New Books in Technology

The inside story of the most expensive and controversial military program in history, as told by those who lived it. 

The F-35 has changed allied combat warfare. But by the time it’s completed, it will cost more than the Manhattan Project and the B-2 Stealth Bomber. It has been subject to the most aggressive cyberattacks in history from China, Russia, North Korea, and others. Its stealth technology required nearly 9 million lines of code; NASA’s Curiosity Mars rover required 2.5 million. And it was this close to failure. 

F-35: The Inside Story of the Lightning II (Skyhorse, 2023) is the only inside look at the most advanced aircraft in the world and the historic project that built it, as told by those who were intimately involved in its design, testing, and production. Based on the authors' personal experience and over 100+ interviews, F-35 pulls back the curtain on one of the most heavily criticized government programs in history from start to finish: the dramatic flights that won Lockheed Martin the contract over Boeing; the debates and decisions over capabilities; feats of software, hardware, and aeronautical engineering that made it possible; how the project survived the Nunn-McCurdy breach; the conflicts among all three branches of the U.S. military, between the eight other allied nation partners, and against spy elements from enemies. For readers of Skunk Works by Ben Rich and The Making of the Atomic Bomb by Richard Rhodes, F-35 will pique the interest of airplane enthusiasts, defense industry insiders, military history aficionados, political junkies, and general nonfiction readers.

AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.

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Will the COVID-19 pandemic be remembered as a turning point in how universities deliver teaching and learning? How might the widespread use of digital tools change higher education?

Leveling the Learning Curve: Creating a More Inclusive and Connected University (Columbia UP, 2023) explores the role of digital education at this crucial crossroads. Built on interviews with more than fifty leading practitioners from major universities and ed-tech firms, Leveling the Learning Curve is an indispensable guide to the inner workings of digital education. Written for university managers and leaders, it explores how new tools can allow universities to reach new audiences and address long-standing imbalances. The authors examine challenges to implementing digital education programs and provide insight into how universities have managed to balance the needs of faculty and on- and off-campus students. The book traces the history of digital education initiatives from Khan Academy, TED Talks, and MOOCs through the pandemic, examining both successes and failures. It offers compelling examples of what a "connected university" looks like in practice, sharing ways digital tools can bring in wider audiences, expand interdisciplinary teaching and learning, connect students to real-life issues, help meet equity goals, and open new revenue streams.

Designed as both a manual and an in-depth study, Leveling the Learning Curve is required reading for educational leaders looking to navigate the complex waters of postpandemic digital education.

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How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions. 

Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.

Links Mentioned in the Episode

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Is it really harder to pay attention to something than it used to be? No doubt the world is getting faster, and social media platforms are so good at grabbing attention. But how real is the problem and in particular, does it impact our creativity? Carolyn Dicey Jennings is based at the University of California, Merced, and has just co-written a chapter called “Attention, Technology, and Creativity” in a book called Scenes of Attention: Essays on Mind, Time, and the Senses published by Columbia UP (2023) Listen to her in conversation with Owen Bennett Jones.

Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

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The inspiration for Christopher Nolan’s major motion picture, Oppenheimer, this Pulitzer Prize-winning biography explores the life and times of J. Robert Oppenheimer – the “Father of the Atomic Bomb” – who, like the mythological Prometheus, brought atomic fire to mankind. In deep detail, Kai Bird and Martin J. Sherwin's American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer (Vintage, 2006) explores Oppenheimer’s early career at the forefront of quantum physics, his associations with left-wing politics and the Communist Party, his leadership of the Manhattan Project, and his confrontations with the moral and political consequences of scientific progress during the Cold War. Twenty-five years in the making, this definitive biography charts the rise and fall of one of the twentieth century’s most iconic and paradoxical characters and restores Oppenheimer’s legacy and his humanity.

Andrew O. Pace is a historian of moral dilemmas of US foreign relations and an adjunct professor of history at Salt Lake Community College.

