New Books Network

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New Books Network episodes

August 31 Raf de Bont et al eds., "Globalizing Wildlife" (UNC Press, 2026)
Humans have always incorporated wildlife into processes of work, capture, and exchange. During the nineteenth and twentieth centuries, globalization became the latest in a long line of forces affecting human-animal relations. Grey parrots travelled the world as pets; rats used global shipping infrastructure to spread to far-off islands and became the object of cross-border extermination campaigns; and California sea otters were relocated to accommodate global oil transportation needs. The language of globalization, however, is rarely used to understand the history of these creatures. Globalizing Wildlife (UNC Press, 2026) shows how wild animals were not simply affected by globalization but shaped its concrete trajectories at local, national, and international scales.
The editors and contributors of this collection bring the more-than-human turn to globalization studies, foregrounding not only how globalization matters for wildlife but also how wildlife matters for and constitutes globalization. The volume presents a range of geographically- and species-diverse case studies spanning from the 1870s to the present day to show that globalizing wildlife is far from a homogenous process. Ultimately, contributors reconceptualize globalization and wildlife in relation to one another and foster new connections between the longstanding study of globalization and the dynamic, rapidly consolidating field of historical animal studies.
Contributors are Vincent Bijman, Christina Dunbar-Hester, Regina Horta Duarte, George Iordachescu, Nancy J. Jacobs, Ajit Menon, Gregg Mitman, Nitin D. Rai, Simone Schleper, Jules Skotnes-Brown, Monica Vasile, and James L. A. Webb Jr.
Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he’s currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day.
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47 min
August 31 Dog Day Afternoon
A comedy of frustration and a look at how the media takes and then takes back one’s fifteen minutes of fame, Dog Day Afternoon (1975) is on of Sidney Lumet’s best films with one of Al Pacino’s best performances. Sonny wants to be Lee Marvin but acts more like Don Knotts; he wants to be a folk hero, but becomes more like a meme; he has a romance with the media and finds that his mistress is fickle. Sonny is the kind of person who accidentally appears in a viral video, comes to enjoy the renown, but then learns that his hour upon the stage is signifying nothing.
Bumper music: Bumper music by John Deley.
Interested in the real events that inspired the film and how the film was made? Read Rachel Walther’s Born to Lose: The Misfits Who Made Dog Day Afternoon.
Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at [email protected] with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler’s Almanac.
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26 min
August 30Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026)
Taiwanese cinema is internationally celebrated for the
auteurs of the Taiwan New Cinema. Yet over the past fifteen years,
ghosts, demons, curses and haunted screens have become increasingly
prominent, turning horror from a marginal genre into an important strand
of Taiwan’s popular cinema.
Professor Corrado Neri’s new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem
Press, 2026), explores this transformation. Neri argues that Taiwanese
horror has reached a new stage of maturity: it is now an established
industrial category, has diversified across genres and media, and has
developed a sophisticated capacity to address Taiwan’s social,
historical and technological anxieties.
The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.
In this podcast conversation, Dr Ming-yeh Rawnsley talks
with Professor Neri about what Taiwanese horror can tell us about Taiwan
itself. Their discussion moves from ghosts and folklore to democracy,
historical memory, digital culture and changing understandings of
identity. Themes include:
Why horror? – how a once-marginal genre became an important part of Taiwanese cinema.

Taiwan as a ‘Ghost Nation’ – why ghosts offer powerful ways of thinking about Taiwan’s contested history and identity.

Horror,
democracy and historical memory – how liberalisation opened new
possibilities for confronting difficult histories, notably the White
Terror in Detention.

Religion,
folklore and the supernatural – how beliefs, rituals and local legends
provide filmmakers with distinctive cultural resources.

Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting.

Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities.

