New Books Network

What does it mean to tell the Passover story as a truly diverse people? In this episode, Rabbi Marc Katz sits down with editor Rabbi Sarah Berman to discuss Haggadah Shel Erev Rav: The Mixed Multitude Haggadah (CCAR Press, 2026), a bold and beautiful reimagining of the Passover seder.

Inspired by the biblical image of the erev rav—the “mixed multitude” that left Egypt together—this Haggadah celebrates the many voices that make up the Jewish people. It invites readers to rediscover the Exodus story through four distinctive pathways: the voices of children, the experiences of women, the moral urgency of social justice, and the presence of God in the work of liberation.

With an inclusive and accessible translation, thoughtful commentary, and vivid original artwork by Indian Jewish artist Siona Benjamin, Haggadah Shel Erev Rav blends deep tradition with contemporary insight. Created in celebration of Rabbi Angela W. Buchdahl’s twentieth anniversary at Central Synagogue, the book offers a fresh lens on one of Judaism’s most beloved rituals—helping families and communities transform the seder into a space of reflection, connection, and renewal.

Together, Berman and Katz explore how the Passover story continues to evolve, what it means to honor many voices at the table, and how the ancient narrative of liberation can speak powerfully to modern Jewish life.

About the Guest

Rabbi Sarah Berman is the Director of Jewish Culture and Programming at Central synagogue. She is the editor of Haggadah Shel Erev Rav: The Mixed Multitude Haggadah.

About the Host

Marc Katz is the Senior rabbi of Temple Ner Tamid and the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life.

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What is the Song of Songs about? Christopher Mitchell, in his Concordia Commentary, explains it as Solomon's most beautiful poem, containing a profound message of divine love, eschatological yearning, consummation, and eternal delights.

Join us as we speak with Christopher Mitchell about his commentary on the Song of Songs (Concordia Publishing, 2003)!

Christopher Mitchell is the Old Testament editor for the Concordia Commentary series, and author of scholarly and pastoral resources. He has an MA and a PhD in Hebrew and Semitic studies from the University of Wisconsin.

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Correction: In the interview, the host mistakenly mentioned that Prof. Ofuasia is teaching the University of Pretoria. In reality, Prof Ofuasia is currently a decoloniality research associate at the University of Pretoria, South Africa. Previously, he has taught at the National Open University of Nigeria, FCT Abuja.

Ìwà: the Process-Relational Dimension to African Metaphysics (Springer, 2024) approaches the subject of African metaphysics historically as it connects Ancient Egypt to Yorùbá. It provides a history of African metaphysics from ancient Egypt or Kemet down to John Boakye Danquah and Placide Tempels in the 20th century and then Innocent Asouzu, Ada Agada, and Aribiah David Attoe, in the 21st century. As it surpasses the deductions of these previous works, it moves further to showcase African originality and approaches to studying reality, whilst resisting the temptation to deduce conclusions from Western philosophy. It is the first book in the history of African philosophy to use a process-relational approach to interrogate African metaphysics. It also serves to harmonize and engage prominent African scholars who have written on the subject of African metaphysics. The general scope of this book centers on engaging the history of distortion and misunderstanding of African metaphysics by providing a relevant and reliable process-relational background as well as an alternative trivalent logic system. Unless African metaphysical theories are understood from this perspective, they will remain powerless to overcome these misrepresentations. It appeals to students and researchers internationally actively working in the fields of African philosophy, Intercultural African studies as well as process studies.

Online May 11-13, 2026 conference on Processual Philosophy, more information here.

Two other books by Prof. Ofuasia on related topics

1. Panentheism and Concepts of God in African Traditional Religions: A Third-Wave Proposal, Springer 2026

2. An Exploration of the Parallels Between African and Process Metaphysics: Introducing the Metaphysics of Force and Becoming, Springer 2026.

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Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history.

Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives.

The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be.

Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media.

Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature.

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Today, we're speaking with Nicholas Juravich, author of Para Power: How Paraprofessional Labor Changed Education (U Illinois Press, 2024). In this book, Juravich explores the emergence of paraprofessional educators in U.S. schools during the social and political upheavals of the late 1960s. He shows how these workers—often underpaid and undervalued—played a crucial role in addressing what he calls a "crisis of care" in public education.

The book situates paraprofessionals within broader Black and Latino struggles for economic opportunity and social justice, particularly in New York City. Juravich traces how these workers reshaped classrooms, strengthened ties between schools and communities, and helped create pathways for Black and Latino teachers in the 1970s and early 1980s. He also highlights how their organizing contributed to the growth and diversification of public-sector unions. Para Power ultimately offers a compelling look at an often overlooked workforce and its impact on education, labor, and community life.

Nicholas Juravich is an assistant professor of history and labor studies at UMass Boston, where he also serves as Associate Director of the Labor Resource Center. Previously, he was the Andrew W. Mellon Postdoctoral Fellow in Women's History at the New-York Historical Society, where he curated the exhibition Ladies' Garments, Women's Work, Women's Activism and helped develop educational workshops on school segregation and movements for educational equality in New York City. His research focuses on public education, community organizing, and public-sector unions in 20th-century U.S. cities, and has been supported by numerous foundations and institutions.

My co-host today is Jillian Felton, a graduate student in the MA program in Communication at Oakland University.

Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.

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Around the globe, far-right political parties and movements are on the march, winning popular support, legislative seats, and presidencies--and stoking widespread fears of the revival of fascism. What to make of this terrifying drift? In this timely, deeply researched, and deftly argued examination of far-right politics today, the political scientist David Ost shows that to grasp the very real threat of resurgent fascism, we must look beyond the extreme examples of Nazi Germany and Mussolini's Italy lest we miss the growing strength--and the distinctly populist appeal--of today's far right. Instead, drawing on a wide range of compelling contemporary and historical examples, Ost shows that we must understand the current global movement as part of a new political category, which he calls "Red Pill Politics" in reference to the right-wing meme which purports to peel back the facade of liberal hegemony. While Red Pill Politics exhibits many features of classical fascism--racial exclusion, xenophobic fearmongering, enforcement of rigid gender roles--contemporary far-right parties have won power not through violence and mass repression, but through anti-elite, populist rhetoric and elections. For readers of Jason Stanley's How Fascism Works, Red Pill Politics: Demystifying Today's Far Right (New Press, 2026) draws on meticulous historical research and analysis of contemporary far-right politics to help us understand and fight one of today's most pressing political threats.

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Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.

 Ainehi Edoro argues in Forest Imaginaries: How African Novels Think (Columbia UP, 2026) that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.

Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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The Political Economy of Oil in Venezuela: Class Conflict, the State, and the World Market (Brill, 2026) is the latest book from Dr. Kristin Ciupa, Associate Professor of Sociology at the University of Regina. Published with Brill, this book provides a detailed and engaging account of the historical development of Venezuela’s political economy and interrelated oil industry. The book takes us from Venezuela prior to the advent of oil discovery where the economy was dependent on a limited range of export-oriented agricultural crops, all the way up to the Bolivarian government project instituted by Hugo Chavez. Of course, Venezuela has been at the centre of political turmoil at present, and it is crucial to get a strong, historical understanding of Venezuela’s political economy, connected as it is with broader regional and global developments, to more concretely comprehend the current moment.

Ciupa situates Venezuela within not only the broader ‘Pink Tide’ that swept different parts of Latin America since the1990s, but also within the dynamics and tendencies of oil extraction and class politics at a local and international scale. Much of the literature has seen Venezuela as trapped in the classic ‘resource curse’, where oil-exporting developing countries earn windfall revenues but have been unable to translate that to sustainable growth and development, which is usually deemed to be due to poor economic planning, weak institutions, and a lack of incentives for governments to invest. Ciupa’s book argues, instead, that the interplay between national and international structures and relations of power, in Venezuela and in the global market, serve to perpetuate oil dependence. In making this argument, Ciupa presents a detailed, historical analysis of the ways in which the country was subsumed into the global economy as an oil exporter, tracing Venezuela’s development and political economy through its prior dictatorships, the crises of the twentieth century, and then finally through the revolutionary Bolivarian government led by Hugo Chavez and then Nicolas Maduro. Kristin Ciupa’s new book is a detailed, theoretically invigorated, and careful examination of Venezuela and its oil industry, which is still at the centre of geopolitical struggles more broadly today.

Elliot Dolan-Evans is a sessional lecturer and tutor in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.

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In Tension: Mental Distress and Embodied Inequality in the Western Himalayas (Duke UP, 2026), Dr. Nikita Kaur Simpson examines the effects of rapid development in the Himalayas on the minds and bodies of the Gaddi people who inhabit them through attention to the multifaceted state of distress they call “tension.” This “tension” takes many forms: Kamzori, or weakness, in the bodies of elderly women; “Future tension” accumulating in the minds of young girls; or Opara, or black magic, afflicting whole families.

Through her long-term ethnographic fieldwork, Dr. Simpson follows the ways in which Gaddi people tie this distress to broader structural changes, such as land dispossession and caste, class, tribal and gender inequality, which are growing alongside modernity and prosperity. In doing so, she shows how “tension” acts as an everyday diagnostic of the problems of cultural, economic and environmental change as they shape intimate life. At once a lived historical account, a cartography of care relations, and a multi-sensory exploration of the intimate experiences of atmosphere and body, Tension puts forth a novel theory of distress, that inequality is often determined by who is made to feel, hold, and absorb distress.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Time spent and words spent—what does each signal?

Deceptive mimicry—the manipulation of individual or group identity—includes passing off as a different individual, as a member of a group to which one does not belong, or, for a group, to ‘sign’ its action as another group. Mimicry exploits the reputation of the model it mimics to avoid capture (flight), to strike undetected at the enemy (fight), or to hide behind or besmirch the reputation of the model group (‘false-flag’ operations). 

Fight, Flight, Mimic: Identity Mimicry in Conflict (Oxford UP, 2024) offers a theory and game-theoretic model of mimicry, an overview of its use through history, and a deep empirical exploration of its modern manifestations through several case studies by leading social scientists. The chapters cover mimicry in the context of the Northern Ireland conflict, terrorism campaigns in 1970s Italy, the height of the Iraq insurgency, the Rwandan genocide, the Naxalite rebellion in India, and jihadi discussion forums on the Internet.

Thomas Hegghammer is Senior Research Fellow at All Souls College, Oxford.

Lucas Tse is Examination Fellow at All Souls College, Oxford.

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