Emerging from an award-winning article in International Security, China's Gambit examines when, why, and how China attempts to coerce states over perceived threats to its national security. Since 1990, China has used coercion for territorial disputes and issues related to Taiwan and Tibet, yet China is curiously selective in the timing, target, and tools of coercion. This book offers a new and generalizable cost-balancing theory to explain states' coercion decisions. It demonstrates that China does not coerce frequently and uses military coercion less when it becomes stronger, resorting primarily to non-militarized tools. Leveraging rich empirical evidence, including primary Chinese documents and interviews with Chinese and foreign officials, this book explains how contemporary rising powers translate their power into influence and offers a new framework for explaining states' coercion decisions in an era of economic interdependence, particularly how contemporary global economic interdependence affects rising powers' foreign security policies.

Nomeh Anthony Kanayo, Ph.D. Candidate in International Relations at Florida International University, with research interest in Africa's diaspora relations, African-China relations, great power rivalry and IR theories.

Check out my new article https://doi.org/10.1016/j.sciaf.2025.e02699

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Focusing on domestic workers, rural microentrepreneurs, disadvantaged young creatives, and young feminists, Social Media and Ordinary Life (NYU Press, 2025) is a deeply moving ethnography of how digital media infrastructures and platforms are woven into the rhythms of ordinary, everyday life. In choosing to foreground marginalized groups and communities, Cara Wallis gently shifts our attention away from the world of “social media influencers” and tech-centric discourses of entrepreneurial lives towards a decidedly ambivalent terrain of routine life practices.

Author Cara Wallis is Associate Professor in the Department of Communication and Media at the University of Michigan. She is the author of Technomobility in China: Young Migrant Women and Mobile Phones, and her articles have been published in numerous journals, including Feminist Media Studies and New Media & Society.

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How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation.

Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies.

Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here.

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EPISODE SUMMARY:

What becomes visible when you shift the lens away from Beijing to how China’s Belt and Road projects unfold on the ground? Seeing China’s Belt and Road, edited by Edward Schatz and Rachel Silvey, answers this question by reorienting conversations on China’s global infrastructure development to their “downstream” effects. Instead of analyzing the BRI through grand geopolitical narratives or a national strategic lens, the book draws on fieldwork across Asia, Africa, and Latin America to show how local actors—mayors, contractors, migrant workers, and residents—shape and contest projects in practice. Contributing authors challenge simplified portrayals of the BRI as either neocolonial domination or benevolent development, instead revealing its fragmented, improvised, and negotiated nature. Our conversation touches on themes including the visual politics of infrastructure, how power flows through projects, and the agency of local people in shaping global connectivity. We also look ahead to emerging frontiers of China’s influence, including digital corridors and cleaner energy, offering a view of China’s evolving global presence.

GUEST BIOS:

Dr. Edward Schatz is a Professor of Political Science at the University of Toronto. He is interested in identity politics, social transformations, social movements, anti-Americanism, and authoritarianism with a focus on the ex-USSR, particularly Central Asia. His publications include Slow Anti-Americanism (Stanford UP, 2021), Paradox of Power (co-edited with John Heathershaw, U. Pittsburgh Press, 2017), Political Ethnography (edited, U. Chicago Press, 2009), Modern Clan Politics (U. Washington Press, 2004), as well as articles in Comparative Politics, Slavic Review, International Political Science Review, Ethnic and Racial Studies, Nationalism and Ethnic Politics, and other academic journals. Current projects include a collaborative effort (with Rachel Silvey) to understand the downstream effects of China’s Belt & Road Initiative, as well as a book about the rise of shamelessness in global politics.

Dr. Rachel Silvey is Richard Charles Lee Director of the Asian Institute and Professor in the Department of Geography and Planning. She is a Faculty Affiliate in CDTS, WGSI, and the Ethnic, Immigration and Pluralism Studies Program. She received her Ph.D. in Geography from the University of Washington, Seattle, and a dual B.A. from the University of California at Santa Cruz in Environmental Studies and Southeast Asian Studies. Professor Silvey is best known for her research on women’s labour and migration in Indonesia. She has published widely in the fields of migration studies, cultural and political geography, gender studies, and critical development. Her major funded research projects have focused on migration, gender, social networks, and economic development in Indonesia; immigration and employment among Southeast Asian-Americans; migration and marginalization in Bangladesh and Indonesia; and religion, rights and Indonesian migrant women workers in Saudi Arabia.
LINKS TO RESOURCES

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At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling.

Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind.

Nan Z. Da is associate professor of English at Johns Hopkins University.

Caleb Zakarin is the Editor of the New Books Network.

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In this important body of theology, key writings from the Chinese house church movement have been compiled, translated, and made accessible to English speakers. The documents in Faithful Disobedience: Writings on Church and State from a Chinese House Church Movement (IVP Academic, 2022) give readers an inside look at how the unregistered churches of China have endured despite government pressure and cultural marginalization. Wang Yi, the primary writer, is the pastor of a house church in Chengdu, China. He is currently serving a nine-year prison sentence for refusing to comply with People’s Republic of China (PRC) regulations regarding church registration. There are also works by prominent voices such as Jin Tianming, Jin Mingri, and Sun Yi.

In our conversation, editor Hannah Nation proves to be an engaging and appreciative guide to these leaders’ theological, political and pastoral perspectives which are both uniquely Chinese and rooted in the historical doctrines of the Christian faith. 

Dave Broucek is a lifelong student of and participant in the global mission of the church. He values research into the lesser-understood aspects of mission (singular) and missions (plural) as well as scholarship that addresses the big questions of mission theory and practice.

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For centuries, scribes across East Asia used Chinese characters to write things down–even in languages based on very different foundations than Chinese. In southern China, Japan, Korea and Vietnam, people used Chinese to read and write–and never thought it was odd. It was, after all, how things were done.

Even today, Cantonese speakers use Chinese characters to reflect their dialect with no issues, while kanji remains a key part of Japanese writing. Even in South Korea, the Chosun Ilbo newspaper uses Chinese characters for its title, even as most of Korea has turned to hangul.

Zev Handel talks about how classical Chinese came to dominate East Asia in his book Chinese Characters across Asia: How the Chinese Script Came to Write Japanese, Korean, and Vietnamese (University of Washington Press, 2025). How do Chinese characters even work? How did Chinese script spread across the region? And what was it like to read and write in a language that you couldn’t even speak?

Zev Handel is professor of Chinese linguistics in the Department of Asian Languages and Literature at the University of Washington. He is author of Sinography: The Borrowing and Adaptation of the Chinese Script and associate coeditor of Encyclopedia of Chinese Language and Linguistics.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chinese Characters Across Asia. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Rising prosperity was supposed to bring democracy to China, yet the Communist Party’s political monopoly endures. How? Minxin Pei looks to the surveillance state. Though renowned for high-tech repression, China’s surveillance system is above all a labor-intensive project. Pei delves into the human sources of coercion at the foundation of CCP power, examining the historical development of China's surveillance state, its relationship to economic modernization and political liberalization, and what might destabilize it in the future.

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In this volume, leading specialists examine the affinities and differences between the pan-Soviet famine of 1931–1933, the Ukrainian Holodomor, the Kazakh great hunger, and the famine in China in 1959–1961. The contributors presented papers at a conference organized by the Holodomor Research and Education Consortium in 2014.

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Growing up in a glittering new decade of possibility, Anran is radically different to her sister. Outspoken and idealistic, she relishes in challenging hypocrisy, unlike the older Anjing, whose memories of a turbulent past remind her of the perils of going against the grain.

When Anran is gifted a stylish red shirt that becomes the talk of their sleepy hometown, adolescent delight is construed by her cynical teachers as another act of defiance. As they decide the young firebrand’s future, certain lessons can’t be avoided. Should Anjing shield her sibling from life’s hard truths, or will she let her blaze her own path?

First published in China in 1984, Tie Ning’s bestselling coming-of-age novella My Sister's Red Shirt (Sinoist Books, 2025), translated into English by Dr. Annelise Finegan, depicts the loss of innocence and the challenges of being true to yourself in an era of unpredictable transformation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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