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In March 2011, people in a coastal Japanese city stood atop a seawall watching the approach of the tsunami that would kill them. They believed—naively—that the huge concrete barrier would save them. Instead they perished, betrayed by the very thing built to protect them. Erratic weather, blistering drought, rising seas, and ecosystem collapse now affect every inch of the globe. Increasingly, we no longer look to stop climate change, choosing instead to adapt to it.

Never have so many undertaken such a widespread, hurried attempt to remake the world. Predictably, our hubris has led to unintended—and sometimes disastrous—consequences. Academics call it maladaptation; in simple terms, it’s about solutions that backfire. Over the Seawall: Tsunamis, Cyclones, Drought, and the Delusion of Controlling Nature (Island Press, 2023) by Stephen Robert Miller tells us the stories behind these unintended consequences and about the fixes that can do more harm than good. From seawalls in coastal Japan, to the reengineered waters in the Ganges River Delta, to the artificial ribbon of water supporting both farms and urban centres in parched Arizona, Miller traces the histories of engineering marvels that were once deemed too smart and too big to fail. In each he takes us into the land and culture, seeking out locals and experts to better understand how complicated, grandiose schemes led instead to failure, and to find answers to the technologic holes we’ve dug ourselves into.

Over the Seawall urges us to take a hard look at the fortifications we build and how they’ve fared in the past. It embraces humanity’s penchant for problem-solving, but argues that if we are to adapt successfully to climate change, we must recognize that working with nature is not surrender but the only way to assure a secure future.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In this episode of International Horizons, RBI director John Torpey talks with economists Luciana Lazzaretti and Stefania Oliva of the University of Florence about the role of artificial intelligence in contemporary cultural transformation. The authors discuss the genesis of computer culture from the garages of California hippies who dreamed of a changed world and unexpectedly unleashed the forces of science and art for the sake of entrepreneurship. Moving forward, the authors discuss the nature of a “post-truth” world and how the many faces of reality can converge towards the truth. Finally, Lazaretti and Oliva address the need to foster critical thinking to cope with the threats posed by AI in terms of misinformation and disinformation.

International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.

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In The New Screen Ecology in India: Digital Transformation of Media (British Film Institute, 2023), Smith Mehta takes a deep dive into the world of social media platforms and their impact on contemporary film and television production, arguing that they have fundamentally shifted the creator dynamics of these industries. Through first-hand research with creators, platform and portal executives, and intermediaries such as talent agents and multi-channel networks, Mehta develops the concept of the 'new screen ecology'. He reveals how the Indian screen industries are affected by the social relations between these agents and how industrial practices are blurring the amateur-professional divide through creator and content interdependencies.

Mehta goes beyond theoretical analysis by interrogating the production practices of 13 different platforms and portals, including Hotstar, Netflix, YouTube, and TVFPlay. He analyses the extent to which they benefit from the lack of censorship and restrictive industrial practices that are characteristic of traditional media structures. By doing so, he provides a unique and insightful examination of the dynamics of digital transformation in the screen industries in a region-specific context.

Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, creative media industries and cultural studies. She can be reached on Twitter here.

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In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text?

In the full interview, Matthew recommended Tim Maughan’s novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel’s Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis.

Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more.

Because we are hoping to encourage the text apocalypse, we made today’s image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva’s AI interface.

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Economic journalist and broadcaster Doug Henwood revisits his 2003 book, After the New Economy (New Press), with Peoples & Things host, Lee Vinsel. “The New Economy” was a catchphrase that became extremely popular with economists, politicians, pundits, and many others during Bill Clinton’s presidency. The phrase was thought to describe a new economic reality rooted in information and computing technologies that would give rise to an extended period of abundance and prosperity that Clinton compared to the industrial revolution. But the phrase became unpopular after the dot com bust of 2000-2002, which also marked the end of the 1990s economic expansion. Henwood and Vinsel discuss Henwood’s long career as an economic journalist and how he came to write the book as well as how studying “the New Economy” makes the technology bubbles of the 2010s feel like deja vu.

Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.

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