London Writers' Salon

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London Writers' Salon episodes

August 16#207: Writing Bestselling Middle-Grade Fiction — Jasmine Richards (Storymix), Natalie Doherty (Puffin and HarperCollins), Soman Chainani (The School for Good and Evil) on Standing Out on the Shelf and Writing Unputdownable Voice | Compilation
Children’s fiction studio founder Jasmine Richards (Storymix), publisher Natalie Doherty (Puffin and HarperCollins Children’s Books), and bestselling author Soman Chainani (The School for Good and Evil) on shaping an idea commercial enough to sell, what makes a children’s book impossible to put down, and trusting the unconscious to write it.

You’ll learn
Why the most commercial idea is the one that centres its reader from the very first thought.

How a single pithy log line can carry a book all the way from the slush pile to the playground.

The counterintuitive trick of starting your story at chapter three.

How to read what children are reading now so your pacing keeps up with theirs.

What a publisher is really looking for when a manuscript lands on the desk — and why voice comes before plot.

How the categories from early readers to YA actually break down on the bookshop shelf.

The difference between weaving in a message and writing a book that feels worthy.

The case for never self-censoring in a first draft, and saving the negotiation for later.

How tiring out your conscious mind can unlock a freer, more instinctive way to draft.

Why the goal of writing should be the writing itself, not the bestseller list.

Episode Links
#050: Jasmine Richards — How to Pitch Commercial Children’s Fiction & The Business of Children’s Publishing

#081: Natalie Doherty — The Magic of Writing for Children, Market Trends & Behind the Scenes of Publishing Children’s Books

#035: Soman Chainani — Writing Dark Tales for Children & Balancing Creative Work with Discipline

About the Guests
Jasmine Richards is the author of over a dozen children’s books, ranging from picture books to teen fiction. Her most recent novel, Keeper of Myths, was published by HarperCollins. She has over 15 years of experience as an editor, including roles at Hamish Hamilton, Puffin, and Dutton Books in New York. Jasmine is the founder of Storymix, a children’s fiction studio, where she uses her unique experiences to develop new voices and inclusive stories.
Natalie Doherty is a Publisher at Puffin, although during this interview she was at HarperCollins Children’s Books. She’s worked with award-winning and bestselling authors, including Tom Fletcher, Robin Stevens, R. J. Palacio, Tamzin Merchant, and Nazneen Ahmed Pathak. Before moving into editorial in 2010, she worked in Contracts and Rights at Hachette and holds a BA in Modern European Languages and an MA in Translation. Her recent middle-grade acquisitions include Simon Stephenson’s The Snowman Code and Philippa Leathley’s Inkbound.
Soman Chainani’s debut series, The School for Good and Evil, has sold more than 3 million copies, been translated into 30 languages across 6 continents, and became a major motion picture from Netflix starring Charlize Theron, Laurence Fishburne, Kerry Washington, and Michelle Yeoh, with Chainani as an executive producer. Each of the six books in the series — The School for Good and Evil, A World Without Princes, The Last Ever After, Quests for Glory, A Crystal of Time, and One True King — debuted on the New York Times Bestseller list. A graduate of Harvard University, Soman created his own fairy-tale major before going on to an MFA in film at Columbia University. He has made films that have played all over the world, and his writing awards include honors from Big Bear Lake, the CAPE Foundation, and the Sun Valley Writers’ Fellowship. In Beasts & Beauty: Dangerous Tales, Soman reimagines old stories into fresh fairy tales for a new era.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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33 min
August 09#206: Maya C. Popa — Writing with Wonder, Surviving Rejection, and Building a Life in Poetry
Poet Maya C. Popa on writing with wonder, the ruthless craft of revision, and building a sustainable life in poetry.
You’ll learn
Why wonder has more in common with the sublime — the beautiful and the terrible — than with simple delight.

How a poem loses its charge the moment its ending is visible from the opening line.

What “negative capability” asks of a writer stuck in the dark middle of a draft.

The question worth asking when the work feels uncomfortable and you’re certain something has gone wrong.

