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Veins of Influence: Colonial Sri Lanka (Ceylon) in early Photographs and Collections by Shalini Amerasinghe Ganendra (Neptune Publications, 2023) is a pioneering monograph that brings a rich array of early images (specifically of Sri Lanka (Ceylon)) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. In the context of colonial photography, “veins of influence” delineates the circulatory pathways through which images operate, tracing not only their material production and dissemination, but also the curatorial, creative, cultural, epistemic narratives they generate across time.
The over 450 images featured are from the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; Rothschild Archives and, also by the famed Victorian photographer, Julia Margaret Cameron. (A little known fact is that Cameron spent the last 4 years of life in Ceylon and died there.)
In addition to these UK collections, this publication includes early photographs from important local family collections and period publications. The collections are mainly those of influencers and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes.
This seminal publication is for general audiences and specialists. Ganendra’s unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, importantly also offering another approach to the understanding of colonial images generally.
Shalini Amerasinghe Ganendra’s impact on cultural development has been defined by nearly three decades of cultural programming including exhibition and scholarship, with notable focus on Sri Lanka. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan specialist to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine s College and the Pitt Rivers Museum. She was made a Dame of the Order of St. Gregory the Great (Vatican) in 2019.
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It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.
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Amy Chavez talks with Robert Whiting about his recently released book Gamblers, Fraudsters, Dreamers & Spies: The Outsiders who Shaped Modern Japan (Tuttle, 2024).
Bob talks about several colorful characters who populated Tokyo in the 60s and 70s, including strong women such like Australian bar hostess Maggie, who became famous for using scissors to cut off the neckties of customers, and a female yakuza gangster who carried a revolver in her purse. And if you think Japan doesn’t have a drug problem, think again. Whiting talks about North Korean drug-smuggling and its contribution to a surging number of meth users in the country. Lastly, while most tourists to Japan can’t help but be impressed by Japanese taxi drivers who wear white gloves and offer impeccably polite service, things weren’t always so good when hailing a cab in Japan. In fact, drivers used to be rude, dirty and reportedly, the job was so loathsome that Japanese wives were embarrassed to tell people their husbands were taxi drivers! As Whiting tells us, that all changed with the MK Taxi company, started by a Korean determined to put a new face on ride hailing.
Listen to our previous BOA podcast 11: Robert Whiting talks Baseball and Tokyo Junkie, or read a review of his memoir Tokyo Junkie: 60 Years of Bright Lights, Back Alleys and Baseball (Stone Bridge Press, 2021)
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'Unearthed in a clear-out, a picture calendar she’s kept
– hoarding, I’ve learnt, is a mark of the emigrant –
across continents and time.'
So begins Sarah Howe’s extraordinary new collection, Foretokens, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother’s clouded past: abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives. Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?
‘From the other side of ruin / we found safe passage’, Howe writes in these spectacular poems of emotional heft and quickening wit, their voice salvaged from the fragments of a former self. Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas.
Sarah Howe is a British poet, academic and editor. She is currently the Poetry Editor at Chatto & Windus and an Honorary Visiting Professor at the University of Liverpool.
Lucas Tse is Examination Fellow at All Souls College, Oxford.
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The Politics of Failed Policies (Oxford UP, 2025) examines how the interplay of politics and data affects when failed policies get recognized. It shows how compelling data and analysis is an important political tool for highlighting failure. Importantly, the research demonstrates how data and analysis themselves are the products of political processes and reflections of those in power. Using case studies from education and juvenile criminal justice and tax policy, the book makes a theoretical contribution to the study of policymaking, state politics, and the role of knowledge and information in contemporary American politics.
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Today’s guest, John Kuhn, is the author of Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England (U Pennsylvania Press, 2024). Making Pagans argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era.
Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition.
Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
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From its birth in seventh-century Arabia, Islam has been a faith on the move. In Worlds of Islam: A Global History (Basic Books, 2026), James McDougall explores its origins and transformations from Late Antiquity to the digital age.
Over the span of a thousand years, armies, missionaries, and merchants carried it to the edges of Europe, the coasts of Southeast Asia, and the remote interior of China. By the nineteenth century, Islam encompassed a world of great diversity, from Muslim-ruled empires to nations where Muslims lived out their faith among many others. In the twentieth century, while monarchs in the Gulf asserted dynastic privilege and fundamentalists in Egypt and Pakistan preached social morality, revolutionaries from Algeria to Indonesia fought for national self-determination, and activists in North America and Europe campaigned for civil liberties and social justice.
As empires fell and new superpowers rose, Muslims proved to be as adaptable and dynamic as modernity itself. Sweeping and authoritative, Worlds of Islam narrates the epic story of how Muslims emerged as a community, built empires, traversed the globe, came to number in the billions, and became modern.
James McDougall is a Professor of Modern and Contemporary History and a Fellow of Trinity College, University of Oxford. He previously taught at Princeton and at SOAS, London.
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The new book Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Following the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture, author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.
Join us for a discussion of this book with Rachel Rojanski in conversation with Rachel Brenner, Shachar Pinsker, and Sunny Yudkoff.
This book talk originally took place on May 27, 2020.
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My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt’s circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman’s fifty-year relationship with a woman, her struggles with her sexual identity, and her final years.
Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World’s First Celebrity Travel Writer
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Why fifty years of changemaking and reform haven't fixed Congress—and what that reveals about American democracy. Congress, the central democratic institution in the United States, is hanging on by a thread. On January 6, 2021, a violent attack on the Capitol Building left five people dead, and threats and attacks against politicians are on the rise. In Stuck: How Money, Media, and Violence Prevent Change in Congress (JHU Press, 2026), Maya Kornberg chronicles the efforts of congressional reformers over the last fifty years and documents the mounting forces that have kept their reforms from creating meaningful change. The "Watergate babies" of 1974, the Contract with America conservatives of 1994, and the historic 2018 class fueled by backlash to Donald Trump all represent younger, more diverse, and less entrenched members who arrived in Washington energized and idealistic. Kornberg reveals the ways Congress has become increasingly inhospitable to change. Political violence, astronomical campaign costs, relentless fundraising demands, shrinking staff, and centralized party leadership all constrain the ability of new members to legislate and represent their constituents. Social media, while offering new platforms for political expression, has also heightened harassment and fed a performative culture that rewards spectacle over substance. Bolstered by dozens of interviews, congressional records, and the voices of lawmakers past and present—including Henry Waxman, Toby Moffett, Phil English, Alexandria Ocasio-Cortez, and Lauren Underwood—Stuck offers a sobering portrait of a legislative body paralyzed by its own internal dynamics. Kornberg outlines tangible reforms that could restore Congress's capacity to function and amplify the power of its newest members. At a time when Americans are losing faith in democracy's most representative institution, Stuck makes the case for how it could be saved.
Host Ursula Hackett is Reader in Politics at Royal Holloway, University of London, where she specialises in the study of public policymaking and litigation in the US. A former British Academy Mid-Career Fellow, she is the author of the award-winning book,America’s Voucher Politics: How Elites Learned to Hide the State (Cambridge University Press, 2020).
Maya Kornberg is Senior Fellow and Manager in the Elections and Government program at the NYU Brennan Center for Justice. Her first book Inside Congressional Committees: Function and Dysfunction in the Legislative Process (Columbia University Press, 2023) was shortlisted for the 2025 WJM Mackenzie Book Prize.
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