") dives into her process and collaborations in making the Netflix western. This is followed [26:30] by a conversation with her editor Peter Sciberras, who breaks down how he and Campion carefully navigated the relationship between Phil (Benedict Cumberbatch) and Peter (Kodi Smit-McPhee) – as they needed to maintain the mystery, mounting sexual energy, and growing sense of foreboding as the film unfolded. Sponsored by MGM/United Artists Releasing.

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He’s back. The action maestro behind “Fast Five” and “Fast & Furious 6” returns to the franchise that was never the same without him. While on the podcast, Justin talked about what it’s actually like to direct big action scenes that are being shot thousands miles away, while he’s on a soundstage with the Vin Diesel and the cast, and how he integrates practical stunt work with VFX and cast performance. 

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One of the three co-creators of the new HBO Max series “Hacks,” Aniello also directed six of the 10 episodes (including the first three) and together with cinematographer Adam Bricker employed a purposeful and effective use of the camera so sorely missing from most half-hour comedy series. On the podcast Lucia discusses casting a non-standup in Jean Smart, creating her routines, and how she used the camera to tell the story of Deborah Vance (Smart) and Ava (Hannah Einbinder). Bricker joins the second half of the podcast to talk about creating the look of a classic Vegas and avoiding the pitfalls inherent with cross-shooting a comedy series. 

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The “In the Heights” director on his original pitch to Lin-Manuel Miranda to direct his Tony award winning musical. We break down the opening number, the “When the Sun Goes Down” dance up the side of the building, and Jon’s distinct use of movement.  

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