A ruthless method for finding a poem’s true entry point — often buried three-quarters of the way down.

When to cut the images you love most, even the ones that took hours to invent.

How to write about longing and love without collapsing into confession.

Why asking your writing to carry your finances can quietly poison your relationship with it.

What to guard at all costs while holding space for other writers.

The freedom that arrives once rejection stops meaning anything at all.
Resources & Links
📄 Interview Transcript

If You Love That Lady by Maya C. Popa

Gerard Manley Hopkins - Poetry Foundation

Wound is the Origin of Wonder by Maya C. Popa

Paradise Lost by John Milton

Maya’s Substack

Conscious Writers Collective

Poetry Society of America Awards

Maya’s ‘Five Things I Have Learned’ class
About Maya C. Popa
Maya C. Popa is a Romanian American poet. She holds a PhD on the role of wonder in poetry from Goldsmiths, University of London, where she was a recipient of a department bursary for exceptional merit, and previous degrees from Oxford University, New York University, and Barnard College.
Popa is the author of If You Love That Lady (W. W. Norton, 2026); Wound Is the Origin of Wonder (W. W. Norton, 2022), named one of the Guardian’s Best Books of Poetry; and American Faith (Sarabande, 2019), a runner-up for the Kathryn A. Morton Prize, judged by Ocean Vuong, and winner of the North American Book Prize in 2020. She has also received awards from the Poetry Foundation and the Oxford Poetry Society.
Popa is the poetry reviews editor at Publishers Weekly and is the founder of Conscious Writers Collective, where she teaches and oversees all literary programming for poets and prose writers. She lives in New York City.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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1 hr 15 min
August 02#205: Casper ter Kuile — Sacred Writing, Turning Routine into Ritual, Rest as Creative Fuel, Moving Past Self-Doubt (From The Vault)
Author Casper ter Kuile on transforming everyday writing into a sacred ritual, drawing on rest and reflection to fuel creativity, and moving past self-doubt to write as a gift for others.
You'll learn
Why the point of the work week might be the rest, not the other way around.

How to turn an ordinary daily habit into a ritual using three simple ingredients.

What a weekly tech sabbath can unlock in your most creative thinking.

The reframe that turns a dreadful first draft into something you can build on.

A piece of advice from a mentor that dissolves the pressure to say something new.

How reading writers you love can quietly refill the tank when you're stuck.

Why treating your writing as a gift changes the way you handle criticism.

The practice for staying humble and kind toward yourself in equal measure.

What sacred reading traditions can teach you about going deeper into any text.

Why the smallest groups, not the biggest audiences, are where meaning actually forms.
Resources & Links
Casper ter Kuile's website

The Power of Ritual by Casper ter Kuile

The Nearness

Harry Potter and the Sacred Text (podcast)

Sacred Design Lab

"How We Gather" report

The Sabbath by Abraham Joshua Heschel

Seth Godin
About Casper ter Kuile
Casper ter Kuile is the author of The Power of Ritual and the co-founder of The Nearness: a space to explore life's big questions with like-hearted others. Casper holds Masters in Public Policy and Divinity from Harvard University, is the former cohost of popular podcast Harry Potter and the Sacred Text, and loves harmony singing, the London Review of Books, and arriving at the pub after a long country walk. He lives with his husband in Brooklyn, NY.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
Twitter: twitter.com/WritersSalon
Instagram: instagram.com/londonwriterssalon
Facebook: facebook.com/LondonWritersSalon
If you’re enjoying this show, please rate and review this show!
47 min
July 24#204: Secrets & Rituals of Building a Writing Practice — Seth Godin, Amie McNee, Mason Currey on Choosing Yourself, Protecting Your Writing Time, and Process Over Outcome | Compilation
Bestselling and award-winning writers Seth Godin (The Practice), Amie McNee (We Need Your Art) and Mason Currey (Daily Rituals) on choosing yourself before anyone else does, protecting the hour you actually have, and why the practice that works is the one that fits your life rather than someone else’s.
You’ll learn
Why "grow a thicker skin" is the wrong advice for a writer facing rejection.

