Authors Erica Jong and Susan Choi joins co-hosts Eric Newman, Medaya Ocher, and Kate Wolf in our third and final installment from the 2019 Los Angeles Times Festival of Books on USC Campus. First, Erica Jong talks about her new collection of poems, “The World Began with Yes,” as well how she sees the present moment from the long view of her engagement with feminist and other political causes. Then, exploring the trials and tribulations of life in high school, Susan Choi’s talks about the ethics of storytelling and how her novel “Trust Exercise” emerges from questions about how we work through our ideas about power, identity and values in the turbulent years of high school and, much later, after we've become adults.

It's our second show from the Los Angeles Times Festival of Books at USC; and this installment features two of the Festival's award winners, as hosts Eric Newman, Medaya Ocher, and Kate Wolf speak with Nafissa Thompson-Spires and Carl Phillips. Nafissa won the Art Seidenbaum Award for First Fiction for her short story collection Heads of the Colored People; while Carl took home the LA Times Book Prize in Poetry for Wild is the Wind.

In the first of a series of shows from the Los Angles Festival of Books, Eric, Medaya, and Kate, catch up with two friends of the show: Hanif Abdurraqib and Claire Vaye Watkins. First up, Hanif talks about his new book, Go Ahead in the Rain: Notes to A Tribe Called Quest, an epistolary appreciation of one of the most influential groups in Hip Hop history. As always, Hanif astounds with instant recall of, and insights about, all things pop cultural and their social resonance. Then, Claire joins the team to discuss her heralded first novel, Gold Fame Citrus: a terrifying, and all-too-possible, representation of Southern California's near future, in which love blooms in a landscape ravaged by drought.

Co-hosts Kate Wolf and Medaya Ocher talk to writer Laila Lalami about her most recent novel, The Other Americans, a story about a Moroccan immigrant family in the Mojave Desert. In the second half of the episode, Kate, Medaya, and Eric come together to talk about the lessons they've learned from their mothers with Jo Giese, author of Never Sit If You Can Dance, a recent memoir about the lessons her mother has taught her.

Co-hosts Medaya Ocher and Kate Wolf talk with filmmaker Werner Herzog about his new documentary Meeting Gorbachev, which he co-directed with Andre Singer. They discuss the legacy of the last Soviet leader, the era of Glasnost and Perestroika, the fall of the Berlin Wall, and how Herzog understands the history of Russia. The centerpiece of the film is a dialogue between Gorbachev and Herzog, which Gorbachev agreed to do because he recognized the great German filmmaker as more poet than journalist. Indeed, in this show, Herzog's reflections flow seamlessly across an array of subjects, from politics, culture, and history to the resilience of the human spirit. Also, Sally Rooney, author of Normal People, returns to recommend both The Kingdom by Emmanuel Carrere and the book that inspired it, the Gospel of Luke.

Co-hosts Medaya Ocher and Kate Wolf speak with Sally Rooney about her two novels Conversations with Friends and Normal People. Dubbed the "Jane Austin of the Precariat" and called "the first great millennial novelist" Sally addresses the acclaim she’s received; and how she’s grown into the person and writer she is today.  Also, William E. Jones returns to recommend The Imposter byJavier Cercas, which tells the story of Spaniard Enric Marco, who was a national hero until he was exposed as a fraud in 2005.

Juliet Lapidos is a writer and editor. She is currently a senior editor at The Atlantic, and previously worked for the LA Times, NYT and Slate. Host Tom Lutz joins Juliet to discuss Talent, her new novel about a 29 year old English grad student who can’t finish her dissertation, spending her days eating pop tarts rather than producing pages — relatable. Everything changes when she meets the niece of a famous author and gets access to his notebooks. Anna finds in the author’s archive the inspiration that takes her on a whirlwind journey into the depths of a literary mystery. Tom talks with Juliet about every writer's favorite subject, writer's block; along with the role of slacking in American culture, and that ancient quandary of artistic production: hard work vs inspiration or, could we say, Talent.

Author and Artist William E Jones joins co-hosts Eric Newman, Medaya Ocher, and Kate Jones to discuss his first novel I'm Open to Anything. In the midst of a successful career as both an artist and a writer of non-fiction, William explains what inspired this change; albeit one clearly situated in the Los Angeles of the late 80s, which William encountered after a childhood in the declining rust belt and college on the East Coast. Much like his writing, insights pour forth as William reflects on the difference between writing and making art, his contempt for sexual ellipses in literature and film, his passion for both explicit sexual realism and literary pranks, and why these inform his love for Denis Diderot. Also, Poet Tommy Pico returns to recommend Tommy Orange's novel There There; and clarify who's who.

Author Karen Tongson talks with co-hosts Eric Newman and Kate Wolf about the tragic life and beautiful voice of Karen Carpenter, the singer who is Tongson's namesake and whose star has never lost its lustre for an enduring fanbase in the Philippines. What she unpacks in Carpenter's story is a moving account of suffering and beauty, of longing for a world we may never reach save in soaring notes and the practiced perfection of vocal harmony, a struggle resonant with queer and diasporic experience. Also, Morgan Parker, author most recently of Magical Negro, returns to recommend poet Nabila Lovelace's first collection, Sons of Achilles.

Co-hosts Eric Newman and Kate Wolf talk with poets Morgan Parker and Tommy Pico about their respective new works, Magical Negro and Junk. Parker and Pico discuss how they use poetry to explore the experiences of oppressed communities, shuttling between the sublimity and nuance of everyday experiences and the larger cultural and political questions that saturate bodies, spaces and relations. They also talk about how their aesthetic practice has changed as they have moved into writing novels and screenplays.