The "Call Me By Your Name" director talks about how Thom Yorke changed his view of film scores, being inspired by the films and youth culture of Berlin 1977, his feminism, and tackling Bob Dylan's "Blood on the Tracks." PHOTO: Andrea Raffin/Shutterstock

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The oscar winning director goes behind the scenes of recreating the moon landing and telling the story of Neil Armstrong.

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Kazan and Dano talk about collaborating on Paul’s directorial debut.

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Lowery on subverting the cops & robbers genre to detour into the looseness of a ‘70s film, finding out "Old Man" would be Redford's last movie, wanting to make the definitive "Peter Pan," the small indie he'll make first and how his wife Augustine Frizzell's career is blowing up.

Photo: David Fisher/REX/Shutterstock

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Christopher McQuarrie talks about directing action scenes with emotional clarity, the danger of practical stunts and wanting to return to being an indie filmmaker.

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Lena talks about creating the interweaving narrative of “The Chi,” a showtime series about her hometown (Southside of Chicago) and the vital role casting (and a good casting director) plays in allowing a writer to do something different. She also shares her advice to actors and a funny story about her “Masters of None” audition.

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How Two Young Creators Blew Up Their ‘Mad Men of Tech’ Premise to Discover Something Special.

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Bill Hader moved To L.A. to be a filmmaker, 15 years later and an unexpected comedy detour (SNL) he found his way back in dark comedy that he created with “Silicon Valley,” “Seinfeld,” & “Curb Your Enthusiasm” vet Alec Berg.

Photo Credit: Michael Buckner/Deadline/REX/Shutterstock

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Simien breaks down the unique "presentation" style of his Netflix series, what Kubrick taught him about music and share new details about his horror-race satire movie ("Bad Hair")that he'll be shooting this summer.

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Michael Schur (The Office, Parks & Rec), master of the work place comedy, talks about the challenges of tackling the big concept and twisty plot of “The Good Place.” In this conversation Schur outlines the one vital key to success in all serialized tv, working with philosophy professors as consultants, modeling heaven after The Grove and avoiding the M. Night Shyamalan trap of training an audience to anticipate twists.

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