What shifts when you notice the harshest rejection you face each day is your own.

The case for lowering your standards if your ambitions are big.

How an hour that doesn’t look like writing can still be an hour of writing.

What the word discipline shares with the word disciple, and why it changes how a project turns out.

A quiet argument for half an hour a day over the perfect routine you can’t sustain.

Why chasing the writer you think you should be pulls you away from the work.

When a good outcome hides a bad decision, and what that means for your practice.

The difference between talent and skill, and why only one of them applies to writing.
Episode Links
#158: Amie McNee — Creating Without Permission, Overcoming Self-Doubt, Facing Rejection, Building a Life on Your Own Terms, Embracing Social Media as an Artform

#177: Mason Currey — Daily Routines and How Artists Work, Focus Time and Protecting Your Best Hours

#150: Seth Godin — Obscurity Is the Enemy, Here’s How to Stop Seeking Validation, Find Your Audience and Build a Creative Practice
About the Guests
Amie McNee is a trained historian turned creativity coach, writer, and speaker best known for her popular Instagram account, @InspiredtoWrite, and The Unpublished Podcast. She’s self-published two historical fiction novels: The Rules Upheld by No One and Regrettably, I Am About to Cause Trouble. Her book We Need Your Art: Stop F*cking Around and Make Something is a manifesto on the vital, human importance of creating. Her most recent novel, To Kill a Queen, a queer historical mystery set in Elizabethan London, was published in 2025.
Mason Currey is a writer and editor living in Los Angeles and the author of the Daily Rituals books. In addition to compiling the Daily Rituals books, Currey was a design-magazine editor for ten years, working as the managing editor of Metropolis, the executive editor of Print, a senior editor at Core77, and the programming chair for the 2015 Core77 Conference. His freelance writing has appeared in the New Yorker, the New York Times, the Wall Street Journal, the Atlantic, and Slate, and he has delivered talks on the creative process to high school and college students, writers’ groups, and the partners of the design consultancy IDEO. He sends out a fortnightly newsletter on routines, rituals, and wriggling through a creative life. His latest book, Making Art and Making a Living: Adventures in Funding a Creative Life, was published by Celadon Books in 2026.
Seth Godin is the author of twenty-plus international bestsellers that have changed the way people think about work and have been translated into 39 languages – among them Unleashing the Ideavirus, Permission Marketing, Purple Cow, Tribes, The Dip, Linchpin, Poke the Box, and All Marketers Are Liars. He writes the most popular marketing blog in the world and speaks to audiences worldwide. He is the founder of the altMBA, the founder and former CEO of Squidoo.com, the former VP of Direct Marketing at Yahoo!, and the founder of the pioneering online startup Yoyodyne.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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If you’re enjoying this show, please rate and review this show!
33 min
July 18#203: Doireann Ní Ghríofa — Turning Archives into Narrative, Excavating History, Writing Poetry and Fiction, Why Writers Are Often Their Own Gatekeepers
Irish writer Doireann Ní Ghríofa on turning archival fragments into living narrative, writing across the borders of genre, and giving voice to the forgotten lives of women committed to a Victorian asylum.
You’ll learn
Why the greatest gatekeeper between a writer and the page is often the writer themselves.

How a single word buried in clinical notes can become a bridge to a silenced voice.

What poetry can teach prose writers about immediacy and the shock of a strong opening.

The case for pointing at the gaps in the record rather than papering over them.

When a fleeting curiosity is worth following, and what happens once you treat it as real.

How third person can give a writer just enough distance to keep going.

A sense of fidelity to the reader you imagine standing at your shoulder.

How the drowsy space between sleep and waking can become an engine for ideas.

The ethics of using real names, and the difference between the dead and the long dead.

