In honor of Bob Weir, who passed away today at the age of 78, we're unlocking Ian & Evan's positively fried post-show conversation following Dead & Co's penultimate performance in San Francisco on 8/2/25, which previously ran on Never Ending Stories.

Fare thee well Bobby 🌹

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The Jokermen are joined by Daniel Lopatin (Oneohtrix Point Never) to discuss his superb score for the instant classic MARTY SUPREME, American Hauntology, Donald Fagen, Stanley Kubrick, the blimp and much more.

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"MARTY SUPREME" SOUNDTRACK AVAILABLE NOW

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The Jokermen embrace the "Do It Again" ethos of the holidays with two late-era Christmas records: Brian Wilson's warm-hearted What I Really Want For Christmas, and Mike Love's aesthetically abrasive Reason For The Season. Plus: a Root Beer Report unlike any other.

Ian catches up with Daniel Rossen of Grizzly Bear about their just-concluded 2025 tour, revisiting Yellow House, Veckatimest, and Shields, returning to the past with no sense of pressure, community vs. quality of life, solo artists vs. rock bands, the lasting reputation of Grizzly Bear, the GOAT Michael McDonald, and much more.

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Ian speaks with author W. David Marx about cultural atrophy, poptimism, Taylor Swift, Charli XCX, Geese, the "Mike Love Century," The Beatles, the importance of serious criticism, Kanye, Kim, Paris Hilton, new musical genres (or lack thereof), fashion and food scenes vs. music and arts scenes, and Marx's superb new book, Blank Space: A Cultural History of the Twenty First Century.

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"BLANK SPACE" AVAILABLE NOW

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The Jokermen consider Carnie and Wendy Wilson's output from the 1990s: the self-titled Wilson Phillips debut, Shadows & Light, and their pseudo-collaboration with Brian, The Wilsons.

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