'Compensation' is an underdiscussed classic that follows two young black couples, one of whom is deaf, played by the same actors in two time periods, facing two different pandemics. In making the movie in the 90s, and discussing it now, Zeinabu is brilliant at capturing the complexities and patterns of black lives.

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'Universal Language' is a charming, deceptively deep indie film about a town that is somehow both Winnipeg, Canada and Tehran, Iran, and the lives of its citizens. Director Mathew Rankin sat down with IndieWire craft writer Sarah Shachat to discuss what it takes to live in community, finding his family on set, and of course filming with live turkeys.

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Director Coralie Fargeat tells IndieWire how the films of David Lynch, Stanley Kubrick, the Coen Brothers, David Cronenberg, John Carpenter and Darren Aronofsky inspired her Oscar nominated body horror classic.

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This powerful documentary, produced and directed by Shiori Itō, documents her own sexual assault and the investigation in Japan. Itō kindly shares her personal experiences documenting her own legal case, and describes the challenges of post production when she is the subject as well as filmmaker.

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The Oscar nominated director of one of the splashiest films of the year joins IndieWire's Chris O'Falt to dive into her ideas about self hatred, body image, Hollywood, and how she represented it all in her body-horror extravaganza.

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The director of the most celebrated animated film of the year sat down with IndieWire's Sarah Shachat to share how he made this charming and powerful film on a micro-indie budget.

You can watch the full intrerview with Glints at Youtube.com/IndieWire.

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The new movie "Companion" is part horror, part rom-com, part heist flick, and a whole lot more. First time writer/director Drew Hancock joined IndieWire's features writer Jim Hemphill for a deep dive into his filmmaking process.

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Horror filmmaker Leigh Whannell joins IndieWire features writer Jim Hemphill to talk about “Wolf Man,” his latest collaboration with Universal and Blumhouse. Like Whannell’s “The Invisible Man,” “Wolf Man” reinvents a classic Universal monster in an entirely new and original way. Whannell talks about the differences between “Wolf Man” and “Invisible Man,” the influence of David Cronenberg, and how living through COVID informed his writing and directing process.

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The "Bodies, Bodies, Bodies" director is back with her Nicole Kidman starring sexual thriller about a high powered CEO who explores her submissive kink through an affair with a much younger intern. Halina shares her very specific vision for the film, and breaks down how she used her experiences as an actor to bring authenticity and craft to the sex scenes.

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