How the act of leaving things out turns even “fact” into a story.
Resources & Links
Said the Dead by Doireann Ní Ghríofa

A Ghost in the Throat by Doireann Ní Ghríofa
About Doireann Ní Ghríofa
Doireann Ní Ghríofa is an Irish writer devoted to exploring how the past makes itself felt within the present. 'A Ghost in the Throat' finds an 18th century poet haunting a young mother, leading her through visions of blood, milk, lust, and murder. Written on the roof of a multi-storey car park in Ireland, it went on to be described as "powerful" (New York Times), "captivatingly original" (The Observer), and a "masterpiece" (Sunday Business Post). 'A Ghost in the Throat' won the James Tait Black Prize and was voted overall Book of the Year at the Irish Book Awards, while the US edition was a finalist for the National Book Critics Circle Award and a New York Times Notable Book of the Year. It was translated into 20 further languages worldwide.
Doireann is also the author of seven critically-acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship (USA), the Ostana Prize (Italy), a Seamus Heaney Fellowship, and the Rooney Prize for Irish Literature, among others.
Her new book, Said the Dead, distils hundreds of hours of archival research into a polyphonic portrayal of a single institution — a derelict Victorian asylum in Cork, and the women once committed within its walls.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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If you’re enjoying this show, please rate and review this show!
1 hr 10 min
July 12#202: Tara Menon — Writing a Debut Novel Over Eight Years, Moving From Critic to Novelist, and Surviving Self-Doubt as a Writer
Debut novelist Tara Menon on writing friendship as a life-shaping bond, the emotional architecture of grief, and researching the natural world for her novel Under Water.
You’ll learn
Why a platonic friendship can shape a life as profoundly as any romance

How to build tension in a story when the reader already knows what’s coming.

What an unexpected sea creature reveals about writing the bonds between women.

The difference between endless research and knowing just enough to write the scene.

Why fiction demands a kind of surrender that criticism never asks for.

How grief for a lost friend and grief for a vanishing natural world can become one story.

When self-doubt is evidence you’re taking the work seriously.

Why cutting a novel down to its essentials can matter more than what you leave in.

A writing rhythm that looks nothing like “500 words every morning” (and works anyway).

What finally makes the writing worth it, long before publication does.
Resources & Links
📄 Interview Transcript

Under Water

Jane Austen collection

Frankenstein by Mary Shelley

Middlemarch by George Eliot

In Memoriam by Lord Tennyson

I Can’t Let Kobe Go by Tara Menon

The Fall (2013)

Tara’s Website
About Tara Menon
Tara Menon is an Assistant Professor in the Department of English at Harvard University. Her writing has appeared in the New York Times Book Review, Nation, Paris Review and Public Books, where she co-edits the Literary Fiction section. Tara was born in India, grew up in Singapore, spent a decade in New York, and currently lives in Cambridge, Massachusetts. Her debut, Under Water, is out now.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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Instagram: instagram.com/londonwriterssalon
Facebook: facebook.com/LondonWritersSalon
If you’re enjoying this show, please rate and review this show!
1 hr 3 min
July 05#201: Writing Bestselling Fantasy — Holly Black (The Cruel Prince) & Samantha Shannon (The Priory of the Orange Tree) on Magic Systems, Building Worlds From Research, and Writing Through Self-Doubt | Compilation
Bestselling fantasy authors Holly Black and Samantha Shannon on building believable magic systems, researching and constructing immersive worlds, and why the right book often only emerges once you’ve written the wrong one.

You’ll learn
Why the most convincing magic on the page often starts with something you once half-believed was real.

How writing the wrong version of a book can be the only route to the right one.

What the texture of a world quietly promises a reader before the plot even begins.

Why putting a character through the worst is often the best thing you can do for a story.

When the certainty that your draft is a disaster is just a normal part of the process.

What early hype can do to a writer, and why other writers are the antidote.

Where to draw the line between research that serves the book and a rabbit hole that doesn’t.

A method for plotting a long series when you know the destination but not the route.

What happens when a character starts refusing what you try to make it do.