Taiwan
within Asian horror cinema – how Taiwanese filmmakers engage with
regional traditions while developing recognisably local forms.
One of the book’s most compelling arguments is that the
supernatural provides a productive language for exploring Taiwan’s
relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media.
Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along
has expanded into webtoon and virtual reality. Horror thus forms part
of a wider creative ecosystem in which cinema intersects with digital
media, popular culture and Taiwan’s cultural-content industries.
Taiwanese horror therefore deserves attention beyond horror
enthusiasts or film specialists. These films frighten, surprise and
sometimes make audiences laugh, but their ghosts also carry history.
They negotiate memories of authoritarianism and democratisation,
questions of gender and sexuality, and move between temples, cinemas,
video games and smartphone screens.
The ghosts haunting contemporary Taiwanese cinema are
rarely just ghosts. They offer another way of asking questions about
Taiwan: how the past survives in the present, how identities are
continually remade, and how a rapidly changing society chooses to
remember—and imagine—itself.
Dr Ming-yeh T. Rawnsley is a Research Associate at the
Centre of Taiwan Studies, SOAS University of London, and a host for the
New Books Network. She is also a co-editor (with Professor Gary
Rawnsley) of the short book series, ‘Anthem Impact in Asian Media,
Cinema and Communications’.
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32 min
August 30 Prakash Kashwan, "Decolonizing Environmentalism: Alternative Visions and Practices of Environmental Action" (Bloomsbury, 2024)
Brought to you by the BISA Environment and Climate Politics Working Group.
Decolonizing Environmentalism: Alternative Visions and Practices of Environmental Action (Bloomsbury, 2024) helps
us reimagine our approach to environmental stewardship critically
interrogating the problems associated with existing legacies of
environmentalism and how we imagine other ways to addressing the multiple planetary crises.
The
authors cast a critical eye on wealthy and influential environmental
groups that committed to anti-racist strategies in the wake of the
racial awakening of 2020. Yet, they continue to embrace false solutions
like carbon markets and biodiversity offsets, which carry deeply
racialized consequences. By tracing the roots of these misplaced
priorities to detrimental modernity steeped in colonialism and
capitalism, the authors call for transformational changes in
human-nature relationships. They distill lessons from the divestment
movement, which has questioned the fossil fuel industry's moral
standing, and food sovereignty activists, who have mobilized global
civil society to hold agribusiness corporations accountable.
In
these extraordinary times, Decolonizing Environmentalism invites
readers to embark on a transformative journey to embrace anti-racist,
emancipatory, and regenerative approaches to environmentalism.
Prakash Kashwan is
an educator, author, and scholar, whose work cuts across the fields of
climate governance, environmental and climate justice, and international
affairs. Currently, he is an Associate Professor of Environmental
Studies at Brandeis University. He also holds faculty affiliations with
the Heller School of Social Policy & Management, and Politics
Department at Brandeis. Before moving to Brandeis, he was a tenured
Associate Professor of Political Science at the University of
Connecticut and Co-directed the Economic and Social Rights Research
Program at UConn's Human Rights Institute.
Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her
research focuses on global environmental politics with a particular
focus on climate and energy security, climate justice grievances,
international orders and questions concerning security and existential
risks in a warming world. She co-directs the Centre for Integrated
Research in Risk and Resilience (CIRRR) and the Environmental Security
Research Group.
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1 hr 9 min
August 30Steven Herman: Behind the White House Curtain
Steven Herman spent 1990-2006 in Japan, most of those years with Voice of America. He served as South East Asia Bureau Chief as well as North East Asia Bureau Chief for the Korean Peninsula & Japan. Over his 16 years living in Japan he covered the Kobe Earthquake as well as the 2011 Tohoku Earthquake-tsunami-nuclear disaster, which he said was "covering three disasters at the same time.”
He also recounts his more recent days as a White House Foreign Correspondent, especially his time as a traveling pool reporter. You'll learn what it's like to fly on Air Force One, why he got banned (twice) from X by Elon Musk, that "Presidential M&M's" are a thing, and his best advice for those wanting to write a book about their experiences in a foreign country.
Finally, he gives a concise account of what happened to VOA in the Trump Administration, his role as a whistle-blower, and tells us why DOGE shut them down. Herman retired from VOA in mid 2025 and now teaches journalism. In this latter discussion, he reveals how he blew the biggest scoop ever in his journalism career.
Herman is currently the executive director of the Jordan Center for Journalism Advocacy & Innovation in the School of Journalism & New Media at the University of Mississippi.
Some of Herman's favorite books on Japan are:
Notes in Japan, by Alfred Parsons (1896)

