New Books in Performing Arts

Literary canons have come under fire for perpetuating privilege and exclusion. But some artists — including William Shakespeare and Hamilton’s Lin-Manuel Miranda — show us how canons can actually build community and democracy.

Guests:

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William Shakespeare, who lived in England from 1564 to 1616, is one of the world’s most popular and most captivating authors. Even four hundred years after his death, his plays still attract audiences around the globe. Why is that? In this course, you’ll learn who Shakespeare was, what kinds of plays he wrote, and what makes his body of work perhaps the greatest work of art ever created. Episode Four introduces you to the plays--the kinds of stories that Shakespeare wrote, the way he developed as a dramatist over his two-decade career, and the path his works took over four centuries to find their way into your hands. The next part picks up just at this point: now that you have the plays, what do you do with them? 

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Many histories of science have been written, but A New History of the Humanities (Oxford UP, 2014) offers the first overarching history of the humanities from Antiquity to the present. There are already historical studies of musicology, logic, art history, linguistics, and historiography, but this volume gathers these, and many other humanities disciplines, into a single coherent account.

Its central theme is the way in which scholars throughout the ages and in virtually all civilizations have sought to identify patterns in texts, art, music, languages, literature, and the past. What rules can we apply if we wish to determine whether a tale about the past is trustworthy? By what criteria are we to distinguish consonant from dissonant musical intervals? What rules jointly describe all possible grammatical sentences in a language? How can modern digital methods enhance pattern-seeking in the humanities? Rens Bod contends that the hallowed opposition between the sciences (mathematical, experimental, dominated by universal laws) and the humanities (allegedly concerned with unique events and hermeneutic methods) is a mistake born of a myopic failure to appreciate the pattern-seeking that lies at the heart of this inquiry.

A New History of the Humanities amounts to a persuasive plea to give Panini, Valla, Bopp, and countless other often overlooked intellectual giants their rightful place next to the likes of Galileo, Newton, and Einstein.

Rens Bod is a professor of humanities at the University of Amsterdam.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

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New York has long been a city where people go to reinvent themselves.

And since the dawn of the twentieth century, New York City’s Greenwich Village has been at the center of that alchemy of reinvention. Its side streets, squares and coffeehouses have nurtured generations of artists, writers, and musicians, among them Bob Dylan.

Dylan first set foot in the Village in 1961, and even as he continues to make music, you can argue that his Greenwich Village years in the 1960s were a formative period in his life and work. Dick Weissman’s new book, Bob Dylan's New York: A Historic Guide (SUNY Press, 2022) helps fans and students of Dylan walk the streets where his career took off. Weissman-- musician, author, veteran of the folk scene, and associate professor emeritus at the University of Colorado Denver—emphasizes the Village but also takes in the midtown Manhattan offices that ran the music industry in Dylan’s early days and the backroads of Woodstock, NY where Dylan found refuge from the big city. The result is a book that situates Dylan’s New York years in a rich context.

Bob Dylan’s New York is organized as a series of mapped walking tours--covering Bleecker Street, MacDougal Street, Washington Square and more—that convey the people and institutions that nurtured Dylan’s early career. Individual stops on the tour—such as Dylan’s apartment building at 161 West Fourth Street and the sites of Izzy Young’s Folklore Center on MacDougal Street and Sixth Avenue—are covered in well-researched entries. The book also lists the homes and addresses of other famous Village inhabitants such as the journalist John Reed, the artist Jackson Pollock, the singer Barbra Streisand, and the political activist Eleanor Roosevelt, suggesting the cultural and political ferment of the Village in the twentieth century. Bob Dylan’s New York is generously illustrated with photographs, many of them from folklore collections at the Smithsonian, the Library of Congress and the University of North Carolina at Chapel Hill, that capture famous and not-so-famous inhabitants of the Village folk scene in the 1960s.

The gentrification that has transformed the Village in recent decades has shoved aside much of the grass-roots folk music scene that made the neighborhood so interesting. Nevertheless, many of the cafes and clubs where Dylan and his contemporaries honed their craft are still there, hidden in plain sight. This folkie, former Village resident and long-time Dylan fan went out for a two-hour walk with Bob Dylan’s New York in hand. I made many discoveries on streets that I thought I knew, and I barely scratched the surface of what the book has to offer.

Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University. Email: [email protected].

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Alan Moore’s and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children.

After Midnight: Watchmen After Watchmen (U Mississippi Press, 2022) looks specifically at the three adaptations of Moore’s and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can complicate its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

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In the early 1960s, the nation was on track to fulfill its destiny in what was being called the American Century. Baby boomers and rock & roll shared the country's optimism and energy. For one brief, shining moment in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.