Episode Links
Holly Black — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/127-holly-black-crafting-bestselling-fantasy-world-building-character-development-and-the-prisoners-throne
Samantha Shannon — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/068-samantha-shannon-the-art-of-writing-fantasy-fiction-plotting-mental-health

About the Guests
Holly Black is the #1 New York Times bestselling author of fantasy books, including the Novels of Elfhame, The Coldest Girl in Coldtown, the Spiderwick Chronicles, her adult debut, Book of Night, as well as an Arthurian picture book called Sir Morien. She has been a finalist for an Eisner Award and the Lodestar Award, and the recipient of the Mythopoeic Award, a Nebula, and a Newbery Honor. Her books have been translated into 32 languages worldwide and adapted for film. She currently lives in New England with her husband and son in a house with a secret library. She invites you to visit her online at blackholly.com or follow her @Hollyblack @blackholly.
Samantha Shannon is a New York Times and Sunday Times bestselling author of The Bone Season and The Priory of the Orange Tree. Born in West London, she studied English Language and Literature at St Anne’s College, Oxford, from 2010 to 2013, specialising in the poetry of Emily Dickinson and Principles of Film Criticism.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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If you’re enjoying this show, please rate and review this show!
48 min
June 28#200: Louise Dean — How to Finish a Novel, Why Most Writers Stall at 30,000 Words, and Why Storytelling Beats Beautiful Sentences, plus founding Novelry
Award-winning novelist and founder of The Novelry Louise Dean on what separates storytelling from beautiful prose, planning a novel without killing the joy, and how to edit your own first draft.
You'll learn
Why learning to craft perfect sentences can quietly delay your path to publication.

How a single shift from style to storytelling turns a promising writer into a published one.

What treating each chapter like a short story does to the terror of a blank novel.

The reason every novel is a moral journey (and why you have to throw rocks at your hero).

A one-page planning method that steers a draft without smothering the joy of writing it.

The one question every writer should be able to answer about their reader.

Why your main character should never be a thinly veiled version of yourself.

When you can’t afford an editor, how to run a developmental edit on your own work.

What to do in the month after finishing a first draft

A five-part structure built for the long moral journey of a novel, and why three acts fall short.
Resources & Links
📄 Interview Transcript

The Great Gatsby

The Novelry

The Novelry Blog

Louise’s books

The Novelry Contact — [email protected]
About Louise Dean
Louise Dean is a British author, born in Hastings, who read History at Cambridge University. An award-winning novelist, she is the winner of the Betty Trask Prize and Le Prince Maurice Prize, and was longlisted for the Booker Prize. Her novels have been published internationally. The Wall Street Journal described Louise Dean as one of the world’s top five most under-rated authors. Louise is the founder of the creative writing school The Novelry.
About The Novelry
Founded by award-winning author Louise Dean, The Novelry is the only writing school where bestselling authors and Big Five editors guide you every step of the way.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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Instagram: instagram.com/londonwriterssalon
Facebook: facebook.com/LondonWritersSalon
If you’re enjoying this show, please rate and review this show!
40 min
June 20#199: Katie da Cunha Lewin — How Space Shapes Creative Work, the Myth of the Perfect Writing Room, Building Creative Rituals, and Writing in Imperfect Conditions
Writer Katie da Cunha Lewin on how physical spaces shape creative work, why the perfect writing room is a myth, and the rituals and routines that sustain a writing life.
You'll learn
Why the perfect writing space is largely a myth (and why that can set you free).

How physical environments quietly shape creative practice and identity.

What our fascination with visiting writers' houses reveals.

The cultural baggage around “the writer's room,” and who it quietly excludes.

The way motherhood compresses time and forces a new kind of creative discipline.

A concept of psychological distance between domestic life and creative work.

When creative rituals help (and when writers thrive without them).

How to begin designing a writing space that actually works for you.

What it takes to find the story inside a work of nonfiction.