No Surrender: My 30-year War the autobiography of Noda Hiro (1974, transl. Charles S. Terry)

The Warrior's Camera: The Cinema of Akira Kurosawa (Princeton Univ. Press, 1991)

You can find Steve Herman on social media at:

Mastadon, Blue Sky, Threads, Substack, LinkedIn and Instagram
The Books on Asia Podcast is co-produced with Plum Rain Press.
Subscribe to the BOA podcast from your favorite podcast service.
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38 min
August 30 Fr. Dwight Longenecker, "Bloodshed and Blessing: Stories of Sacrifice from Ancient Altars to the Holy Mass" (Sophia Institute Press, 2026)
Something deep within you recognizes it–the instinct that sacrifice matters, that something must be offered, that violence and beauty are woven together in ways that mere reason cannot explain. You are not alone. Civilizations throughout history have felt it.
In Bloodshed and Blessing: Stories of Sacrifice from Ancient Altars to the Holy Mass (Sophia Institute Press, 2026), Fr. Dwight Longenecker takes you on a gripping journey through ten ancient cultures, from the Aztecs to the Vikings, in which blood sacrifice was not the mark of barbarism but the beating heart of an entire worldview. And then he asks the question that will stop you cold: What if they weren’t so different from us?
Well, they weren’t. And once you see this reality, you can’t unsee it. Fr. Longenecker shows you that the violence, resentment, and desperate longing for meaning surging through our culture today are the very same forces that once drove men to the altar of sacrifice. The difference is that we have largely forgotten the One True Sacrifice that puts them all into perspective.
The ancient peoples were our ancestors – not just biologically but spiritually. Their worldview, so seemingly foreign to us, echoes down through the ages into our own deepest longings and anxieties.
In a culture surging with resentment and a desperate hunger for meaning, Fr. Longenecker shows you how sacrifice has always been humanity’s answer–a way of channeling violence into something transcendent, of transforming chaos into communion.
The questions people were asking then are the same ones we are asking now. And the answer, it turns out, has been on the altar all along.
Fr. Dwight Longenecker was brought up an Evangelical, studied at fundamentalist Bob Jones University, and later was ordained as an Anglican priest in England. After ten years in the Anglican ministry as a curate, a chaplain at Cambridge, and a country parson, in 1995 Dwight was received into full communion with the Catholic Church. He has published in numerous religious magazines and papers in the UK, Ireland, and the USA, writing on film and theology, apologetics, Biblical commentary and Catholic culture.
Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.
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38 min
August 30 Tom Trier, "Blue Sea, Black Gold, Red Banner: The South Caucasus and Scandinavia, 1880s–1920s" (Northern Illinois UP, 2026)
Blue Sea, Black Gold, Red Banner: The South Caucasus and Scandinavia, 1880s–1920s
(Northern Illinois University Press, 2026) tells the story of the
historical connections between two geographically distant and culturally
distinct regions on the edges of Europe: Scandinavia and the South
Caucasus. From the late nineteenth century, maritime trade fostered new
commercial links and consular relations. Scandinavian merchants,
particularly in Batumi and Baku, played key roles. The discovery of oil
along the Caspian Sea shores attracted Scandinavian entrepreneurs,
notably the Swedish Nobel family, helping to develop Baku into a booming
industrial hub.
Tom
Trier focuses on the years of upheaval surrounding World War I and the
collapse of the Russian Empire, when Georgia—along with Armenia and
Azerbaijan—briefly emerged
as an independent republic. The four-decade relationship ended abruptly
during the Bolshevik Red Army's invasion of the South Caucasus from
1920 to 1921. Drawing on both Scandinavian and Georgian perspectives, Blue Sea, Black Gold, Red Banner
examines how Nordic merchants, consuls, and diplomats navigated the
shifting political landscape and how Georgia's social democratic
leadership looked to neutral Scandinavia as a gateway to broader
European political, diplomatic, and economic engagement.
This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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1 hr 4 min
August 30 María Angélica Thumala Olave, "The Love of Books: Attachment to a Changing Cultural Object" (Manchester UP, 2026)
