New Books in Technology

In 1974, India surprised the world with “Smiling Buddha”: a secret underground nuclear test at Pokhran, Rajasthan. India called it a “peaceful nuclear explosion”—but few outside of India saw it that way.

The 1974 nuclear tests became a symbol of India’s ability to help itself, especially given how the country was left out of the Nuclear Non-Proliferation Treaty, an agreement the country argued was colonial. But, as Jayita Sarkar’s Ploughshares and Swords: India’s Nuclear Program in the Global Cold War (Cornell University Press, 2022) points out, India’s nuclear program was in fact the product of Cold War tensions and international networks–including some foreign sources of nuclear knowledge and material. (An open-access version of Jay’s book can be found here)

Jayita Sarkar is Senior Lecturer in Economic and Social History at the University of Glasgow and the Founding Director of the Global Decolonization Initiative. She can be followed on Twitter at @DrJSarkar, and her Linktree can be found here.

In this interview, Jay and I talk about India’s nuclear program, from its very beginnings through to when India was brought back into the world’s—or, at least, the U.S.’s–nuclear good graces in 2008.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ploughshares and Swords. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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Brent Goldfarb and David Kirsch, professors of entrepreneurship and strategy at the University of Maryland's Robert H. Smith School of Business, talk about their book, Bubbles and Crashes: The Boom and Bust of Technological Innovation, with Peoples & Things host Lee Vinsel. Bubbles and Crashes puts forward a parsimonious model of how and when economic bubbles develop around new technologies. In the conversation, Goldfarb and Kirsch reflect on a variety of topics, including why it matters that Elon Musk is such a good story teller, whether we are currently in a technology bubble, and what we can do to prevent bubbles in the future.

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Historian Ruth Schwartz Cowan talks about her book, More Work for Mother, with Peoples & Things host Lee Vinsel. The book examines the history of how Americans industrialized their homes over the past two hundred years and how supposedly labor-saving technologies led women to do increased housework. Cowan also reflects on what it was like to work as a professor as a woman and mother in the 1970s and how families have changed their relationship to technology and housework in the nearly forty years since the book was published.

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16th-century glass mirrors and 21st-century camera phones actually share a lot in common; they both are technologies that shaped new forms of the self.

Guests

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The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.

Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.

But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.

In Switched On: Bob Moog and the Synthesizer Revolution (Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”

Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at [email protected].

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Twenty-first century life is increasingly governed by artificial intelligence (AI) technologies such as machine learning, big data analysis, facial recognition, and robotics. For decades, an ideology of apocalyptic progress and cosmic transformation has accompanied the advancement of AI in the United States; that vision is intimately connected to transhumanism, the idea that humanity can transcend its limits, even mortality, using technology. By describing the arrival and reconfiguration of transhumanist ideas in India, Robert M. Geraci's book Futures of Artificial Intelligence: Perspectives from India and the U.S. (Oxford UP, 2021) reveals how the nexus of religion and technology contributes to public life and our modern self-understanding while suggesting that the apocalyptic approach to AI should be tempered by other visions.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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In Oceans Under Glass: Tank Craft and the Sciences of the Sea (University of Chicago Press, 2022), Samantha Muka, Assistant Professor of Science, Technology, and Society at Stevens Institute of Technology, dives into the unexpected world of tank crafting. Throughout the book, Muka tells the stories behind the development of various kinds of aquariums, such as photography tanks and reef tanks. She explains how the knowledge and ingenuity of a variety of actors have been contributing to furthering our knowledge of oceanic environments. The myriad of technical and technological challenges that arise when attempting to maintain aquatic species in artificial environments has been the source of at least as many experiments in tank tinkering.

Focusing on aquariums as complex, situated, and constantly evolving technological devices, Muka shows how the production of knowledge about the ocean depends on interactions between communities holding different knowledge, expertise, and interests: public aquarists, academic researchers, and hobbyists. Analyzing the “craft circulation” between these three groups, the author provides us with a dynamic picture that challenges a series of assumptions on how scientific knowledge is and can be produced.

More than a history and sociology of tank craft, Oceans under Glass offers a meditation on the necessity of aquariums and their artificiality not only to learn about the ocean, but also to preserve some of their biodiversity. “Imagined worlds”, as Muka puts it, aquariums should also be understood as critical places where our future relationship to the oceans, for better and for worst, is being shaped.

Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is teaching the Humanities and French language to undergraduates.

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Hello, world! This is the Global Media & Communication podcast series.

In this episode, our host Juan Llamas-Rodriguez discusses the book The Digital Border: Migration, Technology, Power (2022) by Dr. Lilie Chouliaraki and Dr. Myria Georgiou.

You’ll hear about:

About the book

What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility? Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities. You can find this book on the NYU Press website.

Authors:

Lilie Chouliaraki is Professor of Media and Communications at the London School of Economics, where she also serves as the department’s Doctoral Program Director.

Myria Georgiou is Professor of Media and Communications at the London School of Economics, where she also serves as Research Director.

Host: Juan Llamas-Rodriguez is an assistant professor at the Annenberg School for Communication, where he researches and teaches global media cultures, digital technologies, border studies, infrastructure studies, and Latin American media.

Editor & Producer: Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.

Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.

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In this episode of High Theory, Alex Hanna talks with Nathan Kim about Ethical AI. Their conversation is part of our High Theory in STEM series, which tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective. In this episode, Alex helps us think about the complicated recipes we call “artificial intelligence” and what we mean when we ask our technologies to be ethical.

In the episode Alex references an article by Emily Tucker, called “Artifice and Intelligence,” (Tech Policy Press, 17 March 2022) which suggests we should stop using terms like “artificial intelligence” and an opinion piece in the Washington Post, on a similar theme, by Timnit Gebru and Margaret Mitchell, “We warned Google that people might believe AI was sentient. Now it’s happening” (17 June 2022). She also mentions a claim by Blake Lemoine that Google’s LaMDA (Language Model for Dialogue Applications) is sentient. We’ll leave that one to your googling, if not your judgment.

Dr. Alex Hanna is Director of Research at the Distributed AI Research Institute (DAIR). A sociologist by training, her work centers on the data used in new computational technologies, and the ways in which these data exacerbate racial, gender, and class inequality. You can read her recent article, “AI Ethics Are in Danger. Funding Independent Research Could Help,” co-authored with Dylan Baker in the Stanford Social Innovation Review, and learn more about her work on her website.

This week’s image was produced by DALL-E 2 responding to the prompt: "generate the image of an artificial intelligence entity, deciding to protect shareholder interests over public good, in the style of Van Gogh."

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For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of full autonomy, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of universal automation, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of automating everyone, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others. 

In Automation Is a Myth (Stanford UP, 2022), Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work."

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

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