Why putting yourself on the page makes nonfiction stronger.
Resources & Links
📄Interview Transcript

Breakfast at Tiffany's (1961)

Murder She Wrote (1984-1996)

Underworld by Don DeLillo

White Noise by Don DeLillo

The Fitzcarraldo Editions Essay Prize

A Room of One's Own by Virginia Woolf

Lives of Houses Edited by Kate Kennedy and Hermione Lee

Downhill All The Way, An Autobiography of the Years 1919 To 1939 By Leonard Woolf

The British Library

My Work by Olga Ravn

The Accidentals by Guadalupe Nettel, Translated by Rosalind Harvey

Amber Medland

The Years by Annie Ernaux

The Society of Authors
About Katie da Cunha Lewin
Katie da Cunha Lewin’s writing has appeared in leading publications such as The Times Literary Supplement, The White Review, Financial Times, Los Angeles Review of Books, and Prospect. She is the editor (with Kiron Ward) of Don DeLillo: Contemporary Critical Perspectives. Her book, The Writer’s Room: The Hidden Worlds That Shape the Books We Love, is out now.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
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If you’re enjoying this show, please rate and review this show!
1 hr 4 min
June 13#198: Mastering Young Adult Fiction — Krystal Sutherland (House of Hollow), Joanna Nadin (90+ Books for Kids & Teens), Moira Buffini (Songlight) on Finding Your Writing Home, Knowing Your Audience, Why Stories Matter to the Young | Compilation
YA masters Krystal Sutherland (The Invocations), Joanna Nadin (author of 90+ books for children and adults) and Moira Buffini (Songlight) on hooking teen readers from the very first page, plotting methods that tame a whole novel, and why stories matter so much to young people.
You'll learn
What sparks the magic system of a supernatural thriller.

What it means to find your writing home, and how to know when you've arrived.

Why readers decide within the first ten pages, and how visceral detail keeps them hooked.

A pantser's case for careful plotting when you're juggling multiple points of view.

The most common mistake adults make when writing for young readers.

What screenwriters know about tight writing, and what teen TV can teach you about voice.

Why treating writing as a job, not a calling, makes rejection survivable.

Whether writers should think about their audience.

How writing toward a feeling, not a plan, creates cliffhangers you don't see coming.
Episode Links
#105: Krystal Sutherland

#61: Joanna Nadin

#179: Moira Buffini
About the Guests
Krystal Sutherland is the New York Times and indie bestselling author of House of Hollow, A Semi-Definitive List of Worst Nightmares and Our Chemical Hearts, which was adapted into a film by Amazon Studios. Her books have been published in more than twenty countries and nominated for the Carnegie Medal and YA Book Prize, among others. Her latest YA novel, The Invocations — the centerpiece of this conversation — won the 2025 Prime Minister's Literary Award for young adult literature. Originally from Australia, she has lived on four continents and currently calls London home.
Joanna Nadin has written more than 90 books for children and adults, including the Rachel Riley series, the Penny Dreadful series, and the Sunday Times bestselling Worst Class in the World series. She holds a doctorate in adolescent identity and YA literature and is an Associate Professor in Creative Writing at the University of Bristol. Her books have garnered a number of prizes including the Fantastic Book Award and the Surrey Book Award, and she has been shortlisted for the Roald Dahl Funny Prize, the Booktrust Best Book Award, the Telegraph Sports Book of the Year, the Hearst Big Book Awards, and Queen of Teen. She has been nominated six times for the CILIP Carnegie Medal, including for Everybody Hurts and for Joe All Alone, which was made into a BAFTA-winning and Emmy-nominated BBC drama series.
Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Hulu's Harlots. Her YA debut Songlight — the first in The Torch Trilogy — won the 2025 YA Book Prize, and its sequel Torchfire is out now. She lives in London.
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.
For free writing sessions, join free Writers’ Hours: writershour.com.
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FOLLOW LONDON WRITERS’ SALON
Twitter: twitter.com/WritersSalon
Instagram: instagram.com/londonwriterssalon
Facebook: facebook.com/LondonWritersSalon
If you’re enjoying this show, please rate and review this show!
49 min

About London Writers' Salon

From the publisher's feed

A deep dive into the habits, mindsets, tools, craft secrets and creative practices bestselling writers use to write novels, plays, poetry, and articles. Hosted by the co-founders of the London…