Nathaniel Price discusses his drama First Touch, opening at the Nottingham Playhouse, about an aspiring young footballer growing up in Nottingham in the 1970s. Inspired by real life events, it explores the ways predatory abusers exploit positions of power within a community, in this case how the actions of a paedophile football coach almost go undiscovered because of the control he exercises in the football careers of his victims.

In the wake of the campaign, Stop AI stealing the show, launched by Equity in response to the rise of the use of Artificial Intelligence in the entertainment industry, Front Row asked Paul Fleming, General Secretary of Equity, Dr David Leslie, Director of Ethics and Responsible Innovation at the Alan Turing Institute, and Dr Mathilde Pavis, senior law lecturer at Exeter University, to discuss the questions raised by the use of AI to enhance, extend, and replace human actors.

BAFTA nominated film composer Alex Heffes has scored films including The Hope Gap, Mandela: Long Walk to Freedom and Touching the Void. Now he’s releasing a solo piano recording, Sudden Light, reinterpreting his cinematic orchestral scores after an accident that almost put an end to his piano-playing.

Presenter: Tom Sutcliffe