From the former host of NPR's Rock & Roll America, Richard Aquila's Rock & Roll in Kennedy's America: A Cultural History of the Early 1960s (Johns Hopkins UP, 2022) offers an in-depth look at early 1960s rock & roll, as well as an unconventional history of Kennedy's America through the lens of popular music. Based on extensive research and exclusive interviews with Dion, Bo Diddley, Brenda Lee, Martha Reeves, Pete Seeger, Bob Gaudio, Dick Clark, and other legendary figures, the book rejects the myth that Buddy Holly's death in 1959 was the day the music died. It proves that rock & roll during the early 1960s was vibrant and in tune with the history and events of this colorful era. These interviews and Aquila's research reveal unique insights and new details about politics, gender, race, ethnicity, youth culture, and everyday life. Rock & Roll in Kennedy's America recalls an important chapter in rock & roll and American history.

Richard Aquila is professor emeritus of history and American studies at Penn State University and the former host of NPR's Rock & Roll America. He is the author of The Sagebrush Trail: Western Movies and Twentieth-Century America and Let's Rock! How 1950s America Created Elvis and the Rock & Roll Craze.

Richard’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

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William Shakespeare, who lived in England from 1564 to 1616, is one of the world’s most popular and most captivating authors. Even four hundred years after his death, his plays still attract audiences around the globe. Why is that? In this course, you’ll learn who Shakespeare was, what kinds of plays he wrote, and what makes his body of work perhaps the greatest work of art ever created. In Episodes Two and Three, Professor Smith offers a tour through Shakespeare’s moment in history and through Shakespeare’s life. You’ll learn about the key historical, religious, and cultural changes that shaped the era in which Shakespeare wrote, including the Renaissance, the Protestant Reformation, and the opening of the first ever public theaters in London. Next comes Shakespeare’s own life, with an explanation of why some people have questioned whether William Shakespeare really wrote the plays, and why the particular Renaissance education he received prepared him so well to be a playwright. 

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Over the last five decades, Black women have been one of the fastest-growing segments of the global prison population, thanks to changes in policies that mandate incarceration for nonviolent offenses and criminalize what women do to survive interpersonal and state violence. In The Healing Stage: Black Women, Incarceration, and the Art of Transformation (Ohio State UP, 2022), Lisa Biggs reveals how four ensembles of currently and formerly incarcerated women and their collaborating artists use theater and performance to challenge harmful policies and popular discourses that justify locking up "bad" women. 

Focusing on prison-based arts programs in the US and South Africa, Biggs illustrates how Black feminist cultural traditions--theater, dance, storytelling, poetry, humor, and protest--enable women to investigate the root causes of crime and refute dominant narratives about incarcerated women. In doing so, the arts initiatives that she writes about encourage individual and collective healing, a process of repair that exceeds state definitions of rehabilitation. These case studies offer powerful examples of how the labor of incarcerated Black women artists--some of the most marginalized and vulnerable people in our society--radically extends our knowledge of prison arts programs and our understanding of what is required to resolve human conflicts and protect women's lives.

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Dance and Activism: A Century of Radical Dance Across the World (Bloomsbury, 2022) by Dana Mills looks at the intersection of dance and radical politics from the 1920s to today, taking in case studies including Martha Graham's anti-fascist choreography, the Iraqi hip-hop dance scene, and the progressive potential of the often conservative art of ballet. Throughout, Mills is motivated both by her own passionate love of dance and by her own lifelong commitment to supporting struggles for freedom and justice. This book is essential for anyone who wants dance to be part of their revolution.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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Thomas Kuhn’s The Structure of Scientific Revolutions revolutionized the way philosophers and historians of science thought about science, scientific progress, and the nature of scientific knowledge. But Kuhn himself also considered later on how his framework might apply to art. In After Thomas Kuhn: The Structure of Aesthetic Revolutions (De Gruyter, 2022), Oana Serban elaborates on the suggestions and proposals of Kuhn and others to develop a new view of aesthetic and artistic progress and change based in Kuhn’s work. Serban, who is a lecturer in philosophy at the University of Bucharest, adds the key concept of aesthetic validity to the Kuhnian analysis as central to the concept of an aesthetic revolution. The dominance of a particular aesthetic paradigm depends on broadly political factors and are responses to particular ideological questions, such as “What is the relation between humans and God?” Artistic revolutions, in contrast, are stylistic expressions of these ideological frames, such that the norms, values, and styles in art can be transgressive without being Kuhnian revolutions.

Carrie Figdor is professor of philosophy at the University of Iowa.

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