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In Artifactual: Forensic and Documentary Knowing (Duke University Press,
Elizabeth Anne Davis is Professor of Anthropology at Princeton University.
* This episode is part of a special collaboration between the New Books Network and the Society for the Anthropology of Europe,
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Diseases Have No Eyes: Valley Fever and Environmental Health Justice (Temple University Press, 2026) investigates
Dr.
This interview was conducted by Dr. Miranda Melcher whose book
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While many know that Mark Twain created some of the most famous characters in literature—Tom Sawyer and Huckleberry Finn, Jim and Puddn’head Wilson—too few have understood that the Missouri author wasn’t only America’s greatest humorist, but also one of its most subtle political thinkers. But what was the political philosophy of the elusive and ironic Mark Twain for his new democratic America?
To help answer that question, as we continue Season 6, I have as our guest Ivan Kenneally. A contributor to The New Atlantis and First Things, among other publications, he wrote an essay for The Hedgehog Review on modern reactions to Twain’s Adventures of Huckleberry Finn (1884), titled: “Mark Twain’s Absurd, Noble America,” which we will be discussing today.
We also talk about the travels of the two runaways Huck and Jim, along with their many disguises and rouses, how Americans like Tom Sawyer read European literature too dogmatically, the conmen Twain depicts in the Duke and Dauphin, technical versus tacit knowledge in his memoir Life on the Mississippi, contemporary interest in Twain from Ron Chernow and Percival Everett, the nature of irony as well as the poverty of modern comedy, and what philosophers and comedians alike can learn from the Missouri author and philosopher.
Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes.
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Have you ever swapped stories on a porch with Amish snowbirds in Florida? Searched for reindeer with the Siberian Yupik in Alaska? Been a guest on a houseboat deep in the Louisiana bayou? Peter Santenello hadn't either, until after years spent traveling through eighty-five countries and living abroad, he realized the most unfamiliar territory was often his own American backyard. And so, with a camera in hand and an open mind, he began visiting communities across the country that most media overlooks or misrepresents, from tiny towns in Appalachia to the streets of East LA. What began as curiosity became--one story at a time--an intimate, revealing portrait of America today. From road trips and chance encounters to dinners shared in locals' homes, Your Fellow Americans: Dispatches from Across the Country We Call Home (Simon and Schuster, 2026) captures what makes this country so dynamic, so resilient, and most of all, so very human. Because what Peter discovered on his travels wasn't a nation torn in two. He found something more complex and more powerful: people who want to be seen, who are willing to listen, and who still believe we're more alike than we are different.
Peter Santenello is an independent journalist and filmmaker with over four million subscribers on YouTube.
Caleb Zakarin is CEO and Publisher of the New Books Network.
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As a child, Lim Muy Lang grew up in a prosperous Sino-Khmer family in Cambodia’s capital, Phnom Penh, in the late 1960s and early 1970s. When the Khmer Rouge seized power in April 1975, her family, along with the entire population of Phnom Penh, was forced to immediately leave the city for the countryside. What followed was a harrowing struggle for survival under the Khmer Rouge’s radical revolutionary regime, which led to the deaths of all of Muy Lang’s immediate family members, and much of her extended family. In the Shadow of the Khmer Rouge: A Child Survivor’s Memoir (NUS Press, 2026), is Muy Lang’s account of what happened. It’s a story of almost unimaginable pain, cruelty, and loss, but also an incredible struggle for survival. And not least, the book is a delightful, deeply personal recollection of childhood and family life in Cambodia before 1975.
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Our Strange Duet: Inspired by Andrew Lloyd Webber's Phantom of the Opera (Delacorte
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When world kettle-bell
As Keohan’s efforts garnered more and more
This interview was conducted by Dr. Miranda Melcher whose book
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While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.
Battle in the Margins is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with Black Gotham Experience, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 Battle in the Margins “Main Event,” a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The Battle in the Margins Research Brief is available here.
Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the Black Gotham Experience (BGX). BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.
Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions.
Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement.
A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard.
Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville.
Erin Osmon’s website and Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.
Bradley on Facebook and Bluesky.
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Emily Charlotte's second Varsity Novel book Catching Feelings (Margaret
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