Why do people read? In The Love of Books: Attachment to a Changing Cultural Object (Manchester University Press, 2026) María Angélica Thumala Olave, a Senior Lecturer in Sociology at the University of Edinburgh’s School of Social and Political Science, explores people’s relationship to books and to reading, demonstrating the pleasure and importance books provide in contemporary life. Moving beyond a narrow focus on the social status offered by books and reading, the analysis shows the role of material objects, along with the emotional engagements and social bonds forged by the practices associated with books and reading.
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42 min
August 30 Richard Ned Lebow, "Why Nations Still Fight" (Cambridge UP, 2026)
Drawing on an original data set of interventions and wars from 1945 to the current day, as well as numerous short case studies, Richard Ned Lebow offers a novel account of their origins and outcomes - one that emphasises miscalculation, failure to conduct meaningful risk assessments, and cultural and political arrogance.
A successive work to Why Nations Fight (2010), in this book Why Nations Still Fight (Cambridge UP, 2026) he explains why initiators routinely lose militarily and politically when they resort to force, as well as accounting for why the great powers, in particular, have not learned from their failures.
Lebow offers both type- and region-specific forecasts for the future likelihood of interventions and wars.
His account reveals the inapplicability of theories nested in the realist and rationalist paradigms to the study of war.
He argues what is needed instead is an "irrationalist" theory, and he takes the initial steps in this direction.
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1 hr 13 min
August 30 Hamish Maxwell-Stewart and Michael Quinlan, "Unfree Workers: Insubordination and Resistance in Convict Australia, 1788–1860" (Springer Nature, 2022)
Hamish Maxwell-Stewart and Michael Quinlan’s Unfree Workers: Insubordination and Resistance in Convict Australia, 1788–1860 (draws
on considerable Australian legal, archival and statistical sources to
ensure that we not only see the management of unfree labour regimes
deployed in settler colonies, but also to identify all the strategies
that victims of the early imperial prison-industrial complex used to
resist the regime.
The first half of Unfree Workers
provides a brilliant account of the diversity of coercive labour
practices that were demanded under colonial and settler-colonial
expansions. Their labour regime was incredibly violent:
A sentence to penal transportation was no trivial thing. The convicts
sent to New South Wales and Van Diemen’s Land were regimented,
disciplined and accounted for in ways that pre-empted later social
controls. They were also subjected to high levels of state sanctioned
violence. The punishments and conditions of work they experienced
continued to shape their lives long after they became free, impacting on
colonial family formation and life expectancy.
Maxwell-Stewart and Quinlan show the material links between violence
and colonial economic necessity. Unfree workers whose skills did not
match those in demand were more likely to be accused of work refusal,
which put them at risk of demotion to harder labour and increased
violence.
Maxwell-Stewart and Quinlan’s Unfree Workers, reminding us that while colonial capitalism is a system of exploitation, it necessarily depends upon class conflict.
The process of transportation was a site for resistance. The convict
ship, like the slave ship, was a factory that produced commodified
labour for the colonies, ‘converting the idle poor into docile
labourers.’ Mutiny offered convicts the opportunity to steal their
prison and use it for emancipatory means. Though many conspired, few
succeeded, but on-ship radicalisation nevertheless prepared convicts for
resistance on land. This included making deals for improved working
conditions (including sometimes wages) in exchange for industrious and
non-violent work. To this end, imprisoned workers came together in
common cause, conducting strikes and go-slows and withholding effort.
Just as Caribbean plantations were sites of frequent slave uprising,
Maxwell-Stewart and Quinlan show, so too were convict workers also
legitimately feared for their capacity for violent rebellion, sometimes
with potential support from settlers with wider political goals.
Van Diemen’s Land’s extraordinary record-keeping—itself an instrument
of the punitive surveillance characteristic of the prison-industrial
complex—means that Maxwell-Stewart and Quinlan have recounted in
meticulous, often mapped, detail the size, activity and consequences of
collective action among unfree workers.
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53 min