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Munich: The Edge of War is new film set in 1938 at the time of the Munich Agreement when the British Prime Minister Neville Chamberlain was making a last ditch attempt to avoid war with Hitler’s Germany. Starring Jeremy Irons as Chamberlain it concerns the efforts of a young civil servant, played by George MacKay, who is sent to Munich to secure a document which would change the course of history. The German director Christian Schwochow talks about making a fictional thriller set against a background of historical fact. And as a director of episodes of The Crown he reveals what it’s like to be a German making drama out of the British royal family.
A postcard from Australia in its multitudes. In the midst of a two year UK-Australia Cultural Exchange, the ABC’s C Benedict looks at what the UK means to Australia now. First Nations Australian creatives – Yorta Yorta composer Deborah Cheetham and Dharug artist Janelle Evans – talk about cultural custodianship and bringing Indigenous voices to the world, and sound artist Sia Ahmad finds surprising resonances between her experimental punk ethos and the Cornish independent film Bait.
Jo Browning Wroe grew up in a crematorium in Birmingham. She talks to Tom about her debut novel, A Terrible Kindness, about a newly qualified embalmer, William, called in to attend to the dead after the Aberfan disaster in 1966 and the impact it has on his life.
By BBC Radio 44.4
118118 ratings
Munich: The Edge of War is new film set in 1938 at the time of the Munich Agreement when the British Prime Minister Neville Chamberlain was making a last ditch attempt to avoid war with Hitler’s Germany. Starring Jeremy Irons as Chamberlain it concerns the efforts of a young civil servant, played by George MacKay, who is sent to Munich to secure a document which would change the course of history. The German director Christian Schwochow talks about making a fictional thriller set against a background of historical fact. And as a director of episodes of The Crown he reveals what it’s like to be a German making drama out of the British royal family.
A postcard from Australia in its multitudes. In the midst of a two year UK-Australia Cultural Exchange, the ABC’s C Benedict looks at what the UK means to Australia now. First Nations Australian creatives – Yorta Yorta composer Deborah Cheetham and Dharug artist Janelle Evans – talk about cultural custodianship and bringing Indigenous voices to the world, and sound artist Sia Ahmad finds surprising resonances between her experimental punk ethos and the Cornish independent film Bait.
Jo Browning Wroe grew up in a crematorium in Birmingham. She talks to Tom about her debut novel, A Terrible Kindness, about a newly qualified embalmer, William, called in to attend to the dead after the Aberfan disaster in 1966 and the impact it has on his life.

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