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We're back from the holiday break! (Sort of.) This interview with the inimitable Mike Pesca was recorded on Boxing Day and released right away to paying subscribers. Now it's available to everyone. Host of The Gist and author of the newsletters Pesca Profundities and The Gist List, Mike has turned the humble "bonus segment" into a multi-level rmarketing scheme multi-tiered pricing philosophy. How does he do it? We'll find out! We also talk about the hardest part of the creator economy (discovery), the incentives that reward martyrdom and outrage, and, most of all, Mike's December 26 Substack post No One's Nice To Bari Weiss. The CBS News editor-in-chief has been all over the headlines this past week after spiking delaying a 60 Minutes segment on CECOT, the notorious El Salvador terrorist prison, that was on the cusp of airing. Is it because the segment needed to "move beyond the forty-yard lines?" Or is something else going on? Also: a discussion on a mega-viral Compact article about systemic discrimination against white millennial men, a cry against Hamilton erasure, and why my lack of grip strength is more than made up for by my alarmingly hyperextensive fingers.
By Meghan Daum4.6
797797 ratings
We're back from the holiday break! (Sort of.) This interview with the inimitable Mike Pesca was recorded on Boxing Day and released right away to paying subscribers. Now it's available to everyone. Host of The Gist and author of the newsletters Pesca Profundities and The Gist List, Mike has turned the humble "bonus segment" into a multi-level rmarketing scheme multi-tiered pricing philosophy. How does he do it? We'll find out! We also talk about the hardest part of the creator economy (discovery), the incentives that reward martyrdom and outrage, and, most of all, Mike's December 26 Substack post No One's Nice To Bari Weiss. The CBS News editor-in-chief has been all over the headlines this past week after spiking delaying a 60 Minutes segment on CECOT, the notorious El Salvador terrorist prison, that was on the cusp of airing. Is it because the segment needed to "move beyond the forty-yard lines?" Or is something else going on? Also: a discussion on a mega-viral Compact article about systemic discrimination against white millennial men, a cry against Hamilton erasure, and why my lack of grip strength is more than made up for by my alarmingly hyperextensive fingers.

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